The Bold and the Beautiful - (Mar 3rd)
The Young and the Restless - (Mar 3rd)
Deadline- White House - (Mar 3rd)
Emergency Room 24 Hours - (Mar 3rd)
Two Men on a Bike - (Mar 3rd)
Cops Gone Bad with Will Mellor - (Mar 3rd)
Police- Suspect No.1 - (Mar 3rd)
Katy Tur Reports - (Mar 3rd)
Panorama - (Mar 3rd)
Traffic Cops - (Mar 3rd)
Tipping Point - (Mar 3rd)
American Idol - (Mar 3rd)
The Tucker Carlson Show - (Mar 3rd)
Chris Jansing Reports - (Mar 3rd)
Piers Morgan Uncensored - (Mar 3rd)
Open House NYC - (Mar 3rd)
My Pet Ate What - (Mar 3rd)
Marie Antoinette - (Mar 3rd)
The Real Housewives of Cheshire - (Mar 3rd)
Murdoch Mysteries - (Mar 3rd)
In 1976, the Tate Gallery exhibited an experimental artwork that became a national sensation - Carl Andre's Equivalent VIII, or, to its detractors, 120 bricks laid on the floor. This documentary explores the origins of Andre's work and the extraordinary fallout from its exhibition.
Ivan Dziuba - literary critic, public figure, academician of the National Academy of Science of Ukraine - belongs to the "sixties". He fully takes care of all the miscalculations and unfulfilled promises of his generation. Reflects on why the illusions were lost and why so few dreams came true ... Let's see and listen to him with his wife Martha, a Lviv woman who was his guardian angel. Together - all life. Exactly as they are, the right is the definition - the conscience of the nation.
A filmmaker celebrates his inspiration for movies by recreating what it was like for his 9-year old self in 1972 when he journeyed downtown to spend a magical Saturday afternoon at the movies.
Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time.
Brazilian singer Maria Bethania has a 40-year singing career. A documentary shows her concerts and famous family.
A panorama of Brazilian popular music from the 60s and 70s through the musical group Novos Baianos. A retrospective of the community lifestyle adopted by its members and the influence inherited from singer João Gilberto.
The testimony of the men who unwittingly became war photographers on the streets of their own towns in Northern Ireland, when violence erupted around them. Instead of photographing weddings and celebrities, as they expected, they produced the images that crudely show the suffering of ordinary people between 1968 and 1998, the worst years of the conflict.
Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’
This film is a story about that time in the Baltics, Latvia, and Riga. Young rebels of 1960s – nonconformists, hippies and beatniks – have turned into a generation of well-known writers, poets, musicians, directors, as well as politicians of the new independent Latvia. The ones who were 18, 20, or 25 in 1960s are half a century older today. The protagonists of the film are united by the bohemian gathering place of their youth, a small nameless cafe in the Old Town of Riga, commonly referred to as “Kaza” (The Goat). This place is surrounded by legends, myths and humorous stories.
"The Pipeline of the Century - How Soviet Natural Gas Came to the West" by director Matthias Schmidt shows touching personal memories. The production is a treasure trove of material in which previously unpublished visual material about the construction of the century and its builders can be seen. Writer & Director Matthias Schmidt ; A Co-Production by LOOKSfilm and MDR in Cooperation with ARTE