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All Elite Wrestling- Dynamite - (Aug 16th)
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Much predictable and brutal. Just some action movie in which 13 guys kill by hundreds ...
Takashi Miike excels at creating true horror from the internal darkness of humanity and this is clearly evident in his brutal depiction of the villain of this movie, Lord Naritsugu. Through this characterization he establishes a strong motivation for us to stick around and witness the epic 45 minute battle at the film's climax in our hope to see Naritsugu brought to justice. Period Japan is depicted in a fashion that appears competent and authentic and the climactic battle is satisfyingly crunchy and visceral. The story is simple and direct and Miike's deft hand spends the first half setting up a truly despicable, hate-able villain and the titular assassins and their heroic leader, Shinzaemon, then the second half delivering a very satisfying come-uppance in a relentless fury of action, blood and mud. Well worth watching if you like this sort of thing!
Very much in the spirit of Kurosawa, Takashi Miike has assembled a strong cast to depict some fairly epic struggles for power in the 19th century Japanese shogunate. It's the brother of the Shogun who seems to be the source of the trouble. Having mercilessly murdered a family - against the instructions of his sibling - he has earned the enmity of veteran Samurai "Shinzaemon" (Kôji Yakusho) but with a significant political appointment in Edo looming, it would appear he is untouchable. It's the journey "Naritsugu" (Gorô Inagaki) must make through the densely forested countryside that might offer an opportunity for revenge, but he has the equally lethal Samurai "Hanbei" (Masachika Ichimura) orgainisng his large escort. With but a dozen men and the intrepid under "Koyata" (Yûsuke Iseya) to guide them along less trodden paths, this disparate baker's dozen must try to anticipate the path their nemesis will take and then strive to reduce the odds against them. These men are too honourable to resort to underhand guerrilla tactics so each battle must be fought openly and with the pride of their code. The last hour or so of this offers us as compelling a series of combat scenes, mixed with plenty of lithe action and even a little black humour, as you're ever lively to see. The energy and gymnastics on display is compelling to watch, the filth, mud and grime that coats their bodies add authenticity and the low-key soundtrack all build to an action-packed and by no means predictable conclusion. If you can watch on a big screen then this, like most films of this genre, really does come alive and Miike manages to avoid the repetition trap so easy to fall into with films like this. If you've seen and enjoyed the 1963 Kudô version, then this remake won't disappoint you.
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.
Agent 007 is back in the second installment of the James Bond series, this time battling a secret crime organization known as SPECTRE. Russians Rosa Klebb and Kronsteen are out to snatch a decoding device known as the Lektor, using the ravishing Tatiana to lure Bond into helping them. Bond willingly travels to meet Tatiana in Istanbul, where he must rely on his wits to escape with his life in a series of deadly encounters with the enemy.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
A mysterious spacecraft captures Russian and American space capsules and brings the two superpowers to the brink of war. James Bond investigates the case in Japan and comes face to face with his archenemy Blofeld.
James Bond tracks his archnemesis, Ernst Blofeld, to a mountaintop retreat in the Swiss alps where he is training an army of beautiful, lethal women. Along the way, Bond falls for Italian contessa Tracy Draco, and marries her in order to get closer to Blofeld.
A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
Diamonds are stolen only to be sold again in the international market. James Bond infiltrates a smuggling mission to find out who's guilty. The mission takes him to Las Vegas where Bond meets his archenemy Blofeld.
Cool government operative James Bond searches for a stolen invention that can turn the sun's heat into a destructive weapon. He soon crosses paths with the menacing Francisco Scaramanga, a hitman so skilled he has a seven-figure working fee. Bond then joins forces with the swimsuit-clad Mary Goodnight, and together they track Scaramanga to a Thai tropical isle hideout where the killer-for-hire lures the slick spy into a deadly maze for a final duel.
Many loosely connected characters cross paths in this film, based on the stories of Raymond Carver. Waitress Doreen Piggot accidentally runs into a boy with her car. Soon after walking away, the child lapses into a coma. While at the hospital, the boy's grandfather tells his son, Howard, about his past affairs. Meanwhile, a baker starts harassing the family when they fail to pick up the boy's birthday cake.
A British spy ship has sunk and on board was a hi-tech encryption device. James Bond is sent to find the device that holds British launching instructions before the enemy Soviets get to it first.