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The Last American Vagabond - (Dec 11th)
Chris Jansing Reports - (Dec 11th)
Portrait Artist of the Year - (Dec 11th)
Shetland - (Dec 11th)
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Tyler Perrys Assisted Living - (Dec 11th)
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Shop Smart, Save Money - (Dec 11th)
The Kelly Clarkson Show - (Dec 11th)
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Life Below Zero - (Dec 11th)
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The 11th Hour with Stephanie Ruhle - (Dec 11th)
Guns, Arrows, Bugles and Revenge. Bugles in the Afternoon is directed by Roy Rowland and adapted to screenplay by Daniel Mainaring and Harry Brown from the Ernest Haycox novel. It stars Ray Milland, Helena Carter, Hugh Marlowe, Forrest Tucker, Barton Maclane and George Reeves. A Technicolor production with music by Dimitri Tiomkin and cinematography by Wilfred M. Cline. Solid enjoyable fare that doesn’t push any boundaries. Story finds Milland as Kern Shafter, a cavalryman cashiered out the service for running through Edward Garnett (Marlowe). After drifting for a while, Shafter ends up at Bismarck and joins the Seventh Cavalry at Fort Abraham Lincoln. Unfortunately, his new superior is none other than Captain Edward Garnett! As the two men vie for the same woman, Josephine Russell (Carter), Garnett continually puts Shafter into perilous situations as the Indian War rages. With the arrival of Custer (Sheb Wooley) to lead the men for an attack on the Sioux at Little Big Horn, Garnett and Shafter will each find their day of destiny. It’s all very colourful and muscular, with well staged fights and nifty stunt work. The love triangle core of the story doesn’t grate or swamp the film in pointless mush, however, it seems strange to have the massacre at Little Big Horn in your story, yet only have it as a minor side issue to a couple of guys feuding with each other. Milland and Tucker, the latter as an Irish Private who befriends Shafter and welcomes pain as a test of manhood, both score well with engaging turns, while Carter also does good work with what could easily have been a token girl in the middle role. Location photography in Kanab is delightful (Cline would prove to be a dab hand in Westerns for the rest of the decade), and Tiomkin scores the music with verve and vigour. There’s some stereotyping of the Indians, and this even though there are some real Native Americans in the cast, while Marlowe is done no favours as his villainy is poorly written, but a better than average time waster this proves to be on a wintry afternoon by the fire. 6.5/10
Ray Milland ("Shafter") is cashiered out of the military after an altercation with "Garnett" (Hugh Marlowe) but struggles with civilian life, so re-enlists with a frontier regiment. At his new posting, he discovers that it is not just the marauding Sioux he has to worry about; his nemesis is also at the same fort, and outranks him. It doesn't help their openly displayed animosity, that both fancy the same - from what I could see, only - gal "Josephine" (Helena Carter). It seems that "Shafter" has a shred of decency to him, but the same cannot be said for "Garnett" and with Indian attacks looming, and the Battle of the Little Big Horn only round the corner, the story is riddled with peril both in front and behind his back. This is a competently produced western adventure with loads of action, a minimum of romance and plenty of duplicity from the really rather unlikeable Marlowe. The ending feels a bit hurried, but Milland is on decent form and director Roy Rowland focuses on keeping the story on track well enough. Not great, no - but I did quite enjoy it.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
It is 1879 in the Dakota Territories, a band of men who set out to find and recover a family of settlers that has mysteriously vanished from their home. Expecting the offenders to be a band of fierce natives, but they soon discover that the real enemy stalks them from below.
The story follows General George Armstrong Custer's adventures from his West Point days to his death. He defies orders during the Civil War, trains the 7th Cavalry, appeases Chief Crazy Horse and later engages in bloody battle with the Sioux nation.
When young Crazy Horse, of whom great things were predicted, wins his bride, rival Little Big Man goes to villainous traders with evidence of gold in the sacred Lakota burial ground. Of course, a new gold rush starts despite all treaties, and Crazy Horse becomes military leader of his people. Initial Indian victories lead to the inevitable result. Uniquely, all is told from the Indian perspective.
In 1871, professional gambler John Devlin elopes with Sandra "Sandy" Poli, daughter of Marko Poli, an immigrant who has risen to railroad tycoon. Sandy, knowing that the railroad is to be extended into Dakota, plans to use their $20,000 nest egg to buy land options to sell to the railroad at a profit. On the stage trip to Ft. Abercrombie, their fellow passengers are Jim Bender and Bigtree Collins, who practically own the town of Fargo and Devlin is aware that they are prepared to protect the little empire... trying to drive out the farmers by burning their property, destroying their wheat, and blaming the devastation on the Indians. Continuing their journey north on the river aboard the "River Bird', Sandy and John meet Captain Bounce, an irascible old seafarer. Two of Bendender's henchmen, Slagin and Carp, board the boat and relieve John of his $20,000 at gunpoint. Captain Bounce, chasing the robber's dinghy..
Two Virginians are heading for a new life in Texas when they witness a stagecoach being held up. They decide to rob the robbers and make off with the loot. To escape a posse, they split up and don't see each other again for a long time. When they do meet up again, they find themselves on different sides of the law. This leads to the increasing estrangement of the two men, who once thought of themselves as brothers.
Lt. Col. George Armstrong Custer has been reinstated and assigned to command the 7th Cavalry Regiment at Fort Hays. The regiment has become a ragtag outfit of thieves and ruffians and Custer must whip the soldiers into shape to fight, the Kiowa, Sioux and Blackfoot tribes who confront them. These tribes are being supplied shotguns by a white gunrunner and Custer and his men must rescue General Terry and the Fifth Cavalry Regiment from annihilation when they are ambushed and trapped by a large Kiowa war party.
Chief Sitting Bull of the Sioux tribe is forced by the Indian-hating General Custer to react with violence, resulting in the famous Last Stand at Little Bighorn. Parrish, a friend to the Sioux, tries to prevent the bloodshed, but is court- martialed for "collaborating" with the enemy. Sitting Bull, however, manages to intercede with President Grant on Parrish's behalf.
After Custer's defeat an army captain tries to warn a small town that the Sioux are coming. The inhabitants own two machine-guns but don't want to lend them to him.
Colonel Custer, an outspoken believer in fair treatment for the Indians, is ousted from his post and forced into retirement. Fueled by ambition when a Senator Blaine convinces him to run for President, Custer decides to upstage General Terry at Little Big Horn.