A Choreography of Violence

After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.

Die Polizistin is a documentary by Andreas Dresen about the life of a young police woman who is faced with the difficulties between her responsibilities at work and her personal responsibilities.

A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can’t be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.

In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.

A drama about a Maori family living in Auckland, New Zealand. Lee Tamahori tells the story of Beth Heke’s strong will to keep her family together during times of unemployment and abuse from her violent and alcoholic husband.

Is all that we see or seem, but a dream within a dream?

Ten groups of kids from various parts of Finland, aged between 12 and 15, improvise an episode each based on one of the Bible's Ten Commandments.

Neša Paripović's film N.P. 1977 (1977) is a film about a walk through the summer green city of Belgrade. In a way it´s a self-portrait of the artist who plays the main protagonist in the film. For the film title he has chosen his initials – as is the case with the two other films in a series of three produced between 1975-78.

A lonesome man at the threshold of death finds himself trapped in a place called the Endless.

Frustrated by the liberal left and what he deems the destruction of the country he risked his life for, reclusive veteran Quint North (Schneider) is ordered by the court to keep his distance from the local high school with the American flag on the back of his El Camino or face a fine and jail time. In an ultimate exhibition of patriotism, he sets forth a series of events that just may get him killed in his own front yard.

Nina is 35 years old; her husband is 53. She loves him so much that she longs to have a child with him... Max also loves her. He is even flattered that Nina is very jealous, but he does not want a child because he is afraid that the child will call him grandpa... The real reason for the conflict is that Max will soon be killed and only he knows that fact. The film is a reflection of the emotions and experiences of two lovers, inspired by real events that happened in a provincial town in 2007.