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Alien Files- Reopened - (Dec 23rd)
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Basically 'Errol Flynn vs. the Nazis, Round 1' Battleground: Germany This experience was hampered for me by a freak situation in which either my flatscreen TV or my blu player, for the first time, didn't have any audio, so, nonplussed yet equally dauntless, I just said 'what the hell', put on the subtitles and watched the film with no audio. (Later, I discovered that I could have just unplugged both for ten minutes and everything would have been normal. You live, you learn. It taught me to pay more attention to what was happening on the screen, so it wasn't an entirely wasted endeavor.) Here, the weakness, as always, was Ronald Reagan, who makes Keanu Reeves look like a great actor. Still, he wasn't bad (it was a war film, after all, with a role he was born to play), and he and Flynn were assisted by great supporting players, such as Raymond Massey and Alan Hale, who are always 'cash money' for me IMHO. As well, you have one of the greatest American directors of the period in Raoul Walsh, so it's basically win, win, win--except if you're a Nazi.
**Pure war propaganda.** This 1942 film is one of many films that were made during World War II, and that are themed around the conflict itself. During the war, American actors engaged in the military effort in films that sought to boost morale and incite combat, with the heroism of the Americans and British being almost the key to defeating the Axis, and the attractive Resistance girls to be their perfect romantic matches. This film takes the heroes, a British and American flight crew, on a suicide mission into German territory: to destroy a railway junction heavily defended by guns and anti-aircraft artillery. Obviously, they are shot down and, from then on, begins an unstoppable game of cat and mouse with the German soldiers in which, virtually by miracle, they cross enemy territory, even passing through Berlin! And all this without any kind of previously organized plan, London directive or any resistance connection that could help them. Just luck and a great pair of... guts! The film is really far from being good, or even competent. It can only be understood by virtue of the times then lived. However, it manages to entertain us reasonably if we turn off our brains. It's action and suspense from start to finish, with great actors, with Errol Flynn and a young Ronald Reagan being the great protagonists. They are good actors, and their worth is not in question, but really, there are very few real challenges for them: the film is simply concerned with showing Allied heroism and ridiculing the German military machine as much as possible. In the same way that the production did not bet on a good script, or on good dialogues, there was also no bet on the quality of production values or effects. The cinematography is regular and works fine, but it doesn't enchant us, and the sets and costumes are more or less within what had to be done, even if it's not really brilliant. I liked, however, the cars that were used, and the car chase through the muddy fields of Holland. Hope they didn't spoil too many tulip bulbs.
A Martinique charter boat skipper gets mixed up with the underground French resistance operatives during WWII.
A tale of the World War I love affair, begun in Italy, between American ambulance driver Lt. Frederic Henry and British nurse Catherine Barkley. Eventually separated by Frederic's transfer, tremendous challenges and difficult decisions face each as the war rages on.
A racist officer is put in charge of an all-black squad of troops charged with the mission of blowing up an important hydro-dam in Nazi Germany. Their failure would delay the Allies' advance into Germany, thus prolonging the war.
It is prior to the commencement of World War II, and Japan's fiendish Black Dragon Society is hatching an evil plot with the Nazis. They instruct a brilliant scientist, Dr. Melcher, to travel to Japan on a secret mission. There he operates on six Japanese conspirators, transforming them to resemble six American leaders. The actual leaders are murdered and replaced with their likeness.
The leftover disbanded partisan battalion draws Chetniks' attention, who push their plans of attacking the partisan headquarters aside and start hunting them instead.
At the height of Hitler's infamous U-boat war, the crew of the U.S.S. Swordfish were heading home after months at sea. They never made it. Now prisoners of war aboard U-boat 429, a small group of American survivors will find their loyalties put to the ultimate test when they're forced to join their German captors to fight for their very lives.
A young girl, institutionalised by her abusive stepfather, retreats to an alternative reality as a coping strategy and envisions a plan to help her escape.
During World War 2, four soldiers are trapped between a harsh winter and the enemy. They need food and shelter, but this comes at the expense of their position. With no where else to turn, they begin an Odyssey through the mountains.
General Candy, who's overseeing an English squad in 1943, is a veteran leader who doesn't have the respect of the men he's training and is considered out-of-touch with what's needed to win the war. But it wasn't always this way. Flashing back to his early career in the Boer War and World War I, we see a dashing young officer whose life has been shaped by three different women, and by a lasting friendship with a German soldier.
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.