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Perhaps it was the “I feel like I’ve seen this before” factor, but ‘Blinded By The Light’ just didn’t resonate. It lacked the humour, the heart and the finesse of Chadha’s previous films, and therefore it falls short. - Jess Fenton Read Jess' full article... https://www.maketheswitch.com.au/article/review-blinded-by-the-light-the-spiritual-sequel-to-bend-it-like-beckham Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
The importance of representation isn't to speak exclusively to one crowd but to demonstrate that deep down, we all deal with the same issues and problems, regardless of ability, race, gender, religion or any of the other attributes that are used to divide us. This movie isn't just about a young boy discovering his identity as a British Pakistani Muslim, it goes beyond that and depicts a coming of age struggle between parent and child. Springsteen's soundtrack works as a baseline around Javid's transition from boy to man, through the pursuit of him achieving his dream, which beautifully represents mid 80's Britain as this bleak and hopeless space that is being held together with prayers and dreams of better tomorrows. My favourite part is the moment Springsteen's music is introduced, mirroring a similar reaction to mine, at a similar age to an unknown band, The Airborne Toxic Event, who were also greatly inspired by The Boss. Lyrics flash on screen while a storm brews outside, energy radiates from the screen while I'm on Fire rings in your ears. The magic of Cinema never felt more alive to me than it did in those few brief minutes. The final 30 minutes of the movie had me physically crying, an honour held by a select few, the most touching aspects were in relation to the cultural heritage of the characters and felt very close to home. Overall, this movie hits the spot if you're looking for a feelgood film to break up the week but please don't miss the opportunity to watch this in the cinema where you can truly experience the movie at its best.
A gentle, funny, story about a lad whose outlook on life is totally transformed after his pal introduces him to the music of Bruce Springsteen. Viveik Kalra is on engaging form as the young "Javed" as is Dean-Charles Chapman as his aggrieved mate "Matt" and the music serves as a memorable narrative for a coming-of-age tale set against a backdrop of racism, bigotry, hormones and angst. It reminded me of late 80's Britain when you did actually have to queue up in one of the many (now long gone) record stores to get your tickets for a concert - sometimes at 00:01 in the morning. Look out for "Peggy Carter" as his teacher.
Sarah Jo is a naive 26-year-old living on the fringes of Hollywood with her mother and sister. When she begins an affair with her older employer, she is thrust into an education on sexuality, loss and power.
A drifting Chinese American cam girl struggles to navigate an increasingly toxic relationship with one of her clients while rekindling her relationship with her dying estranged father.
A young man prostitutes himself in the parks of Madrid while he is looking for his father, who abandoned him when he was a child.
The trajectory of a romantic couple of contemporary artists reveals how the limits, contradictions and obsessions of a romantic relationship are reflected in each of their artistic endeavors.
Facing eviction, the residents of a bohemian quarter of Portland, Oregon organize to collectively purchase a block of houses, only to get a crash course in bureaucracy.
Even though the protagonist of the Canadian Femme De L'Hotel is a female filmmaker, one would think twice before suggesting that this effort by Swiss-born director Lea Pool is autobiographical. Paule Baillargeon portrays a well-known director who returns to her home town of Montreal to film a high-budget musical drama. At her hotel, Paule has a brief but unsettling encounter with a suicidal elderly woman (Louise Marleau). This element of the plot is briefly forgotten as we get to know the actors in Paule's current project. Then she meets the old lady again, and with mounting incredulity Paule discovers that the actual events in the woman's life mirror the fictional events in the director's film.
Six year old Azad (a Kurd from Iraq) was engaged to his cousin Vian but after that the two kids were separated due to the political situation. At 19, Azad accidentally witnessed the murder of Vian's father and had to leave the country. On board the ship to Europe he met a beautiful girl and fell in love with her without recognizing that she was his fiancée Vian. Vian, on her part, did not reveal herself to him because she thought he had been involved in the murder of her father and she tried to suppress her feelings towards Azad.
In 1976, four hijackers take over an Air France airplane en route from Tel Aviv to Paris and force it to land in Entebbe, Uganda. With 248 passengers on board, one of the most daring rescue missions ever is set in motion.
Two twenty-somethings move to San Francisco to chase their career, but end up chasing tail instead.
After her estranged brother's sudden death, young wife Lucia bonds with his fiancée through their shared grief and finds herself falling in love.
