Late Night with the Devil 2023 - Movies (Sep 19th)
Close to You 2023 - Movies (Sep 19th)
Lost in Tomorrow 2023 - Movies (Sep 18th)
Strike An Uncivil War 2024 - Movies (Sep 18th)
My Old Ass 2024 - Movies (Sep 18th)
MaXXXine 2024 - Movies (Sep 18th)
Sing Sing 2023 - Movies (Sep 18th)
The Right to Read 2023 - Movies (Sep 18th)
Spellbound 2024 - Movies (Sep 18th)
Stopping the Steal 2024 - Movies (Sep 18th)
Feet of Death 2024 - Movies (Sep 18th)
And Mrs 2024 - Movies (Sep 17th)
Dont Buy the Seller 2023 - Movies (Sep 17th)
Slingshot 2024 - Movies (Sep 17th)
Dark Feathers Dance of the Geisha 2024 - Movies (Sep 17th)
The Invisibles 2024 - Movies (Sep 17th)
Cheat 2024 - Movies (Sep 17th)
America Is Sinking 2023 - Movies (Sep 17th)
Blink Twice 2024 - Movies (Sep 17th)
Cuckoo 2024 - Movies (Sep 17th)
You Gotta Believe 2024 - Movies (Sep 17th)
All Elite Wrestling- Dynamite - (Sep 19th)
Ambulance- Code Red - (Sep 19th)
The Chase - (Sep 19th)
The Talk - (Sep 19th)
Tipping Point Australia - (Sep 19th)
Celebs Go Dating - (Sep 19th)
Bargain-Loving Brits in the Sun - (Sep 19th)
Someday at a Place in the Sun - (Sep 19th)
Gogglebox Ireland - (Sep 19th)
Nadias Farm - (Sep 19th)
The Big Scottish Book Club - (Sep 19th)
Married at First Sight UK - (Sep 19th)
Prison Chronicles - (Sep 19th)
Historys Greatest Escapes with Morgan Freeman - (Sep 19th)
My Strange Arrest - (Sep 19th)
The 11th Hour with Stephanie Ruhle - (Sep 19th)
Monster - (Sep 19th)
The Bay - (Sep 19th)
Survivor - (Sep 19th)
Fight Night- The Million Dollar Heist - (Sep 19th)
Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series of low-tech films, starring his family in absurdist settings carved out of their intimate spaces and their everyday surroundings. Many of his videos are inspired by screenplays for films, folktales and novels. Analyzing these literary and cinematographic passages allows him to exploit the conventions of film narrative: how to tell a story, captivate an audience through a tale, sustain a degree of tension and entertainment, and so on. At the same time, he corrupts the magic of fiction by openly showing us the entrails of everything he records, without worrying about revealing the tricks of the trade. A large part of his filmic oeuvre features a conglomeration of cinematic and literary references which the artist quotes, adapts or interprets. Ben-Ner self-referentially links the great themes and their literary, cinematic and artistic realization.
Still Life #02 is part of a broader investigation on our relationship with images and their immateriality. It emerges from the desire to touch the intangible: the digital image. It manages to embody the pixel and carve it with a chisel; to explore its physical nature through direct intervention.
On Inauguration Day 2017, the filmmaker spent all day in a Washington, DC, used bookstore, where he bought a stack of audiotape secret telephone recordings of marital infidelity from 1969. At the Women’s March, he recognized the cosmic resonance of the phone with all that was happening.
Terminal City records the demolition of the Devonshire Hotel in Vancouver; through extreme show motion (200 frames per second) and symmetrical diagonal framing, Gallagher underscores the passage from order to chaos within the event. The sparseness of this centering and he patience required of the viewer heightens the literally explosive climaxes of the film, and transforms the everyday violence of the events into moments of convulsive beauty. – Jim Shedden, Michael Zryd, The Independent Eye
Games with muscles, games with power, SM games. The naked body employed as a prop. Perceptions of one's own body are the focus of Body-building, and it leaves the good-girl role far behind, sometimes in striking poses, sometimes in martial dress.
A camera calligraphy of the coastal bush - celebrating growth, summer light, rock and plant textures.
A languid, beautifully shot collection of landscapes, edited into a whimsical and touching film.
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.
A piano player is able to perform a Chopin piece backwards and Galeta will film it backwards and forwards creating four different variations of a movement bound to time.