Junkyard Dog 2023 - Movies (Sep 9th)
Inside Out 2 2024 - Movies (Sep 9th)
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Beetlejuice Beetlejuice 2024 - Movies (Sep 8th)
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Watchmen Chapter I 2024 - Movies (Sep 8th)
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Escape to the Country - (Sep 9th)
No Gain No Love - (Sep 9th)
Baddies Caribbean - (Sep 9th)
Bobs Burgers - (Sep 9th)
Bargain Hunt - (Sep 9th)
The Chase Australia - (Sep 9th)
The Boy That Never Was - (Sep 9th)
Tipping Point- Lucky Stars - (Sep 9th)
Mancháns Europe By Train - (Sep 9th)
The Amazing Race Australia - (Sep 9th)
Letters and Numbers - (Sep 9th)
The Block - (Sep 9th)
Deal or No Deal - (Sep 9th)
Hairy Bikers Everyday Gourmets - (Sep 9th)
Tipping Point Australia - (Sep 9th)
The Last Leg - (Sep 9th)
FBOY Island Australia - (Sep 9th)
The Anonymous - (Sep 9th)
Married To Evil - (Sep 9th)
Snapped- Behind Bars - (Sep 9th)
Embarks on a journey that traces the life and work of Antonio Martorell, a prolific plastic and multi-disciplinary artist in Puerto Rico. This film is a dance between the director (Paloma Suau) and the portraitist while portraying each other. More than a documentary, this film is an experiment of a director trying to reconnect with her creative voice.
The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
Experimental short made by Olivier Assayas for Fondation of Contemporary Art and starring Maggie Cheung.
Rough Cut, the debut feature from London-based artist Jamie Shovlin, explores the re-making of an exploitation film that never was. At its dark heart is Hiker Meat, an archetypal 1970s slasher movie imagined by Shovlin, complete with hitchhiking heroine, charismatic commune leader and a group of teens who disappear one by one. This tantalising film-within-a-film serves to both deconstruct and pay affectionate homage to the often-maligned exploitation style. Having created a full screenplay, score and cut-and-paste prototype for Hiker Meat, Shovlin filmed key sections and a full trailer in an intense shoot in the Lake District in summer 2013. Rough Cut contrasts these re-made sequences with on-set footage and insights into the development of Hiker Meat’s script, soundtrack and design, to create a compelling mash-up of self-referencing processes, behind-the-scenes viewpoints and time-honoured slasher tropes.
After the disappearance of Aldemar his wife decided to get overall uncertainty by including him in the list of deaths in the 1938 Colombian National Census. Today, 83 years later, I repeat her. I try to find myself among the numbers in the digital database in order to finish the torture that has also implied my own disappearance.
A fantasia of post-indoctrination, immigration, and iconography. A pageant of wanderers and searchers: Mormon missionaries, a pioneer, polygamists, scouts, hunters, church-goers, and an aspiring prophet walk and walk and walk. A pilgrimage of memory, history, ancestry, and place.
Film artist Jennifer Reeves and musician Anthony Burr collaborated to make this live film and music performance, which mixes and subverts symbols of science, industry, medicine and madness. Up to 4 screens and 4 channels of multi-layered music immerse the audience in colorful rhythmic molecular forms, morphing frequencies and visual textures, which are broken down to the particle. Found images from the 20th century educational films are sewn together with melted down pharmaceuticals affixed directly to the film, and form a concentrated fusion with pulsating electronic sounds and an acoustic multi-tonal bass clarinet. Illustrations of brain dendrites, synapses, waveforms and assembly lines personify the movement of frequencies and light as they envelop the audience. As the performance ensues, the intensity builds to a point of irresistible danger and rupture.