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MORE SPOILER-FREE MINI-REVIEWS @ https://www.msbreviews.com/movie-reviews/mini-reviews-2023-edition "The Mother is an instantly forgettable Netflix film about a spy mother who must protect her estranged daughter because "bad people from the past". Jennifer Lopez is good, Lucy Paez is GREAT, but none save it from its bland, generic story. Expected more from Niki Caro." Rating: D+
Ironically, these tale about a mother and daughter, fails because the male characters have no depth. The villain is evil sure, but also extremely stupid and escaping from her first attempt to kill him in a very unbelievable and unexplained way. The romantic tension between Cruise and the mother also doesn't work and the age old friendship with Jons is also not given any backstory. I'm enclined to blame the casting here. Well, the story was lacking and oddly edited as well, but it may be because there wasn't much to work with. Either way, it's clear this is supposed to be about a mother/daughter relationship, but also be an action move and the director / writers / actors couldn't make it work. 3/10, 2 points cause I've seen worse, not because I can find something positive in it.
**The Mother is an average straight-to-stream action thriller that does a decent job but won’t last too long in your memory or heart.** The Mother is a generic assassin turned parent protecting/avenging their child from a mob of drug runners/arms dealers. While in the vein of films like Taken or Peppermint, The Mother makes a critical error the other films didn’t - a 2-hour runtime. Its bigger budget made this movie feel slightly more polished, but stretching its meager story 30 minutes longer than many in this subgenre took its toll. The pacing dragged along between the action sequences, sometimes leaving the movie feeling too long and tedious. The production quality of the action set pieces was decent, but the action itself was fairly basic. Jennifer Lopez is fun as the intense and withdrawn mother assassin and undoubtedly is the best part of the movie. The Mother is nowhere near an awful film, and reviews that say otherwise probably set their expectations too high. It's a run-of-the-mill action streamer that gets the job done, blows some stuff up, shoots some bad guys, and despite being forgettable, didn’t feel like a total waste of time.
In spite of the rather, by now, predictable and formulaic story, woke-ness and a dash of US exceptionalism (for those paying attention) The Mother does have something to offer the viewer. The first thing, is surprisingly engaging acting, from Jennifer Lopez. I'd always associated her with music, although I was aware of her forays into acting, over the years. Lopez hands in an above average performance as a assassin, with mothering instincts. Lopez's chemistry with Lucy Paez, who hands in a strong performance, as her daughter, really binds this film together and elevates it, beyond its otherwise pedestrian credentials. Action wise, there's a lot on offer too but its also rather forgettable. Ultimately, its the performances of the lead cast, that make this film, a modest success.
The original '70s TV family is now placed in the 1990s, where they're even more square and out of place than ever.
A cross country trip to Hollywood is cut short by an unreliable engine & an unpleasant encounter with law enforcement. With the power of drag, three self proclaimed career-girls bring a bit of much needed beauty to rural middle America!
After discovering they are all dating the same same guy, three popular students from different cliques band together for revenge, so they enlist the help of a new gal in town and conspire to break the jerk's heart, while destroying his reputation.
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
Mollie and James are together and raising a family, which now consists of an older Mikey and his baby sister, Julie. Tension between the siblings arises, and as well with Mollie and James when Mollie's brother Stuart moves in. Mikey is also learning how to use the toilet for the first time.
Yorkshire moorlands, northern England, in the late 18th century. Young Heathcliff, rescued from the streets of Liverpool by Mr. Earnshaw, the owner of Wuthering Heights, an isolated farm, develops over the years an insane passion for Cathy, his foster sister, a sick obsession destined to end tragically.
Book superstore magnate, Joe Fox and independent book shop owner, Kathleen Kelly fall in love in the anonymity of the Internet—both blissfully unaware that he's trying to put her out of business.
Three lovable party buds try to bail their friend out of jail. But just when the guys have mastered a plan, everything comes dangerously close to going up in smoke.
Megan Turner, a rookie NYC cop, foils an armed robbery on her first day and then engages in a cat-and-mouse game with one of the witnesses who becomes obsessed with her.
Mollie is a single working mother who's out to find the perfect father for her child. Her baby, Mikey, prefers James, a cab driver turned babysitter who has what it takes to make them both happy. But Mollie won't even consider James. It's going to take all the tricks a baby can think of to bring them together before it's too late.
When Nora witnesses Abel being bullied by other kids, she rushes to protect him by warning their father. But Abel forces her to remain silent. Caught in a conflict of loyalty, Nora will ultimately try to find her place, torn between children’s and adult’s worlds.