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"Alithea" (Tilda Swinton) is a solitary scholar who travels to Istanbul to address a conference on the relative merits of myth v science. At the seminar, she starts to hallucinate and the seed is sown that perhaps the mystical is not so far-fetched as we might think! A visit to the Grand Bazaar sees her acquire a small blue bottle that, when attacked rather unceremoniously with an electric toothbrush, spills it's contents into her hotel room. A giant, hairy-legged Djinn (Idris Elba). In keeping with tradition, he offers her three wishes - but she is sceptical. Easy come, easy goes thinks she - and as the couple chat, she discovers just how he became incarcerated in this, his third, bottle. His are tales of love, lust, greed, power and sadness and he depicts them to her of his life of some thousands of years. He also declares just why it is so important that she actually makes her wishes; for without those he can never attain his freedom. It's good fun this film. An anthology of scenarios that entertain and amuse with a worldly and generous effort from the sagely Swinton who gradually falls in love with her now normal-sized companion. The dynamic between the two stars is engaging and effective, the latter delivering a charming contribution to a simple story of the problems of a series of unrequited loves over the centuries that will probably never find a straightforward solution! It's a quirky film, that moves along quickly and I really quite enjoyed it.
MORE SPOILER-FREE REVIEWS @ https://www.msbreviews.com/ "Three Thousand Years of Longing is one of the most ambitious films of the year. Relying on the genuinely charming, mesmerizing performances of Idris Elba and Tilda Swinton, George Miller approaches a famous cautionary tale through a distinctive form of storytelling, focusing on flashbacks narrated by the male protagonist. The multiple stories of the past aren't always fascinating, partially due to the chosen narrative method, which becomes repetitive despite enriching some of the core themes. The immersive, atmospheric visuals elevate the overall piece with significant impact, making this a cinematic experience to leave any viewer contemplating life, desire, loneliness, and happiness." Rating: B+
I did not have many expectations for _Three Thousand Years of Longing_, but after leaving the theater it left me longing for more. I do not think any individual part of this film was inherently bad. The performances by Idris Elba and Tilda Swinton were captivating and their on-screen chemistry was amazing. The flash backs to the characters' lives were very fascinating. I really enjoyed exploring the lives of ancient civilizations in the eyes of George Miller. The overarching plot was decent, nothing spectacular. But the collection of all these different elements together just felt like a jumbled mess. The movie never gets in a groove and always feels like it is stumbling its way to the finish line. I felt the opening sequence was incredibly rushed and the audience does not really get to form a connection with Alithea before she unleashes the Djinn, and from there on the audience is whipped back and forth from flashback to present day and it feels incredibly disjointed. The jumbled up second act, deflates any type of momentum going into the third making it fall flat on its head. All this compiled together made a somewhat emotional and touching ending feel hollow and lackluster. Overall, as a collection of short stories this movie was a good time, but really does not belong together in a jumbled-up mess of a plot. **Score:** _53%_ | **Verdict:** _Average_
The blood-soaked tale of a Norse warrior's battle against the great and murderous troll, Grendel. Heads will roll. Out of allegiance to the King Hrothgar, the much respected Lord of the Danes, Beowulf leads a troop of warriors across the sea to rid a village of the marauding monster.
A young hero defeats a dragon to find acceptance to the court of burgundy.
Reuben Feffer is a guy who's spent his entire life playing it safe. Polly Prince is irresistible as a free-spirit who lives for the thrill of the moment. When these two comically mismatched souls collide, Reuben's world is turned upside down, as he makes an uproarious attempt to change his life from middle-of-the-road to totally-out-there.
In a German town, teacher Irene leads an inconspicuous, boring, lonely life. One day, a man rings at her door and slips in. It's an armed convict from the prison next door, escaped with a leg wound. He now makes her a prisoner in her own home. Almost without a word, as if she secretly enjoys the excitement or just mesmerized, she obeys Vassily, every single command, even sexual services, submissively or after a symbolic struggle. Somehow that seems to change, but can force initiate love?
Jerry Welbach, a reluctant bagman, has been given two ultimatums: The first is from his mob boss to travel to Mexico and retrieve a priceless antique pistol, known as "the Mexican"... or suffer the consequences. The second is from his girlfriend Samantha to end his association with the mob. Jerry figures alive and in trouble with Samantha is better than the more permanent alternative, so he heads south of the border.
It is set in a dreary village in the Schwabian-Frankish Forest where the seemingly reserved Lena lives with her tyrant of a husband, Johannes, in a loveless marriage. Johannes is the village's spiritual leader and Lena is his faithful, ever-ready-to-serve wife. Lena's daily life is characterized by grinding monotony, a life narrowly circumscribed by nursing, organ playing and the duties of the marriage bed. The mysterious murder of a village girl suddenly knocks this humdrum existence off its tracks. In the wake of these events Lena discovers the affection and tenderness for which she has always longed in Paul, the village mechanic. This encounter is the start of an emancipation that leads her not to reveal Paul's secret regarding the girl's murder, for fear of losing her newly won piece of happiness. In turn it means she has to remain silent, as she has always done in her many years of marriage. So it is that this love ultimately turns Lena herself into a fallen angel.
Ramona, not quite 18, leaves Vienna for a German provincial town to be reunited with Toni, the love of her life and her baby′s father. The girl puts all her faith in Toni′s promise, made on a whim, to marry her. Straight after her arrival, she begins to realize that he′s no longer interested in her. All the same, Ramona tries to make her dream of a family come true.
In this tale of second chances, two ex-lovers run into each other in a restaurant. Both are with new partners. Both are unhappy. Both are still in love with the other. Dormant feelings rush to the surface and the opportunity to rekindle the past presents itself. Will the outcome be different?
Tyler Gage receives the opportunity of a lifetime after vandalizing a performing arts school, gaining him the chance to earn a scholarship and dance with an up and coming dancer, Nora.
Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.
The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster's myth.