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A power-house debut from Remi Weekes, deftly balancing social commentary with old school horror (and for once, without zombies). The movie pulls you inside the life of a Sudanese refugee couple assigned to an apartment in London after a harrowing escape via boat from their home country. In addition to the nightmare of their experience, they’ve got a potential poltergeist. Movies often face-plant while struggle to convey what is real, a dream, a backstory, or something else. "His House" weaves these shifts expertly. And you will not see the twist coming in the last act. Here's hoping Remi Weekes joins Ari Aster and Robbert Eggers, bringing horror to a new level of intellectual freakiness.
A glimpse of the horrors faced by refugees escaping war-torn countries for a better life in Britain is provocatively probed in this stylish supernatural horror film from talented writer-director Remi Weekes. **His House** unexpectedly blends the anxiety, confusion and alienation felt by a pair of asylum seekers from South Sudan with a nightmarish malevolence born from dark magic and folklore. [_Read my full review on Top 10 Films_].
When "Bol" (Sope Dirisu) and his wife "Rial" (Wunmi Mosaku) arrive in the UK after fleeing their war-torn home in South Sudan, they are given leave to remain whilst their case is further investigated, and housed in an ordinary - if a bit run down - housing estate. Helped by their case worker "Mark" (Matt Smith) they are given the basic essentials to get by, but as their stay becomes more extended they struggle to fit into a community that is at best disinterested, at worst a bit hostile - all whilst they start to believe that their new home is possessed! Things quite literally start going bump in the night and the couple begin to wonder if this has something to do with their ancestors, or perhaps the spirits of the folks they left behind to face the uncertainty. It's those last scenarios that we see expressed through dreams and flashbacks and that give us a clue as to just what horrors they escaped. Question is, though: are there now even greater horrors here for them now? At times this can be quite a compelling look at the psychology of people caught between two stools. Not fitting where they now are, not fitting where they once were. The cultural challenges they face now, though, aren't really developed and I found the characterisation of the ultra-tolerant "Mark" a little hard to believe, especially as the hunt for their ethereal nemesis starts to manifest itself in ways that become a little too surreal. Indeed, that's maybe the problem with this. It's trying to combine social and political points, but there's nowhere near enough punch from the dialogue and any message is bogged down in a confused hybrid of their supernatural experiences and the reality of their new British life. It can't have had much of a budget but that needn't have mattered had director Remi Weekes focussed more on keeping the story tight and on developing the characters a little more. It invites us to sympathise based on what he presumes are our own moral standards rather than present us with anything or anybody that's especially interesting. As ever, Smith completely underwhelms and though Mosaku offers us some emotional oomph, the rest of this is disappointingly unremarkable.
Staying late in their office on a Friday night, a motley crew of click-bait article authors are tasked with finding the top thirteen scariest online videos in preparation for a Halloween roll-out. When an early entry promises to curse whoever watches the cryptic link, our snarky writers must distinguish fact from fiction before a crescendo of paranormal disturbances lead to real-life murders.
Yearning to break free from their sordid pasts, three sisters unite for a simple plan: steal enough drugs to set themselves up for a new life. But when the eldest sister Teig decides they're going to hide out in their old, abandoned family house, its painful memories quickly become too real to fight off. Three sisters with a history, a suitcase full of stolen drugs, and a family house with a dark secret is the recipe for terror in House of Bad.
The mother of a severely traumatized daughter enlists the aid of a unique horse trainer to help the girl's equally injured horse.
When a beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.
After a whirlwind romance in Mexico, a beautiful heiress marries a man she barely knows with hardly a second thought. She finds his New York home full of his strange relations, and macabre rooms that are replicas of famous murder sites. One locked room contains the secret to her husband's obsession, and the truth about what happened to his first wife.
John Constantine has literally been to Hell and back. When he teams up with a policewoman to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists beneath the landscape of contemporary Los Angeles.
Rachel Keller is a journalist investigating a videotape that may have killed four teenagers. There is an urban legend about this tape: the viewer will die seven days after watching it. Rachel tracks down the video... and watches it. Now she has just seven days to unravel the mystery of the Ring so she can save herself and her son.
Rose, a desperate mother takes her adopted daughter, Sharon, to the town of Silent Hill in an attempt to cure her of her ailment. After a violent car crash, Sharon disappears and Rose begins a desperate search to get her back. She descends into the center of the twisted reality of a town's terrible secret. Pursued by grotesquely deformed creatures and townspeople stuck in permanent purgatory, Rose begins to uncover the truth behind the apocalyptic disaster that burned the town 30 years earlier.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.
Papa Lester and his three boys amuse themselves by kidnapping and murdering women deep in the woods. The tables turn when their latest victim turns out to be just as crazy as they are. What happens when four crazy men kidnap one crazy girl?