Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The House From... 2024 - Movies (Mar 3rd)
The Royal We 2025 - Movies (Mar 2nd)
Snow White and the 7 Samurai 2024 - Movies (Mar 2nd)
South of Hope Street 2024 - Movies (Mar 2nd)
Uppercut 2025 - Movies (Mar 2nd)
I Want to Violently Crash into the Windshield of Love 2024 - Movies (Mar 2nd)
Fight or Flight 2025 - Movies (Feb 28th)
My Hero Academia Youre Next 2024 - Movies (Feb 28th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 28th)
Marked Men Rule + Shaw 2025 - Movies (Feb 28th)
The Golden Voice 2025 - Movies (Feb 28th)
Raduaa Returns 2024 - Movies (Feb 28th)
Cold Wallet 2024 - Movies (Feb 28th)
Bookworm 2024 - Movies (Feb 28th)
The Thinking Game 2024 - Movies (Feb 28th)
Gladiator II 2024 - Movies (Feb 28th)
Finding Tony 2024 - Movies (Feb 27th)
Marie Antoinette - (Mar 3rd)
The Real Housewives of Cheshire - (Mar 3rd)
Murdoch Mysteries - (Mar 3rd)
Family Feud Canada - (Mar 3rd)
The Potato Lab - (Mar 3rd)
Crime Beat - (Mar 3rd)
Fatal Family Feuds - (Mar 3rd)
Saint-Pierre - (Mar 3rd)
Undercover High School - (Mar 3rd)
Common Side Effects - (Mar 3rd)
Two Ways With Erica Mena - (Mar 3rd)
Baddies Midwest - (Mar 3rd)
Married at First Sight - (Mar 3rd)
Australian Survivor - (Mar 3rd)
Australian Idol - (Mar 3rd)
Watch What Happens Live with Andy Cohen - (Mar 3rd)
The Real Housewives of Potomac - (Mar 3rd)
Married to Medicine - (Mar 3rd)
Tribunal Justice - (Mar 3rd)
The Americas - (Mar 3rd)
‘Daniel Isn’t Real’ (based off of Brian DeLeeuw’s novel ‘In This Way I Was Saved’) shares a lot of similarities with David Fincher's ‘Fight Club’, which followed a powerless office worker who happens to meet an assertive friend who helps him become more confident only for everything to get out of hand. I also kept thinking of Curtis Hanson’s underrated ‘Bad Influence’ with James Spader and Rob Lowe, Robert Mulligan’s ‘The Other’, Gregory Hoblit's 'Fallen', and Brad Anderson's 'Session 9'. ‘Daniel Isn’t Real’ is a slickly directed, spooky and surprisingly empathetic film about the monsters that dwell in the human mind. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-daniel-isnt-real-smart-and-sinister-psychological-horror
**It's not original, it's not remarkable, but it was a pretty decent job considering the budget and people involved.** This is another one of those movies that I caught, by chance, starting on TV, and that I decided to watch. So I didn't have high expectations nor did I know exactly what I was going to find. When it was over, I can say that I reasonably liked what I saw: it intelligently explores the human mind and the dark side of the personality, it unfolds well until close to the end, and it is precisely the final part that disappointed me the most. The script begins by introducing us to a young man who, as a child, had an imaginary friend who disappeared as he grew up. The pressure of university life and family problems, however, lead to the reappearance of the imaginary friend, named Daniel, and it doesn't take long to become obvious that his instincts are far more perverse and frightening than would be desirable. Okay, the movie doesn't really bring us anything new. There are a lot of much better made movies about imaginary friends and split personalities. “Fight Club” is paradigmatic, and perhaps one of the best known, and the influence of this (and other) film here is quite clear. The positive side of all this is the elegance and efficient way in which the film tells its story. The downside is the extreme predictability, and the feeling that we are seeing a cheap copy of more established works. Everything would be reasonably forgivable if the final act was better: I hated that confrontation between sympathetic ego and diabolical alter-ego with a cheap carnival mask. The two protagonists of the film are two young actors, both sons of parents we know well: Miles Robbins (son of Tim Robbins and Susan Sarandon) and Patrick Schwarzenegger (exactly, Arnold's son). Therefore, the cinematographic universe is not new for them and both seem to be at the same point in their careers: children of stars who try to succeed in their parents' profession, but who are still more recognized for being their children than for the work and talent they can to do. None of them did a bad job, the two actors did a committed and very honest job. Sasha Lane hasn't been too bad, but she doesn't have much to do. Better and more interesting than her was the performance of Mary Stuart Masterson, a veteran who only appears for a few minutes, but makes an excellent contribution. Technically, it's a film that doesn't stand out or stand out, but that tries to do the best it can with the little money it has. And seen in that light, the film works well and does what it needs to. There are no surprises in the cinematography, the sets or the costumes, and there is an unfortunate job of characterization, towards the end, with that ugly and clearly fake sponge mask that Patrick Schwarzenegger had to wear.
After narrowly escaping a bizarre accident, a troubled teenager is plagued by visions of a large bunny rabbit that manipulates him to commit a series of crimes.
An idyllic small town is rocked when Aubrey Fleming, a bright and promising young woman, is abducted and tortured by a sadistic serial killer. When she manages to escape, the traumatized girl who regains consciousness in the hospital insists that she is not who they think she is and that the real Aubrey Fleming is still in mortal danger.
Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 2: In Too Deep contains nine complete films: Till Kleinert's "Cowboy" starring Oliver Scherz and Pit Bukowski; Håkon Liu's "Lucky Blue" starring Tobias Bengtsson and Tom Lofterud; Matthieu Salmon's "Weekend In The Countryside" starring Théo Frilet, Pierre Moure, and Jean-Claude Dumas; Soman Chainani's "Kali Ma" starring Kamini Khanna, Brendan Bradley, and Manish Dayal; Julián Hernández's "Bramadero" starring Cristhian Rodríguez and Sergio Almazán; Craig Boreham's "Love Bite" starring Will Field and Aidan Calabria; "The Island" featuring director Trevor Anderson ; Arthur Halpern's "Futures (and Derivatives)" starring Kelly Miller, Cam Kornman, and Bill Barnett; and Tim Hunter's "Working It Out" starring Simon Kearney, Paul Ross, and Glaston Toft.
Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 3: American Boy contains seven complete films: Adam Salky's "Dare" starring Adam Fleming, Michael Cassidy, and Marla Burkholder; Jody Wheeler's "In The Closet" starring J.T. Tepnapa and Brent Corrigan; Dennis Shinners's "Area X" starring Matt Schuneman and Antony Raymond; Julian Breece's "The Young & Evil" starring Vaughn Lowery, Diana Elizabeth Jordan, and Reggie Watkins; Brian Krinsky's "Dish :)" starring Matthew Monge, Jeff Martin, and Octavio Altamirano; Carter Smith's "Bugcrush" starring Josh Caras and Donald Cumming; and Kyle Thomas Coker's "Astoria, Queens" starring Aaron Michael Davies, James Heffron, Sangeeta Parekh, and Hayley Thompson-King.
Elliot Tittensor (TV's Shameless) stars as Daz in headlining film PROTECT ME FROM WHAT I WANT, a gripping British film debut that sees him woo a young lad in an underpass, only to be threatened with a break-up the following morning. Passive and submissive roles are tackled and tugged in gay graffiti tale VANDALS and Icelandic grapple-fest WRESTLING, while POSTMORTEM, MY NAME IS LOVE, and Iris Prize-winner STEAM look at promising encounters that turn awry. Rounding out the collection are HEIKO, an alternative ode to foot fetishes, BREATH where 12-year-old Erik swims out to sea to make a daring move on his best friend's father, and the crème de la crème from this collection TREVOR, which won multiple prestigious awards from Sundance, Berlinale, and even The Academy Awards (Oscar) for Best Short Film.
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
A wheelchair-bound photographer spies on his neighbors from his apartment window and becomes convinced one of them has committed murder.
As Boys On Film reaches the end of its teenage years, we take a look at those unique boys who go one step further, who excite, invigorate, and always impress, who break boundaries, shape their worlds and are more than what they appear. Volume 19: No Ordinary Boy includes ten complete films: Scott T. Hinson's "Michael Joseph Jason John" also starring Eric Robledo; Abhishek Verma's animated "The Fish Curry"; Ben Allen's "Blood Out Of A Stone" starring Alex Austin and Oisín Stack; David Färdmar's "No More We" starring Jonathan Andersson and Björn Elgerd; Jannik Splidsboel's "Between Here & Now" starring Francesco Martino and Peder Bille; Amrou Al-Kadhi's "Run(a)way Arab" also starring Ahd and Omar Labek; Dean Loxton's "Meatoo" starring Calum Speed and Warren Rusher; Jake Graf's "Dusk" starring Elliott Sailors, Sue Moore, and Duncan James; Leon Lopez's "Jermaine & Elsie" starring Marji Campi and Ashley Campbell; and Marco Alessi's "Four Quartets" with Laurie Kynaston.
Private eye Philip Marlowe investigates a case of blackmail involving the two wild daughters of a rich general, a pornographer and a gangster.
Serial killer 'NO1KNOWS' managed to elude the police for years. In fact they didn't even know he existed until, by chance, his video and audio recordings were found. By examining the recordings police were able to solve a number of murders around the world - although many men featured in the recordings were never found and it is unclear how many other victims there were since most of the video and audio recordings were destroyed (presumedly by NO1KNOWS himself).