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MORE SPOILER-FREE MINI-REVIEWS @ https://www.msbreviews.com/movie-reviews/mini-reviews-2023-edition "The Mother is an instantly forgettable Netflix film about a spy mother who must protect her estranged daughter because "bad people from the past". Jennifer Lopez is good, Lucy Paez is GREAT, but none save it from its bland, generic story. Expected more from Niki Caro." Rating: D+
Ironically, these tale about a mother and daughter, fails because the male characters have no depth. The villain is evil sure, but also extremely stupid and escaping from her first attempt to kill him in a very unbelievable and unexplained way. The romantic tension between Cruise and the mother also doesn't work and the age old friendship with Jons is also not given any backstory. I'm enclined to blame the casting here. Well, the story was lacking and oddly edited as well, but it may be because there wasn't much to work with. Either way, it's clear this is supposed to be about a mother/daughter relationship, but also be an action move and the director / writers / actors couldn't make it work. 3/10, 2 points cause I've seen worse, not because I can find something positive in it.
**The Mother is an average straight-to-stream action thriller that does a decent job but won’t last too long in your memory or heart.** The Mother is a generic assassin turned parent protecting/avenging their child from a mob of drug runners/arms dealers. While in the vein of films like Taken or Peppermint, The Mother makes a critical error the other films didn’t - a 2-hour runtime. Its bigger budget made this movie feel slightly more polished, but stretching its meager story 30 minutes longer than many in this subgenre took its toll. The pacing dragged along between the action sequences, sometimes leaving the movie feeling too long and tedious. The production quality of the action set pieces was decent, but the action itself was fairly basic. Jennifer Lopez is fun as the intense and withdrawn mother assassin and undoubtedly is the best part of the movie. The Mother is nowhere near an awful film, and reviews that say otherwise probably set their expectations too high. It's a run-of-the-mill action streamer that gets the job done, blows some stuff up, shoots some bad guys, and despite being forgettable, didn’t feel like a total waste of time.
In spite of the rather, by now, predictable and formulaic story, woke-ness and a dash of US exceptionalism (for those paying attention) The Mother does have something to offer the viewer. The first thing, is surprisingly engaging acting, from Jennifer Lopez. I'd always associated her with music, although I was aware of her forays into acting, over the years. Lopez hands in an above average performance as a assassin, with mothering instincts. Lopez's chemistry with Lucy Paez, who plays her her daughter, really binds this film together and elevates it, beyond its otherwise pedestrian credentials. Action wise, there's a lot on offer too but its also rather forgettable. Ultimately, its the performances of the lead cast, that make this film, a modest success.
When tech billionaire Slater King meets cocktail waitress Frida at his fundraising gala, he invites her to join him and his friends on a dream vacation on his private island. But despite the epic setting, beautiful people, ever-flowing champagne, and late-night dance parties, Frida can sense that there’s something sinister hiding beneath the island’s lush façade.
A Los Angeles vice cop, caught between her undercover role as a sex worker and her personal relationships, is thrown into a web of murder and deceit.
A painter, a fighter, both artists in their own way. Brother and sister, forced to flee their home, arrive at Seattle inside a shipping container. Trying to make their way in a new world the pair struggle to survive. Until, one day, an art dealer takes an interest in the sister's painting, and the pair find themselves living a dream come true. The sister loses herself in painting, and the brother seizes the opportunity to express himself, as a fighter. But it really is all just a dream. Conned by her patron into forging a Van Gogh. Purchased by a ruthless criminal with a passion for fine art. The brother and sister soon find themselves embroiled in Seattle's criminal underworld and a Brush With Danger.
When three college students move into an old house off campus, they unwittingly unleash a supernatural entity known as The Bye Bye Man, who comes to prey upon them once they discover his name. The friends must try to save each other, all the while keeping The Bye Bye Man's existence a secret to save others from the same deadly fate.
Before he died, Dar's father gave a mysterious amulet to Tal, Dar's younger brother who is now king. Dar, while wandering with his animal companions, chances to meet and rescue a family who seek the help of King Tal against Lord Agon, a sorcerer who has conquered their land. Dar obtains an audience for them with Tal, who rallies his troops to march against Agon in the morning. Alas, the young king is captured by Agon's crimson warriors during the night.
When Margot, a college sophomore, goes on a date with the older Robert, she finds that IRL Robert doesn’t live up to the Robert she has been flirting with over texts.
A young broadcast journalism student is trying to win the approval of her influential mentor who pushes her to reconsider the meaning of truth if it means success.
Lonely gay teenager, McClain, struggles to fit in with his classmates in a small, conservative Colorado town. After he's severely beaten at school, Karen O'Neil, a martial arts Sensei, secretly trains him to defend himself. When the town discovers their secret, a series of catastrophic events unfolds.
A young boy named Pelle falls in love with the drug addict Lena. Then he and his friend Proffen tries to save her from the drugs.