10 Lives 2024 - Movies (Oct 25th)
Keanu Reeves The One and Only 2024 - Movies (Oct 25th)
Venom The Last Dance 2024 - Movies (Oct 25th)
Bad Behaviour 2023 - Movies (Oct 25th)
Move Like a Boss 2024 - Movies (Oct 25th)
The Remarkable Life of Ibelin 2024 - Movies (Oct 25th)
Hijack ’93 2024 - Movies (Oct 25th)
Dont Move 2024 - Movies (Oct 25th)
Spirit in the Blood 2024 - Movies (Oct 25th)
Road Diary Bruce Springsteen and The E Street Band 2024 - Movies (Oct 25th)
Frankie Freako 2024 - Movies (Oct 25th)
Alien Country 2024 - Movies (Oct 25th)
January 6 The Most Deadliest Day 2024 - Movies (Oct 25th)
Carnage for Christmas 2024 - Movies (Oct 25th)
Caught by the Tides 2024 - Movies (Oct 24th)
Inkabi 2024 - Movies (Oct 24th)
Myka Fox My Joke My Choice 2024 - Movies (Oct 24th)
Canary Black 2024 - Movies (Oct 24th)
Meet Me at the Christmas Train Parade 2023 - Movies (Oct 23rd)
Kubi 2023 - Movies (Oct 23rd)
A Match in Manhattan 2024 - Movies (Oct 23rd)
Blue Bloods - (Oct 26th)
Deadline- White House - (Oct 26th)
The Beat with Ari Melber - (Oct 26th)
Gogglebox - (Oct 25th)
Susan Calmans Grand Day Out - (Oct 25th)
The Last Leg - (Oct 25th)
Happys Place - (Oct 25th)
Have I Got News for You - (Oct 25th)
The One Show - (Oct 25th)
Fat Joe Talks - (Oct 25th)
Four in a Bed - (Oct 25th)
Andrea Mitchell Reports - (Oct 25th)
Katy Tur Reports - (Oct 25th)
Richard Osmans House of Games - (Oct 25th)
The Bidding Room - (Oct 25th)
Bargain Hunt - (Oct 25th)
The Chase Australia - (Oct 25th)
Jersey Shore- Family Vacation - (Oct 25th)
The View - (Oct 25th)
The Good Stuff with Mary Berg - (Oct 25th)
Over 350,000 tons of highly radioactive waste and spent fuel rods are in temporary storage on site at nuclear power complexes and at intermediate storage sites all over the world. More than 10,000 additional tons join them every year. It is the most dangerous waste man has ever produced. Waste that requires storage in a safe final repository for hundreds of thousands of years. Out of reach of humanity and other living creatures. The question is, where? Together with Swiss-British nuclear physicist Charles McCombie, who has been searching for a safe final storage site for highly radioactive nuclear waste for thirty-five years, director Edgar Hagen investigates the limitations and contradictions involved in this project of global significance. Supporters and opponents of nuclear energy struggle for solutions whilst dogmatic worldviews are assailed by doubt
In May of 1982 Julio Cortázar, the Argentinean writer and his companion in life, Carol Dunlop set out in their VW bus on a journey along the highway from Paris to Marseille that, for each of them, was to be their final one. Twenty-five years later, Océane Madelaine and Jocelyn Bonnerave set out to undertake the journey again.
An intimate portrayal of the everyday lives of Carthusian monks of the Grande Chartreuse, high in the French Alps (Chartreuse Mountains). The idea for the film was proposed to the monks in 1984, but the Carthusians said they wanted time to think about it. The Carthusians finally contacted Gröning 16 years later to say they were now willing to permit Gröning to shoot the movie, if he was still interested.
A documentary about Ibrahim Gezer, who escaped from war in Kurdistan to Switzerland. All is lost, except his love for beekeeping.
Between 1947 and 1951, more than 80 000 Greek men, women and children were deported to the isle of Makronissos (Greece) in reeducation camps created to ‘fight the spread of Communism’. Among those exiles were a number of writers and poets, including Yannis Ritsos and Tassos Livaditis. Despite the deprivation and torture, they managed to write poems which describe the struggle for survival in this world of internment. These texts, some of them buried in the camps, were later found. «Like Lions of stone at the gateway of night» blends these poetic writings with the reeducation propaganda speeches constantly piped through the camps’ loudspeakers. Long tracking shots take us on a trance-like journey through the camp ruins, interrupted along the way by segments from photographic archives. A cinematic essay, which revives the memory of forgotten ruins and a battle lost.
Since the conflict in Darfur spread to the eastern border regions of Chad in 2005, some 13,000 people fled from this region to the refugee camp near the village of Gouroukoun. For them, the war is never far off. Many of these traumatised refugees have lived here for years, with little food, no work and no prospect of returning home. Zuchuat took his camera to the camp and captured their uncertain existence without providing any comment. He captures the refugees' arduous daily life in long shots, often from a single angle. They all have their own stories of how they ended up here, how they saw their families and fellow-villagers perish and no longer have any work, cattle or land. Another striking story is told by a child that uses a drawing to explain how he was chased away from his native village. Little girls sing a battle song while waiting for what comes next in this prison without bars.
In Bern, Madame Mercedes has been working for 35 years in her car as a prostitute. An intimate and subtle portrait about ageing as a prostitute, a documentary about a vanishing chapter of habits in Switzerland.
Hidden in the wooded mountains on the west coast of Japan lies the small Zen monastery Antaiji. A young woman sets off to immerse herself through autumn, winter and spring in the adventures of monastic life. The young woman is Sabine Timoteo from Switzerland. The abbot of the monastery is Muho Noelke, born in Berlin. An interplay between the philosophy of the Japanese Zen master Kodo Sawaki and the surprises brought forth by everyday life.
When director Daniel Schmid grew up, his parents ran a hotel in the Alps, and this singular setting was to influence his film. Rather by coincidence he came to Berlin in the early 1960s and became part of the new German wave. Schmid worked with, among others, Wenders and Fassbinder, for example as an actor in Wender’s The American Friend. He met Ingrid Caven, who was to play a diva in several of his films. This is a documentation of a part of modern European film history and a good analysis of artistry and how it corresponds to the individual behind the camera. A wealth of archival footage brings us close to many directors and actors in Schmid’s circle. If you’ve never seen a Daniel Schmid film, you are sure to want to after watching this portrait of his life.