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A Gentleman in Moscow - (May 16th)
Caillou - (May 16th)
Raw Talk - (May 16th)
After Midnight - (May 16th)
Deal or No Deal - (May 16th)
WWE NXT - (May 16th)
The Cook Up with Adam Liaw - (May 16th)
Killer Cases - (May 16th)
Pawn Stars- Best Of - (May 16th)
Pawn Stars Do America - (May 16th)
Dance Moms - (May 16th)
Bridgerton - (May 16th)
The Secret of Skinwalker Ranch - (May 16th)
Watch What Happens Live with Andy Cohen - (May 16th)
Love Undercover - (May 16th)
The 11th Hour with Stephanie Ruhle - (May 16th)
Home Sweet Rome! - (May 16th)
Abbott Elementary - (May 16th)
Renters - (May 16th)
Motorway Patrol - (May 16th)
David McVicar's atmospheric and brooding production captures the drama of this riveting piece of British history, retold as only Donizetti could. International superstar Anna Netrebko is Queen Anne Boleyn, trapped in an unhappy marriage to King Henry VIII (Ildar Abdrazakov) whose roving eye has settled on another woman—Jane Seymour (Ekaterina Gubanova), Anna's friend, but now her unwitting rival. Add in Anna's early love, Percy (Stephen Costello), just returned to the court from exile, and the result is a haunting, explosive account of Queen Anna's tragic final days, before she goes to her execution in one of the most moving and dazzling final scenes in all of opera.
Verdi wrote this five act opera with a French Libretto for the Paris opera. Premiere 1867. Then there are three versions of this opera, the French 1867 version, the revised Italian four Act Don Carlo 1884, plus the Modena version 1886. This version is the 1884 version with Act One reinstated, as well as the original beginning of Act 2. To complicate matters the French opera was simply translated into Italian, and then the changes were made. There is an even newer edition completed in 1980 by Ricordi, and others floating around as well.
Take a perfect cast, a great conductor and a groundbreaking staging in-out makes a 'Tristan' for eternity. The 1983 performance in Bayreuth was a great moment for the world of opera. The ensemble performance of René Kollo, Johanna Meier and Matti Salminen with, then as now the Wagner admirer, Daniel Barenboim conducting the Bayreuth orchestra inspired singers and instrumentalists to peak performance. Jean-Pierre Ponnelle created a dream-beautiful stage.
This outstanding performance marks an unforgettable night in Met history: Renée Fleming's farewell to her signature role as the Marschallin, and Elīna Garanča's final turn as Octavian. This new production was staged by Robert Carsen, and is conducted by Sebastian Weigle
A young poet named Hoffman broods over his failed romances. First, his affair with the beautiful Olympia is shattered when he realizes that she is really a mechanical woman designed by a scientist. Next, he believes that a striking prostitute loves him, only to find out she was hired to fake her affections by the dastardly Dapertutto. Lastly, a magic spell claims the life of his final lover.
Music & Musicals, Opera & Operetta, Classical Music - Witness the Zurich Opera's stunning production of Richard Wagner's masterpiece "Tannhauser," conducted by Franz Welser-Most and featuring Peter Sieffert (Tannhauser), Solveig Kringelborn (Elisabeth) and Thomas Hampson (von Eschenbach). Initially produced in Dresden in 1845, "Tannhauser" instilled a sense of wonder in a few of Strauss's ardent friends and admirers, among them Robert Schumann and Franz Liszt. Opera buffs will love it.
Live performance from the Schwetzinger Festspiele, 1987. At the age of 21, Italian composer Giacchino Rossini penned the masterful comic opera “L’Italiana in Algeri” (“The Italian Girl in Algiers”) in less than a month. The composer’s youthful exuberance comes across in this infectious 1987 performance. Though she’s known mainly for her Wagner roles, acclaimed German mezzo-soprano Doris Soffel shines in the title role of Isabella. Ralf Weikert conducts, and Mauro Pagano oversees sets and costumes.
Contemporary Rome is the setting for this unique and highly innovative version of Puccini's Tosca, performed in the Roman locations-and at the same times of day-as Puccini had written into his score. Thus the action opens in the beautiful 16th century church of Sant'Andrea della Valle at noon, where Cavaradossi (Domingo) is painting a portrait, moves to the Farnese Palace that evening where Tosca (Malfitano) dramatically stabs the lustful Scarpia (Raimondi) and finally in the battlements of Castel Sant'Angelo at dawn the following day where the last moments of the drama are completed.