Ich bin ein Psychopath

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother - a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more - culled from 19 years of his life.

Piers Morgan ventures behind bars to talk to diagnosed psychopath Paris Bennett about what drove him to murder his four-year-old sister.

The film examines the painful relationship between fathers and sons through the eyes of one family. Four generations of men are featured in the film. Father to Son deals with the conflict between generations and their subjective memories, and the way different methods of raising children pass from one generation to the next. How often and to what extent do we repeat the behavioural patterns of our fathers; can we change or break these patterns or is repeating them inescapable, and how many generations are needed for change to occur? Are the values we have inherited from our fathers still valid in the modern world? One of the leading themes of this film is the sensitivity of a man and a boy, and its preservation and suppression.

A look at the trial and the use of psychiatric evidence in the criminal proceedings of mass murderer 'The Hillside Strangler' Kenneth Bianchi.

A look into the mind of one of the Hillside Strangler murderers, Kenneth Bianchi.

When the body of 63-year-old vicar, Anthony Crean, was discovered in the quiet village of Shorne, Kent in March 1975, the community were shocked. Father Crean hadn’t died of natural causes; he had been hacked to death with an axe and left in a bath of blood. One detective was certain the killer was 22-year-old career criminal named Patrick Mackay, but he had no proof.

Psychotic Angela is itching to do what she does best: slaughter dozens of teenage campers. As luck would have it, the previous site of her murders has been renamed and converted into an experimental summer camp meant to bring together privileged and lower-class teens. On the day the youths are boarding the buses to camp, Angela runs over a potential camper with a garbage truck and assumes her identity. Once she has infiltrated the camp, the real terror begins.

When Maureen Coyle, a suicidal nun who resembles Norman's former victim, Marion Crane, arrives at the motel, all bets are off and "Mother" is less than happy.

The skeleton staff of a deserted neighborhood's police station that is closing down the next day are under attack all night by the overwhelming numbers of a relentless street gang bent on revenge.

Two homicide detectives are on a desperate hunt for a serial killer whose crimes are based on the "seven deadly sins" in this dark and haunting film that takes viewers from the tortured remains of one victim to the next. The seasoned Det. Somerset researches each sin in an effort to get inside the killer's mind, while his novice partner, Mills, scoffs at his efforts to unravel the case.