봄·봄

Despite mixed emotions, Frederick Winterbourne tries to figure out the bright and bubbly Daisy Miller, only to be helped and hindered by false judgments from their fellow friends.

Julia, a waitress without much going on in her life, accepts a job offer from Milo, a writer in crisis who needs an assistant to talk to. From these conversations on, she begins to perceive that love is where we least expect for.

The most beautiful man in the world, who, sick of being objectified, devises a plan to free himself of other's attention.

Starring Jeremy Irons in a one-man drama, adapted from a Dostoevsky short story by Murray Watts. In his dream, the Man visits an unspoilt Garden of Eden.

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Adada's poor husband suddenly strikes it rich. He changes his hovel for a beautiful home, but his character changes as well. He becomes overly proud and shows off his wealth. Adada, despising the money and what it has done to her husband, throws their savings into the river

An old member of Namsadang (a wayfaring group of Joseon Dynasty (1392-1910)) leaves his daughter Gye-yeon at a tavern of Hwagye Market, a traditional market located in Gurye, Jeollanam-do. Son of the tavern owner Seong-gi and Gye-yeon love each other, but the madam owner tries to separate them by sending Seon-gi to a temple. The old man comes back to take Gye-yeon and disclose a secret that the tavern owner is in fact his daughter, therefore Seong-gi is his grand son. Frustrated to hear that he cannot love Gye-yeon, Seong-gi goes for a long journey without destination as his ancestors of Namsadang have done.

In a hospital waiting room, a group of men arrive and meet one another. Choe, is the upbeat fellow who always thinks of the nation and its people. Cheon was wounded in the war and has fallen into despair. Then there's the dentist, run ragged by his hectic life. They commiserate over each man's lot in life and exchange stories about their love affairs.

Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.

After finishing the course of junior high school, Kazuo comes up to Tokyo, leaving his mother alone in the unproductive northern district. He finds a job in a small laundry in downtown Tokyo and works hard till late at night. At a nearby restaurant a brother and sister are working, and Kazuo becomes friendly with the girl, Yoneko. Love blossoms between the two. However, Yoneko's brother objects to his sister marrying Kazuo.

Adaptation of Hermann Sudermann's novel about the troubled relationship between the strong willed Erdme and her irascible husband Jons in the Lithunian moors.