Tim Vine Travels Through Time Christmas Special

How far would one unassuming man go to avoid death?

A young drawing teacher wins a dream trip to the West Indies in a competition. The journey takes her on a luxury ship to Jamaica and Haiti. The dances and music of the locals and the cities of Kingston and Port-au-Prince with their bustling markets form the backdrop to this little comedy of mistaken identity, in which an unattractive but precious necklace plays a confusing role.

The unlucky in love writer Bandaged searches for a moral of the story that explains why his romantic experiences never end in "happily ever after." The conflict worsens when... Ops, better not give any spoilers!

A mother and her son partake in a rage filled dinner together.

After the original run of the television series, an OAV music video titled Genesis Climber Mospeada: Love Live Alive was specially (mostly due to demands of hardcore Mospeada fans) released in Japan in September 1985. The music video consisted of both old and new footage. The story of Love Live Alive chronicled the events after the ending of the original Mospeada, featuring Yellow Belmont as the main character. The music video focused on Yellow's concert and also on his flashback of past events.

London, 1968. Director Alphonse attempts to complete his greatest cinematic work yet, entitled “The Death of Don Quixote.” But his aging star, Patrick, is seriously ill, so it is unclear what will die first: his vision, Patrick or Don Quixote.

In order to sustain his family, a troubled pilot accepts one last crooked deal to transport a dangerous cargo inside his spaceship.

The Bonzo Dog Band freak out at the farm and strange sounds abound.

Johnny YesNo – Redux reunites Cabaret Voltaire and Peter Care almost 30 years later with a completely new cast, a relocation to LA and an entirely new soundtrack remixed by Richard H. Kirk, the film has lost none of its hallucinatory power. The short goes deep into the structure of Peter Care’s original film and the Cabaret Voltaire tracks used in connection with it. What emerges is as much a juxtaposition of times and places as sights and sounds. The tale changes in the retelling, but that change now seems to be taking place on a molecular level. Richard H Kirk has reconfigured the film’s soundtrack, giving the proceedings an ominous sense of something slowly sliding into view from afar, glimpsed out of the corner of the eye.

A guy has troubles on a trolley