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A power-house debut from Remi Weekes, deftly balancing social commentary with old school horror (and for once, without zombies). The movie pulls you inside the life of a Sudanese refugee couple assigned to an apartment in London after a harrowing escape via boat from their home country. In addition to the nightmare of their experience, they’ve got a potential poltergeist. Movies often face-plant while struggle to convey what is real, a dream, a backstory, or something else. "His House" weaves these shifts expertly. And you will not see the twist coming in the last act. Here's hoping Remi Weekes joins Ari Aster and Robbert Eggers, bringing horror to a new level of intellectual freakiness.
A glimpse of the horrors faced by refugees escaping war-torn countries for a better life in Britain is provocatively probed in this stylish supernatural horror film from talented writer-director Remi Weekes. **His House** unexpectedly blends the anxiety, confusion and alienation felt by a pair of asylum seekers from South Sudan with a nightmarish malevolence born from dark magic and folklore. [_Read my full review on Top 10 Films_].
When "Bol" (Sope Dirisu) and his wife "Rial" (Wunmi Mosaku) arrive in the UK after fleeing their war-torn home in South Sudan, they are given leave to remain whilst their case is further investigated, and housed in an ordinary - if a bit run down - housing estate. Helped by their case worker "Mark" (Matt Smith) they are given the basic essentials to get by, but as their stay becomes more extended they struggle to fit into a community that is at best disinterested, at worst a bit hostile - all whilst they start to believe that their new home is possessed! Things quite literally start going bump in the night and the couple begin to wonder if this has something to do with their ancestors, or perhaps the spirits of the folks they left behind to face the uncertainty. It's those last scenarios that we see expressed through dreams and flashbacks and that give us a clue as to just what horrors they escaped. Question is, though: are there now even greater horrors here for them now? At times this can be quite a compelling look at the psychology of people caught between two stools. Not fitting where they now are, not fitting where they once were. The cultural challenges they face now, though, aren't really developed and I found the characterisation of the ultra-tolerant "Mark" a little hard to believe, especially as the hunt for their ethereal nemesis starts to manifest itself in ways that become a little too surreal. Indeed, that's maybe the problem with this. It's trying to combine social and political points, but there's nowhere near enough punch from the dialogue and any message is bogged down in a confused hybrid of their supernatural experiences and the reality of their new British life. It can't have had much of a budget but that needn't have mattered had director Remi Weekes focussed more on keeping the story tight and on developing the characters a little more. It invites us to sympathise based on what he presumes are our own moral standards rather than present us with anything or anybody that's especially interesting. As ever, Smith completely underwhelms and though Mosaku offers us some emotional oomph, the rest of this is disappointingly unremarkable.
Ken, a WWII GI, returns home after he's paralyzed in battle. Residing in the paraplegic ward of a veteran's hospital and embittered by his condition, he refuses to see his fiancée and sinks into a solitary world of hatred and hostility. Head physician, Dr. Brock cajoles the withdrawn Ken into the life of the ward, where fellow patients Norm, Leo and Angel begin to pull him out of his spiritual dilemma.
A very handsome man finds the love of his life, but he suffers an accident and needs to have his face rebuilt by surgery after it is severely disfigured.
In the questionable town of Deer Meadow, Washington, FBI Agent Desmond inexplicably disappears while hunting for the man who murdered a teen girl. The killer is never apprehended, and, after experiencing dark visions and supernatural encounters, Agent Dale Cooper chillingly predicts that the culprit will claim another life. Meanwhile, in the more cozy town of Twin Peaks, hedonistic beauty Laura Palmer hangs with lowlifes and seems destined for a grisly fate.
Our second annual halloween short film made safely during quarantine! Inspired by War of the Worlds and B Creature features from the late 1950s. We worked without a crew so everyone involved did several jobs. Brandon directed, operated the camera, edited, sound designed and did voice over work. Ama directed, wrote, designed the lighting, costuming, operated the fog machine, fire fx, blood, and the tentacles! Which we also made as well! Jared and Mark did voice over characters as well as performing on camera. Rozi did her own stunts, helped with make up and costuming and Amber helped with set design as well as being on camera! It was a little project made for fun in a time when we need it the most! We hope you enjoy and happy halloween!
The satanic panic in the 1980s was real.... real hypocritical. When religious parents Bill and Shelley take away their daughter's metal records and D&D they have to answer to a lower power for their own sins and now it's up Chloe and Lou to save them from Satan's grasp! Hypocritical Hit is a new film from Ama Lea dedicated to all the girls who grew up with dirt under their nails and metal in their hearts.
After a brief encounter with another boy at age 11, Ari Wallenmeier is forced to undergo Conversion Therapy. Now 35 years old and “fixed", Ari contemplates marriage with his long-time partner and fiancée Ava. But when the pandemic hits, isolation and stress rekindles old feelings and Ari is determined to face them.
Do ghosts exist? In this new documentary, a filmmaker travels to rumored haunted places interviewing psychics, scientists, and skeptics in search of the truth. Along the way, his crew captures unexplained phenomena including a box that allows the dead to speak.
When a woman's first love suddenly reenters her life, her relationship with a charming, but abusive neurosurgeon is upended, and she realizes she must learn to rely on her own strength to make an impossible choice for her future.
No one seemed to care about Jamie Marks until after his death. Hoping to find the love and friendship he never had in life, Jamie’s ghost visits former classmate Adam McCormick, drawing him into the bleak world between the living and the dead.
A young man is dared by his friends to trek deeper into dangerous territory, with bait, in order to finally once and for all prove or disprove the legendary rumors surrounding an abandoned barn.
