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As far as I know, Roll'em is the first Saudi film to be commercially screened in Saudi cinemas after lifting the ban on public theatres in 2017. Our Saudi cinema has a lot of catching up to do, so I went to watch this film with my expectations lowered, but I am happy to say it exceeded them by a lot. The protagonist Omar is an a aspiring and frustrated filmmaker. He is a flawed yet well rounder character. He is hotheaded and broody, and he really hates his 9-5 job as a director in an ad agency, and despised the compromises he has to do to make ends meet. He is in love with a lovely woman Leena who has aspiration of her own and feel suffocated by him. She needs a distance to evaluate the relationship, which attributes to his depression and state of loss he ends up in. One day while scouting for location in Jeddah's Old Town (AlBalad) he finds Farid Lutfi, a 70somthing antique shop owner who he finds out was once accomplished but now a retired filmmaker. Omar convinces Farid to work with him on a film about Old Jeddah, and in the process he teaches him a lesson or two about live, love and how to overcome the odds against him. What I liked about the film is how at brisk 90 min, it managed to tell a well rounded story with a few clunky moments here and there. The performances for the most part were good, considering most of the actors are not seasoned, but the two leading roled played by Khaled Yeslam and Shaher Al Qurashi were especially strong. The film is beautifully shot, and the director knows where to place the camera and and how to frame qnr shoot a scene, and plays with depth of field in the external shots to alternate the focus between the actors in the foreground and AlBalad in the background with its busy streets, stray animals, and flocks of pigeons flying everywhere. Such flourishes made the film always interesting to look at, and not your run of the mill boring film. The music and the score of film is another strong elemnt, as it stirrer nostalgia without overwhelming the narrative. The ending of the film was wrapped a little bit too neatly with a scene I could only describe as nothing more than wish fulfilment, but it did not really take away from the film overall message. I will be looking forward to the director's next film, but this was a good step in what I am hoping it will be a long and successful career. My Rating 4/5
As far as I know, Roll'em is the first Saudi film to be commercially screened in Saudi cinemas after lifting the ban on public theatres in 2017. Our Saudi cinema has a lot of catching up to do, so I went to watch this film with my expectations lowered, but I am happy to say it exceeded them by a lot. The protagonist Omar is an a aspiring and frustrated filmmaker. He is a flawed yet well rounder character. He is hotheaded and broody, and he really hates his 9-5 job as a director in an ad agency, and despised the compromises he has to do to make ends meet. He is in love with a lovely woman Leena who has aspiration of her own and feel suffocated by him. She needs a distance to evaluate the relationship, which attributes to his depression and state of loss he ends up in. One day while scouting for location in Jeddah Old Town (AlBalad) he finds Farid Lutfi, a 70something antique shop owner who he finds out was once accomplished but now a retired filmmaker. Omar convinces Farid to work with him on a film about Old Jeddah, and in the process he teaches him a lesson or two about live, love and how to overcome the odds against him. What I liked about the film is how at brisk 90 min, it managed to tell a well rounded story with a few clunky moments here and there. The performances for the most part were good, considering most of the actors are not seasoned, but the two leading roles played by Khaled Yeslam and Shaher Al Qurashi were especially strong. The film is beautifully shot, and the director knows where to place the camera and and how to frame qnr shoot a scene, and plays with depth of field in the external shots to alternate the focus between the actors in the foreground and AlBalad in the background with its busy streets, stray animals, and flocks of pigeons flying everywhere. Such flourishes made the film always interesting to look at, and not your run of the mill boring film. The music and the score of film is another strong element, as it stirred nostalgia without overwhelming the narrative. The ending of the film was wrapped a little bit too neatly with a scene I could only describe as nothing more than wish fulfilment, but it did not really take away from the film overall message. I will be looking forward to the director's next film, but this was a good step in what I am hoping it will be a long and successful career.
It's 1957, and James Whale's heyday as the director of "Frankenstein," "Bride of Frankenstein" and "The Invisible Man" is long behind him. Retired and a semi-recluse, he lives his days accompanied only by images from his past. When his dour housekeeper, Hannah, hires a handsome young gardener, the flamboyant director and simple yard man develop an unlikely friendship, which will change them forever.
Women enter and exit a science fiction author's life over the course of a few years after the author loses the woman he considers his one true love.
Jarhead is a film about a US Marine Anthony Swofford’s experience in the Gulf War. After putting up with an arduous boot camp, Swofford and his unit are sent to the Persian Gulf where they are eager to fight, but are forced to stay back from the action. Swofford struggles with the possibility of his girlfriend cheating on him, and as his mental state deteriorates, his desire to kill increases.
After a series of failed pitches, a has-been TV presenter's attempts to get his old show rebooted are stifled after his puppet goes missing.
Set in the Bronx during the tumultuous 1960s, an adolescent boy is torn between his honest, working-class father and a violent yet charismatic crime boss. Complicating matters is the youngster's growing attraction - forbidden in his neighborhood - for a beautiful black girl.
Luna returns to her childhood home to retrieve old recordings hidden in a closet and to re-live the sense of home that once was. Much to her surprise, she meets the new inhabitant, from who she hides her true intention.
Film 33 is the most advanced film class in a community college where the entire class teams up to make a short film. In 2023 Spring, the 23rd short film is being made. This epic documentary details the highs and lows of the production of this short film, and all the dramatic events that occurred.
In the heart of a foggy and rural Quebec winter, Luce, a grieving mother faced with the disappearance of her son, is taken aback when three local hunters track down the alleged killer, a seemingly harmless young man. When it is proposed to her to take revenge on the latter, the spirit of the masses slowly takes possession of her tragedy as the group sinks into the forest.
When a group of young filmmakers witness and film a crime of passion, the most outrageous blackmail of the century begins. By means of a fantastic plan, the filmmakers send to the murderer, a financial and industrial big shot, a copy of the movie that incriminates him and they demand him an improvement of the standard of living for the working class.