A House Is Not a Home

During a thunderstorm, a group of members of London's high society seek refuge in a remote mansion in the countryside. They are received by Uriat and his mother, who appears to be able to communicate with the dead. The guests engage in a séance, but it will reveal each and everyone's darkest secrets.

Som, an ordinary young woman who works as a movie make-up artist. Her longtime live-in boyfriend Rang is also in the business. But the handsome musclebound prop guy – always wearing tight, biceps-baring vest T-shirts – captures many adoring eyes, like that slutty actress, but also his straight-acting gay boss and just about anyone else with a pulse.

During WWII two sisters have stolen some emeralds from the lesbian Nazi SS officer (Rena Riffel) and now are on the run. One gets captured by her and gets tortured with electrified Freddy Krueger glove into revealing the location of the gems. The other escapes to her cousin's house, but her cousin who isn't that pleased with her appearance and blackmails the girl into becoming her personal slave in return for not turning her over to the SS.

A reporter and her cameraman connect a surviving Jonestown leader and a TV exec's missing son to a drug war where jungle installations are being massacred by an army of natives and a skilled white assassin.

Saturnino, a young archaeologist, bourgeois and wealthy, lives in a luxurious mansion. He receives a visit from his old teacher, Don Felipe, accompanied by his daughter and a monumental mummy he has just discovered in one of his excavations in the Upper Nile. The Mummy, was in his time a princess and has on his bandages a curse, that when it breaks ... it will be dedicated to chasing and raping all the men it finds in its path.

The Narrator tells us how the radio influenced his childhood in the days before TV. In the New York City of the late 1930s to the New Year's Eve 1944, this coming-of-age tale mixes the narrator's experiences with contemporary anecdotes and urban legends of the radio stars.

In this third installment of the "Olga" series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga's House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it's difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.

Libbie is assigned to her paper's sexual advice column, "Dear Collete". She is taking over the job of Harry a crusty old journalist who shows her the pro's and cons of the job while running on a tight deadline to get the column finished for the morning's paper. During the course of the evening they reply to a wide variety of sexual experiences submitted by the readers, some these include, sex in a threesome at a drive-in theatre, sex in a gymnasium, and sex in a library where the "Silence Please" sign gives the male librarian an advantage over the female readers.

A group of prostitutes take their bordello on the road, loading into a van and using their CB radio to inform truckers of when and where they'll be stopping. The fun-loving girls enjoy success with their mobile brothel until they cross the state line into the Bible belt and find themselves under pursuit by the police.