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Through the story of a lawyer (led by Darío Grandinetti) facing an unexpected event, Benjamín Naishtat articulates a powerful political policeman and a true sociological essay on the miseries of a town in an unnamed province of Argentina in 1975 and its apparent normality at a turbulent stage in its history. And with great cinematography. It is 1975. Claudio (Darío Grandinetti) is the Doctor, a prestigious lawyer from a town in an unnamed province of Argentina, married to Susana (Andrea Frigerio) and with a teenage daughter. A tense incident with a stranger (Diego Cremonesi) in a town restaurant will be the first in a series of events that will call into question the Doctor's calm. Actually, the first scene of the film is another, a powerful fixed shot over a house, in a scene of enormous eloquence. For those who do not know, or do not remember, in 1975 Isabel Perón ruled and Argentina was already devastated by the kidnappings and murders of the Triple A (Alianza Anticomunista Argentina), a parapolice organization linked to the Government, in a true advance of what that it would be state terrorism established by the civil-military dictatorship that overthrew Isabel in 1976. Red is a remarkable and disturbing film. Its plot suffers an apparent drift by situations that seem disconnected but that in reality are integrated into a powerful and implacable X-ray of an era: violence (sometimes left out of the field), disappearances, dispossession, looting of the victims, the swindle, the silence, the imposture, the impunity. But all under a layer of apparent normality and within the framework of a province intervened to "restore" it. Naishtat's film could be defined as a sociological and political black cop. Each scene is a necessary note (and never underlined) on the general picture, including the successful scene on a beach in Mar del Plata. From the formal point of view, the filmic recreation of the time is remarkable, with that tone between faded and sepia that dominates photography and its red titles. There is a great use of still shots and beautiful wide shots in desert locations. Grandinetti's very good performance, while the apparent over-acting of a character who later appears in charge of Alfredo Castro (the actor from I'm afraid of a bullfighter), also has its justification. The school device could not be absent in this story, when a teacher (Susana Pampín) rehearses with Claudio's daughter and other classmates the dance Los Salvajes from the opera Las Indias Galantes by Rameau (a luxury of the soundtrack) for an act school and what he says to put them in position for the scene, in what constitutes a disturbing stagin
A painter, believed to be dead, returns to make allegations that a gallery owner is selling counterfeits of his work. Later, the artist is murdered.
Follows Ted, an aimless thirtysomething who moves in with his father Marty when he develops a fatal illness. Marty’s health suffers every time the Boston Red Sox lose, so to keep him happy and alive, Ted enlists Marty’s grief counselor Mariana and friends to fake a Red Sox winning streak.
Catherine, a novelist with an insatiable sexual appetite, becomes a prime suspect when her boyfriend is brutally murdered - a crime she had described in her latest story.
The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.
In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.
A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.
Eight strangers awaken with no memory, in a puzzling cube-shaped room where the laws of physics do not always apply.
Matti and Niila, growing up in the mid-sixties in the harsh and conservative environment of a Finnish-speaking part of Tornedalen in Swedish Laponia, close to the Finnish border. Their big dream is to become rock stars. In the present the now grown-up Matti feels guilt for the death of his drug-addicted rock star friend Niila.
The young Bavarian princess Elisabeth, who all call Sissi, goes with her mother and older sister Néné to Austria where Néné will be wed to an emperor named Franz Joseph, Yet unexpectedly Franz runs into Sissi while out fishing and they fall in love.
Sissi is now the empress of Austria and attempts to learn etiquette. While she is busy being empress she also has to deal with her difficult new mother-in-law, while the arch-duchess Sophie is trying to tell the emperor how to rule and also Sissi how to be a mother.
After a wonderful time in Hungary Sissi falls extremely ill and must retreat to a Mediterranean climate to rest. The young empress’ mother takes her from Austria to recover in Madeira.