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Now it is quite possible that I just wasn't in the right frame of mind when I saw this, but somehow it just misfired. Luca Marinelli is the eponymous character hell bent on improving his lot from a pretty meagre upbringing. His opportunity comes when he rescues the young "Arturo" from some local bullies and when he is invited to his new friend's luxury home for a thank you lunch, meets the boy's sister "Elena" (Jessica Cressy) and it's love at first sight. Determined to elevate himself even more now, he falls in with noted, if slightly dissolute, socialist "Brissenden" (Carlo Cecchi) and whilst his newly found success satisfies his desire for wealth and self-improvement, it also serves to throw some obstacles in his path to true love. It is certainly a very stylish film to enjoy - the mix of colour and monochrome cinematography delivers well, and the score works well to complement the dialogue and the feelings of desire, frustration and maybe even danger as our hero's increasingly successful, politically driven work draws enemies from his peers and the authorities. I suppose, for me, it dwells a little too much on the introspection of a man that I didn't particularly care for; and as ever with films based around one single character - it's hard to stay engaged if that character isn't working for you. I hesitate to say I found it dull, it isn't dull, but then it isn't really very good either... Perhaps after a second watch, but I can't really think I will bother.
Roustabout Stanton Carlisle joins a traveling carny and unsuccessfully schemes to figure out the mind-reading act of Mademoiselle Zeena and her alcoholic husband, Pete.
Palermo, Sicily, 1984. Examining magistrate Giovanni Falcone allies with Tomasso Buscetta, a former mobster, to defeat the clan of Corleone, the ruthless Mafia faction that rules Cosa Nostra with an iron hand, cruelly eliminating all those who dare to oppose its immense power: other criminals, policemen, judges, even innocent civilians. One of them wants revenge, the other wants justice. But only one can survive such an unequal fight.
A tragedy strikes a young woman's life without warning or reason. She continues living while searching for meaning in a lonely world.
Army psychiatrist Colonel Kane is posted to a secluded gothic castle housing a military asylum. With a reserved calm, he indulges the inmates' delusions, allowing them free rein to express their fantasies.
Three friends form a bond over the year, Johnathan is gay, Clare is straight and Bobby is neither, instead he loves the people he loves. As their lives go on there is tension and tears which culminate in a strong yet fragile friendship between the three.
During the times of King Arthur, Kayley is a brave girl who dreams of following her late father as a Knight of the Round Table. The evil Ruber wants to invade Camelot and take the throne of King Arthur, and Kayley has to stop him.
In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her.
A film adaptation of the novel of the same name by Leo Tolstoy. The main character of the film is Prince Stepan Kasatsky, an officer, an ardent, proud young man — a big fan of the tsar. Kasatsky is going to marry, but at the last moment he learns from the bride that she was the mistress of the emperor. The prince is deeply disappointed in social life, he takes a monastic vow and leaves the capital. Faith in God was to save the soul, but passions and worldly temptations don't leave Kasatsky.
When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.
