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What happens when two profoundly lonely men who are strangers, one older and gay, and the second younger and questioning, take one last chance at making a sincere human connection? Based on true events in the life of the writer/director.
After a night of heavy drinking a young man has a dream where an angel tells him the world will end if he doesn't make a sacrifice.
A lonely librarian in a rough neighborhood has a special relationship with a student on the verge of expulsion. Margherita's poetic world is confronted by reality as she tries to get through to Nehorai.
A documentary about resilience and the fight against suicide among trans people, the film portrays the characters’ relationships with their bodies, life and all that is sacred. It dives into the hearts of Aretha, Yago, Deniell and Ariel in an attempt to promote inner healing.
The Boys Next Door is a short documentary in which director Bobbie Fay Brandsen examines how she should live together with her new neighbors, Mootie from Syria, Meron from Eritrea and Salihou from Senegal. A film about integration, cultural differences, idealism but even more about the question: 'can we, despite all our differences, live together and if yes, how?' This film is one of the graduation documentaries from the class of 2017 made by a crew entirely consisting of students of the Dutch Filmacademy.
God sends the archangel, Eden, to Earth where she is placed with people who are about to make a life decision that could negatively impact them and others around them. Will Eden be able to help, or will her brother Lucifer get in the way?
The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.
The camera lingers over the back of a lonely New Yorker who ponders his own existence, his fears and fear of fears. Shot with an Olympus E-M5 Mark II as part of a film series to promote the camera system.
