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For those unfamiliar with the term “aporia,” it refers to a state of puzzlement or bewilderment, especially in philosophical and ethical discourse. And, in the case of this latest effort from writer-director Jared Moshé, it’s equally applicable to the essence of this film’s existence. This romantic sci-fi saga of a nurse, Sophie (Judy Greer), who loses her engineer/physicist husband, Mal (Edi Gathegi), to a drunk driver follows the efforts to bring him back to life with the assistance of her late spouse’s best friend, Jabir (Payman Maadi), a fellow scientist with whom he was working on a time machine. Unfortunately, the device doesn’t function as intended, but it is nevertheless capable of sending a deadly subatomic particle through time whose impact is capable of killing someone – in this case, the proposed target being the motorist who killed Mal. The prospect poses a daunting ethical dilemma, but Sophie agrees to it, and she soon finds herself back in the company of her husband. But changing the past carries consequences, many of them unforeseen and difficult to deal with. The film presents an intriguing premise, to be sure, but one not unlike what was previously examined in “The Butterfly Effect” (2004). What’s more, this offering is plagued by a number of issues, such as needlessly slow pacing, insightful but overlong ethical debates and a stunningly unsophisticated temporal device that looks like one of Rube Goldberg’s comical contraptions. The biggest problem by far, though, is one of narrative credibility – not from a scientific standpoint but from a moral one: It’s hard to believe that these three supposedly intelligent individuals can be so casual and cavalier when it comes to their ethics and morals. I find it unfathomable how a supposedly compassionate caregiver like a nurse could so willingly go along with a harebrained plan to willfully kill someone for self-serving purposes; it’s a hallow, contrived and patently unbelievable story arc. And, when efforts to make up for this transgression surface, the plot truly starts to go off the rails. Indeed, the logic behind this tale truly needs to be rethought and reworked, because, as it stands now, it genuinely leaves philosophically minded viewers in a deep state of aporia, especially when it comes to figuring out why they bought a ticket to watch it in the first place.
A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.
One Night in Oslo follows a group of young people in Oslo’s Eastern parts on the night before Norway’s National Day, and reflects their expectations and emotions ahead of the celebration.
The year is 2047. Humanity is on the verge of extinction. One man has been chosen to be the first to attempt time travel. The only chance for survival rests on his shoulders. However, he has other plans.
When the Second Doctor, Polly, Ben and Jamie visit a human colony that appears to be one big holiday camp, they think they have come across a truly happy place. Yet a shadowy presence soon makes them realise that the surface contentment is carefully controlled.
The TARDIS arrives on Earth in July, 1966, on a runway at Gatwick Airport. Polly witnesses a murder in a nearby hangar and is then kidnapped by the perpetrator, Spencer of Chameleon Tours. Ben also vanishes. The Second Doctor and Jamie are left to convince the sceptical airport Commandant there has been foul play.
The Daleks draft the Second Doctor into distilling the Human Factor. Once implanted, it will make the Dalek race invincible. Jamie's faith in the Doctor is stretched to the limit as the Doctor appears to be collaborating with the Daleks. The Doctor has a few tricks up his sleeve, but then again so might the Daleks.
Mysterious forces are at work in 1930s Tibet. The once gentle Yeti have turned savage and besieged a Buddhist monastery. The Second Doctor, Jamie and Victoria arrive expecting a friendly welcome from the abbot, but soon become ensnared in the plans of the extradimensional being known as the Great Intelligence.
The Doctor takes Ace on an initiative test to a strange Victorian old house where she is forced to confront her darkest fears.
The Doctor and Ace head for the Psychic Circus on the planet Segonax, where they meet a disparate group of performers and visitors, including a self-centred explorer named Captain Cook, his companion Mags and a biker known as Nord.
The TARDIS arrives on Earth in a new ice age. The travellers make their way into a base where scientists, commanded by Leader Clent, are using an ioniser device to combat the advance of a glacier.
The TARDIS narrowly avoids becoming engulfed in a cobwebby substance in space. It arrives in the London Underground railway system, the tunnels of which are being overrun by the web and by the Great Intelligence's robot Yeti. The time travellers learn this crisis was precipitated when Professor Travers, whom they first met in the Himalayas some thirty years earlier, accidentally caused one of the Yeti to be reactivated, opening the way for the Intelligence to invade again.