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“Frank” (Layke Anderson - anyone else thing he looks a lot like Freddie Fox?) is a young British gay lad living in Amsterdam who has just left school and who is looking for life, love and some sort of adventure. He arrives at the “House of Boys” where “Madame” (Udo Kier) believes his assertions that he’s a great dancer - even is he looks bedraggled! He has to share a room with the club’s straight star “Jake” (Benn Northover) who kicks him out each time his girlfriend come for a visit, but quickly this eclectic yet friendly group welcome him to their fold and he starts to become popular. The emphasis now shifts a little to “Jake” who is having a fairly torrid time with his “my body my rules” partner whilst simultaneously providing services for wealth visiting Americans who pay well to sleep with him. Things come to an head when someone steals his savings and when he discovers who took it, feels betrayed and that’s where the arms of the waiting “Frank” might come in handy. Their relationship starts to take on a new dimension but it’s not long before an incident leads to an hospital appointment and the entry of Stephen Fry’s “Dr. Marsh” who has some news to deliver - news that was grabbing headlines all around the world in 1985! Initially, this is quite a light and fluffy look at stereotypical gay culture, centred around a seamy dance club where sex is bought and paid for with scant regard to any though of the repercussions. It’s only when the story beds down and the characters become a little more established that it becomes a bit more substantial. It looks a little at transitional sexuality, and it addresses (albeit entirely one-sidedly) issues around abortion but the main thrust of the plot sees two characterful efforts from Anderson and Northover emerge from the “Magic Mike” elements and take us on quite a tormentedly plausible story set at the outset of the HIV/AIDS epidemic that was being stigmatised by not just the community at large, but the gay one too whilst the scientific one struggled to get it’s head around people with no T-cell count at all in their blood! The plot is not that original, but it has an earthiness to it; a darkness peppered with bits of sarcastic comedy and some decent drag routines at the start to illustrate quite potently a naive and cavalier way of life that was in for a shock. Given it’s timeframe, the outcome is pretty much writing in the wall, but to watch now when the disease is relatively manageable reminds us that a mere forty years ago this was an out-and-out killer.
In Nazi Germany, the young, closeted Ben fears for his own safety as he learns that the world he lives in is about to become even more dangerous for him and his openly gay best friend.
A gay man living through the HIV/AIDS crisis reflects upon his recent history of loss with the help of his grandmother, who tells him a story of her own trauma and loss during the Jim Crow-era South.
Luna runs away from home in the middle of the night. In an unexpected encounter with a group of drag queens, she redefines her concept of family.
Mother disappeared. Son faces the truth that was hidden for thirty years. In 1983, a twisted love story among a woman, a revolutionary, and a fraktsiya unfolds.
Wilde has just sold his company, but facing the holidays as a single man, he decides to swap houses on an LGBTQ app with handsome, Brilfax-bred Oliver. In their efforts to escape their woes, each end up meeting respective handsome locals in the forms of Julius and Henry, who will spice up their visits. In the process romance ignites in both sunny L.A. and a charming, snowy town called Brilfax.
Two boys dream of escaping their island town to go on an adventure on the mainland, a son and his lover fight to escape the clutches of an overbearing father, and a priest is shocked when some local students plan to put on a homoerotic rendition of the miracle of Lazarus. Immerse yourself in Italian culture, humor and lush landscapes in these beautiful short films from Italy. The 5 short films are: Uproar [Pipinara] (2017); Tidal Time [L'ora di porto] (2018); The Mannequin [Il manichino] (2015); Lazarus Come Out [Lazzaro vieni fuori] (2015); Glue [Colla] (2016).
When an Italian man comes out of the closet, it affects both his life and his crazy family.
A young Jewish American man endeavors—with the help of eccentric, distant relatives—to find the woman who saved his grandfather during World War II—in a Ukrainian village which was ultimately razed by the Nazis.
Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteor-logical.
Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in taboo trysts and a tangled love triangle.
A biopic of writer Truman Capote and his assignment for The New Yorker to write the non-fiction book "In Cold Blood".