Close to You 2023 - Movies (Sep 19th)
Lost in Tomorrow 2023 - Movies (Sep 18th)
Strike An Uncivil War 2024 - Movies (Sep 18th)
MaXXXine 2024 - Movies (Sep 18th)
Sing Sing 2023 - Movies (Sep 18th)
The Right to Read 2023 - Movies (Sep 18th)
Spellbound 2024 - Movies (Sep 18th)
Stopping the Steal 2024 - Movies (Sep 18th)
Feet of Death 2024 - Movies (Sep 18th)
And Mrs 2024 - Movies (Sep 17th)
Dont Buy the Seller 2023 - Movies (Sep 17th)
Slingshot 2024 - Movies (Sep 17th)
Dark Feathers Dance of the Geisha 2024 - Movies (Sep 17th)
The Invisibles 2024 - Movies (Sep 17th)
Cheat 2024 - Movies (Sep 17th)
America Is Sinking 2023 - Movies (Sep 17th)
Blink Twice 2024 - Movies (Sep 17th)
Cuckoo 2024 - Movies (Sep 17th)
You Gotta Believe 2024 - Movies (Sep 17th)
Afraid 2024 - Movies (Sep 17th)
His and Hers 2024 - Movies (Sep 17th)
Bargain Block - (Sep 19th)
Mysteries of the Abandoned - (Sep 19th)
Expedition Bigfoot - (Sep 19th)
Unsellable Houses - (Sep 19th)
Help We Bought A Village - (Sep 19th)
Icons Unearthed- Harry Potter - (Sep 19th)
Expedition X - (Sep 19th)
Guys Grocery Games - (Sep 19th)
See No Evil - (Sep 19th)
Reasonable Doubt - (Sep 19th)
Frasier - (Sep 19th)
Survivor - (Sep 19th)
All in with Chris Hayes - (Sep 19th)
Alex Wagner Tonight - (Sep 19th)
The Ark - (Sep 19th)
The Beat with Ari Melber - (Sep 19th)
The ReidOut - (Sep 19th)
Agatha All Along - (Sep 19th)
The Last American Vagabond - (Sep 19th)
Trumps Heist- The President Who Wouldnt Lose - (Sep 18th)
"Wild Cats 3D" is the story of the magnificent lions, cheetahs and leopards of southern Africa. Kevin Richardson, the "Lion Whisperer", leads an expedition into their extraordinary world.
Georg is an Austrian retiree whose mother witnessed the crash of an Allied B-17 near their home during World War II. When he takes up metal detecting to find the wreckage, a growing fascination leads him to embark on a heartfelt mission, not only to research the backgrounds of the American crewmembers who parachuted off the plane into enemy territory, but to locate their descendants, to bring them to his Austrian town on the 75th anniversary of the crash, to introduce them to the townspeople who helped their fathers, and to unite his town in remembrance. It’s a story of empathy, resilience, and the enduring power of human connection.
Dramatizes the case of a family in which the father respects and loves his wife and children, permitting each to develop as an individual, and contrasts this family with one where discord and hostility prevail.
Frei Gualter is sent by S. Francisco de Assis to Guimarães around 1213. The devotion to this franciscan friar started to rise and in 1577 the brotherhood of S. Gualter is created. The Gualterianas are celebrated since 1906, the new way of celebration in honor of their patron.
Man's need to create beauty, to interpret the world around him in image and color, has found expression in many forms, from the days of primitive culture to the present. This film surveys the work of Canadian craftsmen in many fields, showing how the changing Canadian scene has been their constant inspiration and how business enterprise today is increasingly using the skills of the artisan to enhance the decor of building interiors.
In the shadow of Bryant-Denny Stadium stands one of the most iconic Tuscaloosa restaurants, Rama Jama's. This local diner is a key tradition in the Alabama Football season, and its own story has much to tell.
The Numbers Start with the River is a 1971 American short documentary film about small-town life in Iowa. Produced by Donald Wrye for the United States Information Agency, it was nominated for an Academy Award for Best Documentary Short.
This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.
A fairly shabby, dark, three-part wardrobe in a hallway: About ten years have passed since Joana Claude suffered sexual violence when it was assembled. Now the time has come to not only disassemble it. Instead, Joana sets out to destroy the artefact of pain completely. The gesture is made with fervour, tearing out the shelves and doors looks like retroactive resistance, what was pent up finds an outlet. At the same time, the ritual is characterised by gradual escalation: At first the director speaks of her relationship with her parents – a big sweat stain on her back already beginning to show –, in the end everything is in flames. The act is short, it lasts only a few minutes. And yet it allows an intimate insight that acquires a universal, strength-giving character as it unfolds.
In 1945, Allied troops invaded Germany and liberated Nazi death camps. They found unspeakable horrors which still haunt the world’s conscience. A film was made by British and American film crews who were with the troops liberating the camps. It was directed in part by Alfred Hitchcock and was broadcast for the first time in its entirety on PBS FRONTLINE in 1985.