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Parallel 2024 - Movies (Nov 21st)
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Bangers and Cash- Restoring Classics - (Nov 21st)
GRAND SUMO Highlights - (Nov 21st)
Live from the Other Side with Tyler Henry - (Nov 21st)
TMZ Live - (Nov 21st)
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The View - (Nov 21st)
The Last Socialist Artefact - (Nov 21st)
The Great Australian Bake Off - (Nov 21st)
The Kelly Clarkson Show - (Nov 21st)
Dateline- Secrets Uncovered - (Nov 21st)
Gutfeld - (Nov 21st)
Hannity - (Nov 21st)
Jesse Watters Primetime - (Nov 21st)
Special Report with Bret Baier - (Nov 21st)
The Five - (Nov 21st)
The Ingraham Angle - (Nov 21st)
Teen Mom UK - (Nov 21st)
Taronga- Whos Who In The Zoo - (Nov 21st)
Australia on Fire- Climate Emergency - (Nov 21st)
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This could have a pass based on the 3D but, in all honesty, the script and the story is totally senseless and unconnected. The travel through the Underworld maze to the Tartarus is just the best example of how bad the story is. In addition, they just mix the Greek mythology in the most absurd ways, putting a minotaur where it doesn't belong. Make up is quite bad. Specially with the beards and appearance of the gods. Andromeda, who is also misplaced and doesn't really have any relevant role, is the spark to remark, played by Rosemund Pike.
The visual effects where very good. Unfortunately, that was about it. The script was just awful. I do not want to watch a movie about Greek mythology just to see the gods being portrayed as week, loosing their power and ultimately disappearing. I don’t know why so many writers today cannot do anything better than to take a well known setting and then totally destroy it for thrills. It seems like they all have some “Lets-destroy-the-Enterprise” complex. To me the awful script ruined this movie. It became depressing despite the good visual effects.
I'm split on this one! In some ways I kinda prefer 'Wrath of the Titans' to its predecessor, though in other ways it is a downgrade. My positives include the pacing and the use of 'the gods', with both - in my opinion - better done in this 2012 film when compared to the 2010 original. The shorter run time helps, while Liam Neeson and Ralph Fiennes are far better utilised this time. My negatives include the story and (one or two) new cast/characters. The plot didn't really hold my attention very well, at a number of moments I felt my mind drift away from what was occurring onscreen. I wasn't bored or anything, though I could feel myself lose interest immediately after a scene that promised more than it delivered. As for the latter, Rosamund Pike and Édgar Ramírez are disappointing additions. With that said, Bill Nighy is a newcomer here and he actually entertained me - probably my standout character from this sequel. Toby Kebbell is a solid newbie too, to be honest. Elsewhere, Ramin Djawadi is missed on music but Javier Navarrete does a perfectly fine job in fairness. Naturally, I can only speak for myself and to me this is an average, if admittedly forgettable, flick - nought worse.
The original "Clash of the Titans" (1981) didn't really need it's 2010 reimagining, and that film didn't need this sequel either. This time, the demi-god Perseus (Sam Worthington) has to take on the ruthless Hades (Ralph Fiennes) who has kidnapped his dad Zeus (Liam Neeson) and has him chained deep in the underworld. What's clear to the young man is that there is a conspiracy going on amongst the Olympian gods and that if he doesn't get his sword sharpened then there could be an all out war involving the long imprisoned and mighty Kronos - the father of Zeus, Poseidon and Hades themselves. What isn't helping the immortals is the astonishingly fickle degree of faith from the public who are enjoying a time of relative peace and therefore not really doing anywhere enough praying! Anyway, luckily Perseus has the warlike "Andromeda" (Rosamund Pike) and the arch-craftsman Hephaestus (Bill Nighy) on his team so maybe they have a fighting chance? I reckon by half way through, I was thinking that maybe Tartarus was the best place for the writers rather than poor old Kronos. They have given the stolid messrs. Worthington, Neeson et al the most meagre of stories upon which to to develop their already pretty week characterisations and though there are some fun monsters from the innards of the Earth, they're not a patch on the stop-motion creatures from the hands of Ray Harryhausen. It does liven up a bit for the last fifteen minutes, and it is my kind of film so I didn't hate it - but it's still very disappointing.
In Ancient Greece in the land far away, when people read Greek mythology came the time of legend – the greatest son of Zeus – Hercules. Hercules was once destined to be the King of Mycenae as his father Zeus had planned but his jealous stepmother Hera had other plans.
This film tells that Na Cha stole a fairy peach, but accidentally fell off the other seven new knots. Refined. The lower realms of the three brothers of Na Cha defeated the monsters, and then the fairy attracted the seven monsters of the Meishan Monsters who obstructed the Western Zhou army when they helped Zhou Futu.
In the city of Orario, beneath an impossibly tall tower, lies the dungeon. Only adventurers who form partnerships with the gods themselves have any hope of defeating the monsters that lie within. But the dungeon is not the only place where monsters exist. Far from Orario, in the ruins of an ancient city, a new threat arises. To counter this threat, the goddess Artemis has come to Orario in search of a champion—but it’s not Ais Wallenstein (the legendary Sword Princess) nor Ottar (the strongest warrior to ever enter the dungeon) that she chooses. Rather it is Bell Cranel, a newbie adventurer partnered with a low-tier goddess.
A band of determined Russian soldiers fight to hold a strategic building in their devastated city against a ruthless German army, and in the process become deeply connected to a Russian woman who has been living there.
Maciste travels to Egypt, where he leads a revolt against an evil queen. In Son of Samson, Maciste (Mark Forrest) - scion of the famed muscleman - travels to the Egyptian city of Tanis to checkmate villainous Queen Smedes (Chelo Alonso), who's persecuting the citizenry.
An epic fantasy adventure based on the timeless Arthurian legend, The Green Knight tells the story of Sir Gawain, King Arthur's reckless and headstrong nephew, who embarks on a daring quest to confront the eponymous Green Knight, a gigantic emerald-skinned stranger and tester of men.
Thunder, an abandoned young cat seeking shelter from a storm, stumbles into the strangest house imaginable, owned by an old magician and inhabited by a dazzling array of automatons and gizmos. Not everyone welcomes the new addition to the troupe as Jack Rabbit and Maggie Mouse plot to evict Thunder. The situation gets worse when the magician lands in hospital and his scheming nephew sees his chance to cash in by selling the mansion. Our young hero is determined to earn his place and so he enlists the help of some wacky magician's assistants to protect his magical new home.
Western Pyrenees, year 778. When his land is threatened by the ruthless armies of the Frankish emperor, a Basque warlord asks for help from his ancestral gods.
Long ago, four extraordinary beings of dual male and female spirit, led by Kapaemahu, brought certain healing arts from Tahiti to Hawaii and were loved by the people for their gentle ways and the miraculous cures they performed.