Armand Schulthess - J'ai le téléphone

The film follows five professional photographers in Los Angeles, Latin America, Paris, Berlin and Switzerland in their daily struggle to come by. It shows how digitalization and the internet affects and transforms their work deeply. It talks about the world as much as about the image of that world. It talks about pictures and their meaning and what they trigger in those who watch them.

This film deals with the issue of mandatory military service in Switzerland. For four months, from February to May 1990, filmmaker Jacqueline Veuve and her team filmed a platoon engaged in basic training at Colombier, Switzerland.

The shooting of this peasant chronicle in the Gruyère region of Switzerland lasted a whole year, from July 1989 to July 1990.

Documentary about Swiss grocery store pioneer Gottlieb Duttweiler

Since the conflict in Darfur spread to the eastern border regions of Chad in 2005, some 13,000 people fled from this region to the refugee camp near the village of Gouroukoun. For them, the war is never far off. Many of these traumatised refugees have lived here for years, with little food, no work and no prospect of returning home. Zuchuat took his camera to the camp and captured their uncertain existence without providing any comment. He captures the refugees' arduous daily life in long shots, often from a single angle. They all have their own stories of how they ended up here, how they saw their families and fellow-villagers perish and no longer have any work, cattle or land. Another striking story is told by a child that uses a drawing to explain how he was chased away from his native village. Little girls sing a battle song while waiting for what comes next in this prison without bars.

Kick That Habit is a 1989 film by PETER LIECHTI, an audio-visual portrait of his native country, eastern Switzerland. The film collects samples from the land-and-soundscape, underscoring in the process the oft-ignored industrial underpinning of our latter-day culture. Also native to eastern Switzerland is VOICE CRACK, the everyday household electronics duo of NORBERT MOSLANG and ANDY GUHL, whose musical workings are explored as part of Liechti s vision. Whether clicking quietly and rhythmically or humming and shrieking at ear-splitting volume, their recycled electronics produce innovative sounds and provide an appropriate accompaniment in this cinematic search for the detritus of our culture, the lost and destroyed remains of the last century of progress.

Anoosh and Arash are at the center of Tehran’s underground techno scene. Tired of hiding from the police and their stagnating career, they organize one last manic techno rave under dangerous circumstances in the desert. Back in Tehran they try their luck selling their illegally printed music album without permission. When Anoosh is arrested, there seems to be no hope left. But then they receive a phone call from the biggest techno festival in the world. Once landed in Switzerland, the haze of the instant euphoria evaporates quickly when the seriousness of the situation starts to dawn on them.

This 140-minute documentary takes a close look at the story and historical context of a young Swiss man who was beheaded during WW II for supposedly wanting to kill Hitler. The man's family cannot help clarify the issue since they say he had been pro-Nazi earlier. Other injustices or puzzling omissions come to the fore, such as a German who was against Hitler, survived torture by the SS, and then was not given any state aid when peace was restored. Another sequence shows an extensive U.S. archive of materials that identifies many Nazis and their activities - but is not available to anyone trying to track down former war criminals. Like other films of this type, the documentary helps to fill in facts about WW II that are little-known, or slow in coming out.