The Callers 2024 - Movies (Dec 16th)
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Small Things Like These 2024 - Movies (Dec 15th)
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90 Day- The Last Resort Between the Sheets - (Dec 17th)
The Bold and the Beautiful - (Dec 17th)
The Young and the Restless - (Dec 17th)
The Talk - (Dec 17th)
The Price Is Right - (Dec 17th)
Get Millie Black - (Dec 17th)
90 Day- The Last Resort - (Dec 17th)
The ReidOut with Joy Reid - (Dec 17th)
Holiday Baking Championship - (Dec 17th)
Junk and Disorderly - (Dec 17th)
The Beat with Ari Melber - (Dec 17th)
Animal Park - (Dec 16th)
Adam Richman Eats Football - (Dec 16th)
Deadline- White House - (Dec 16th)
Four in a Bed - (Dec 16th)
Casualty 24/7- Every Second Counts - (Dec 16th)
Jesus Crown of Thorns - (Dec 16th)
Sunday Brunch - (Dec 16th)
Saturday Kitchen Best Bites - (Dec 16th)
Chateau DIY - (Dec 16th)
Featuring interviews, live concert footage, and a feature on how punk was transformed from a trend to a way of life, UK/DK is a comprehensive look at the skinhead/punk movement. Some of the most notorious bands on the scene are featured, including The Exploited, The Vice Squad, The Adicts and many more.
Celebration of the most representative genre of Cuban idiosyncrasy, rumba. Through interviews and drumbeats by the most emblematic figures and groups of this manifestation, we comment on its origin, the role it plays in national life and the enormous influence it has had on other forms such as son, timba , jazz and rap.
The first part tells of the life and works of L. Frank Baum, along with his career as a writer and filmmaker, centering on the creation of Oz. This portion continues with the effect of Oz after his death, with novelties, dolls, radio, stage, and screen adaptions, and advertising gimmicks based on his work, culminating with MGM's Wizard of Oz (1939). While discussing some of the major alterations between the book and the film, such as MGM making Baum's real-life adventure a dream. The second half is about interpretation of Oz by other artists, including Helen Kish, Barry Moser, Barry Mahon, Evelyn Copelman, Robert Tonner, Robin Woods, Michael Hague, Lizbeth Zwerger, Pavel Arsyenov, and Charles Santore. The documentary concludes with an analysis of Baum's work and its profound effect on American culture.
This production consists an abbreviated script and highlights most musical numbers from the 1939 film.
A short promotional film on the making of “The Wiz” (1978). Includes a brief history of Oz portrayals in film and behind the scenes interviews.
26 years ago, Billy Joel took his family, his music and his concert show to the former Soviet Union. This feature-length documentary film looks back at the triumphs and difficulties encountered in creating the first fully staged rock 'n' roll show in the USSR. Directed by Emmy(R)-winning documentarian, Jim Brown.
A series of musical performances showcasing the diverse facets of fado, a musical genre from Lisbon.
The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.
A short documentary about the making of the 1956 film, High Society. Hosted by Celeste Holm.
The duo made up of musician and actress Julia de Castro and double bass player Miguel Rodrigáñez thus premieres their latest show, Exhalación: vida y muerte de De La Puríssima. With it, they intend to put an end to the ten-year revolution of EL CUPLÉ this scenic musical genre, which the singular tandem has merged with jazz, cumbia and electronics on stages around the world. Show nominated for the Premios Valle Inclán. As the duo explains, De La Puríssima was born in 2009 “as a transit project, in which music was the most direct and ritualistic medium from which to raise core issues such as sex, bullfighting, folklore or religion”. Now, a decade later, it is time to remove the peineta and celebrate the end of a stage in which the provocative lyrics by Julia de Castro have traveled through numerous audiences to bring up to date a genre that was in the forgetfulness of national folklore, the cuplé.