Venom The Last Dance 2024 - Movies (Jan 15th)
You Gotta Believe 2024 - Movies (Jan 15th)
Wolf Man 2025 - Movies (Jan 15th)
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Out Come the Wolves 2024 - Movies (Jan 15th)
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Magical Japanese - (Jan 15th)
The Beat with Ari Melber - (Jan 15th)
GRAND SUMO Highlights - (Jan 15th)
Match of the Day - (Jan 16th)
Richard Osmans House of Games - (Jan 15th)
The Tucker Carlson Show - (Jan 15th)
Love Island- All Stars - (Jan 15th)
Salvage Hunters - (Jan 15th)
The Traitors - (Jan 15th)
The Traitors- Uncloaked - (Jan 15th)
Deadline- White House - (Jan 15th)
Highway Thru Hell - (Jan 15th)
Kirstie And Phils Love It Or List It- Brilliant Builds - (Jan 15th)
Surgeons- A Matter of Life or Death - (Jan 15th)
Katy Tur Reports - (Jan 15th)
The Repair Shop - (Jan 15th)
Raw - (Jan 15th)
The Bidding Room - (Jan 15th)
The Chase - (Jan 15th)
Life Below Zero - (Jan 15th)
**One of my faves and I bet Timothee works with the director** This is one of the best films I've seen – and I've seen many acclaimed movies, art and commercial. **PREDICTION**: I bet Timothee Chalamet ends up working with the director Philippe Lesage. I think he’d appreciate Lesage’s depth and intelligent, compassionate understanding of human beings – and they both have a French background. The film is unusually realistic, and sensitive in every meaning of the word: Lesage has clearly observed and reflected on human nature to the point of deep sympathy, which he expresses on film with subtlety, delicacy and brutality. I loved it. It's not just about first loves – it's about the human condition. ~*~ **I saw some on IMDB gave it bad reviews**: I can only assume these people lack the depth and life experience to appreciate the psychological and emotional material it explores. Maybe in a few years they should watch it again, and pay _closer attention_! (It's a small-scale, slow(_ish_)-burn psychological-emotional movie, not a racy blockbuster!) An exquisite gem, to be turned over slowly in the hand. I didn't find it boring for a minute – the only scene I thought could have been cut was the second club dancing scene. (Though perhaps _when_ I watch it all again, I’ll understand why it’s there.) Some complained about the last section. Two responses: * Yes, it’s unusual and like a small movie in itself. It's not what’s normally done. That's _innovation_! * It does fit with the rest of the movie if you grok it a little. If it was at the start, you could see this even more: it’s a _counterpoint_ showing how innocent love _can_ be (especially at an earlier age), compared to how tumultuous it can be (especially later in life). In its place at the end of the movie, you could see it as a kind of ‘saving grace’ that gives some hope, reminding us how pure affection and fascination can be. Or if you’re of a darker mind: you see the sadness that may lay in wait for Felix and Beatrice. It’s almost like the cycle of life: ‘...and so it all starts over again’. Sidebar: I've been to similar gatherings and it was _so_ good at evoking the warm, intimate, relaxed atmosphere of such gatherings. (Unless of course you're a cynic who's mind and heart is incapable of enjoying ‘all that’ – in which case even such gatherings would leave you cold and seeing hidden motivations everywhere...yep, the ravenous Consuming Mind searching for its prey...) ~*~ Did any of you film fiends notice the probable homage to Zéro de conduite?
On his last night before going abroad, José goes out to a party with Milena, his best friend. The night will develop into a serie of events that will change their relationship forever.
Hired by a woman who thinks her husband cheated on her, a fumbling crook has to kidnap and punish the mistress in question. With one of his friends, he sets up a scheme to pocket the money easily. But the day of the confrontation, things take an unexpected turn.
When adulthood looms, naivety fades, and a whole new, strange world opens up. These four beguiling European stories, from acclaimed film festivals the world over, explore these years of youthful wonder with a deftness and artistry that lingers. The short films are: Ruins [Ruines] (2019); Aline (2019); Snake [Змија] (2020); The Touching [Dotýkání] (2020).
After years of traveling, Anyas parents have decided to return from Australia to their native France, and she has to attend a public school for the first time in her life. But normal everyday school life quickly causes problems for the girl. On the first day, she gets a shot with a soccer ball on the head. When no one wants to apologize for this, a violent argument immediately ensues. So she messed it up with the locals right from the start. Anya becomes an outsider, which doesn't even really bother her. But Zoé, Nils and Jade, who are also a bit different, take care of her. A new clique is formed. But the pretty outsider would prefer to be friends with Nathan, the school director's son. But he gives her the cold shoulder because it wouldn't be cool to be interested in girls in front of his buddies. Meanwhile, the girls hatch a plan to win their place in the schoolyard. A real fight ensues between the students. Now it's girls against boys. But how far can a dispute between children go?
Finn (15) is an uncomplicated schoolboy until one day, coming home from school, he catches his father Roelof in his moms dress. The man Finn has looked up to his whole life, wants to become a woman. Finn, just discovering his own sexuality, is troubled by this new discovery. A struggle with feelings of shame, love and loyalty follows. Luckily Lizzie, his newfound friend, is there to help him.
Clemens works as a masseur, Lara as a cook, but their clientele is the same: the guests of a luxury hotel. As sparks begin to fly between the two, his sensitivity clashes with her more fiery temperament—opposites attract, but harmony is nowhere in sight.
Main hero is a singing boat refugee – orange boy Maroc. He dreams about freedom. Lemon girl Lisa collects singing seashells and dreams about love. Lisa’s father is a businessman, owner of a ketchup factory and tomato plantation. He loves money. And so the opera begins: Poor Maroc escapes from his homeland and defying stormy waters take a boat across the sea to the “promised land”. Upon arrival he is forced into being a slave worker in a tomato plantation instead of freedom, democracy, wealth and parties he had hoped for. Despite the initial let down our orange boy is destined to gain happiness – selfish Lisa falls in love with him and sets him free. We see an orange revolution – houses are blown up and tomatoes are made from ketchup, all in the name of democracy! Movie that is full of rebellion and love has happy ending – we will see sour-sweet culmination of lemon girl’s and orange boy’s love.
In the early 1960s, during the Vatican II era, a young woman training to become a nun struggles with issues of faith, sexuality and the changing church.
A bullied teen experiences a turning point summer in which he learns to stand up for himself.
Dilan's involvement in the motorbike gang imperils his relationship with Milea, whose distant relative returns from Belgium.