Parlor, Bedroom and Bath

Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.

Young love and childish fears highlight a year in the life of a turn-of-the-century family up to the 1904 St. Louis World's Fair.

Spain in the mid-seventeenth century. A series of bloody wars has ravaged the nation. Don Juan the nobleman and his valet, Sganarelle, roam the countryside on horseback, on the run and lost.

The time of the French revolution, and Citizen Robespierre is beheading the French aristocracy. When word gets to England, two noblemen, Sir Rodney Ffing and Lord Darcy Pue take it upon themselves to aid their French counterparts. Sir Rodney is a master of disguise, and becomes "The Black Fingernail", scourge of Camembert and Bidet, leaders of the French secret police.

The breathtaking sights and sounds of Mexico's lush Pacific coast come alive in this captivating comedy-drama shot in the isolated seaside village of Yelapa. Join four offbeat travelers hunting for romantic adventure, hidden cash, a mysterious father, and the mythic sorceror, "Don Juan," made famous in books by Carlos Castaneda. Featuring a cast of North American actors and Yelapa locals and an original soundtrack recorded by members of the David Grisman Band, Tito Puente, Van Morrison, The Robert Gray Band - and the grammy-winning CARLOS SANTANA Band.

A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective-the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time-so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.

When Gabriel and Emilie meet by chance, he offers her a ride, and they spend the evening talking, laughing and getting along famously. At the end of the night, Emilie declines Gabriel's offer of "a kiss without consequences". Emilie admonishes him that the kiss could have unexpected consequences, and tells him a story, unfolding in flashbacks, about the impossibility of indulging your desires without affecting someone else's life.

Quiet, unassuming Adam is changing in a major way, thanks to his new girlfriend, art student Evelyn. Adam's friends are a little freaked by the transformation.

Disguised as her daughter, Anna's mother slips into French lessons to supplement little daughter's notes. She strikes her best in class, but she also shows what she is capable of in the group in the afternoon. As the headmaster uncovers the mother-daughter delusion, it becomes all the more praiseworthy.

An all-female version of the Van Helsing tale reconfigures the vampire story as an erotic fantasy. The great, great granddaughter of Van Helsing seeks to slay the sexy Countess Dracula. She may have to pretend to be her devoted love slave to get closer to the bloodthirsty demon.