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Beautiful Romance - Tragedy Unbound. It has kind of become the popular thing to kick Titanic, the film and its achievements. It's like the love it garnered on release and the colossal waves it made in the history of cinema, never happened, or as some want you to believe, doesn't matter. I can tell you now that many of my macho fuelled friends will privately, under the influence of liquid refreshments, admit to having affection for the film, but socially in a circle environment? Not a bit of it! I have no such problems admitting my love for the film, I love it as much now as I approach 50, as I did when I sat there in awe at the cinema in 1997. You jump - I jump. Titanic is far from flawless, where even now with the advancements in technology the effects over 15 years later look a touch creaky. While it's true as well that away from Rose and Jack the characterisations are thin on the ground. But this is Rose and Jack's story, fully fleshed out for an hour and half and then framed by the terrible tragedy that unfolds for the next hour and half. The tie-in to the present day is superbly constructed by James Cameron - the search for the diamond - the real life filming of the Titanic wreckage - and the flashback telling of the story by a delightful Gloria Stuart as old Rose, and the sinking of the ship and its aftermath is stunning and heart breaking in equal measure. Never let go. So may scenes and dialogue exchanges stay in the memory for ever. The band playing on, the captain awaiting his fate, the mother ushering her children to sleep before the sea comes to take them, the old boy drinking his brandy as the water rushes in, or just Jack and Rose, polar opposites in society's class structure, making love, making art or just professing that neither will ever let go. It's what makes Titanic the wonderful piece of cinema it is, where beauty and tragedy merge to create something forever memorable. A film that deserved all the accolades and cash till ringing that it once did have. 9/10
Set around the ill-fated maiden voyage of the RMS "Titanic", this is essentially a film in two parts. The first, weaker, element features a young "Dawson" (Leonardo DiCaprio) who wins a third class ticket to New York on the soon to depart liner. Meantime, the wealthy but unhappy "Rose" (Kate Winslet) is up in the posh cabins with her cold and unfeeling fiancée "Hockley" (Billy Zane) and her equally unpleasant, venally ambitious mother "Ruth" (Frances Fisher). Desperately unhappy, "Rose" considers jumping off the prow of the boat, but luckily the charming young "Dawson" is on hand to talk her down, and so begins their friendship that causes much chagrin amongst her socially elite companions. That friendship culminates in him making a rather provocative drawing of her, the final straw for her boyfriend and his enforcer "Lovejoy" (David Warner). It all looks ominous for both until - part two begins. The ship, speeding along nicely under the command of Bernard Hill's Captain Smith clips the underwater part of an iceberg and now history takes over. James Cameron offers us a purely speculative account of what might have happened as the initially incredulous crew start to realise that maybe it is not just Molly Brown (an excellent Kathy Bates) that's unsinkable! What now ensues are a series of well staged scenarios depicting panic, fear, a fair degree of selfishness and some proper stiff upper lips as the ship has be evacuated and the segregation of the passengers and competencies of the crew start to become life threatening. The visual effects have dated, the smoke from the ship's funnels blows in an strangely symmetrical fashion and the later scenes struggle to convince - but this is really a rather tragic love story with a strong chemistry between the engaging two characters at the top of the bill, and an effective performance from the older "Rose" (Gloria Stewart) who takes on the role of narrator 80 years after the disaster. I still find it uncomfortable to watch the actuality of the wreck, which features occasionally throughout the film - I feel like I am quite literally walking through someone's grave; but it does lend a potent hook upon which this lengthy, but well thought out and constructed drama is presented. Criticisms have been made of it's factual inaccuracies, and it may well play a bit fast and loose with some of the real characterisations - but it's a drama, and to be enjoyed has to be appreciated in that sphere. Big screen is a must, it really does lose a great deal on a television.
Awesome
Titanic is simply a masterpiece. This movie has it all. A tremendous score, deep emotion emphasized by fantastic performances, and incredibly gripping and high-stakes action. There is really something for everyone here. Before I continue my praise of the film, I think it has one glaring weakness: the present-day plot. For me, this just did not work all that well. I understand that it was implemented for the main story to have a more emotional impact, but it was not needed. It added almost thirty minutes to the runtime, which could have been used for more character development in the story or to have a more streamlined plot. Not to mention, the acting in this section was lackluster. That might be a hot take, but it was something that I noticed during my watch. Back to the positives. The score is magnificent here. The minute I finished the film, I had an urge to put on this score to be transported back to the Titanic. That does not happen very often to me. The performances are great all around. Leonardo DiCaprio and Kate Winslet's chemistry was perfect. They played off each other so well and really sold this emphatic and rapid love the two shared. The movie spends a lot of time building their relationship and the payoff at the end is worth every second. Billy Zane was an over-the-top asshole, and even though it was cheesy at times, it worked for me. The other ancillary cast members did well, including Kathy Bates, Frances Fisher and Bill Paxton. This film is really two movies put into one and both of them work excellently. The first half is a charming and cute love story that spends a lot of time on character development, laying the background for motivations and personalities. While this half may have been my favorite, it is slightly outdone by the second half, which is a gripping and suspenseful survival action story. This section is brutal, showing large scale panic and hysteria while also having some incredibly horrific deaths. The chaos was infectious and very scary to watch. Both halves create a great sense of emotion in the audience and complement each other very well. Overall, this movie had twenty-five years of hype and critical acclaim to live up to, and I am happy to say it passed expectations. Since leaving the theater, I cannot stop thinking about it. Score: 96% | Verdict: Masterpiece On a side note: I did see this movie in 3D during the twenty-five-anniversary re-release. While it was great to see it remastered in 4K, I do think the 3D was poor and unneeded. This did not affect my grade however, since it was not originally designed as a 3D experience, and they 3D did not really take away for my enjoyment.
Titanic was enjoyable initially, but the constant TV reruns got old fast. I don't even own a TV anymore, and I'm in no hurry to watch it again. Still, it's a good movie, deserving of a 7/10 rating.
In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.
In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.
Trapped within an eerie mist, the residents of Antonio Bay have become the unwitting victims of a horrifying vengeance. One hundred years earlier, a ship carrying lepers was purposely lured onto the rocky coastline and sank, drowning all aboard. Now they're back – long-dead mariners who've waited a century for their revenge.
As a young and naive recruit in Vietnam, Chris Taylor faces a moral crisis when confronted with the horrors of war and the duality of man.
Slaking a thirst for dangerous games, Kathryn challenges her stepbrother, Sebastian, to deflower their headmaster's daughter before the summer ends. If he succeeds, the prize is the chance to bed Kathryn. But if he loses, Kathryn will claim his most prized possession.
Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.
Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.
A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.
The classic story of English POWs in Burma forced to build a bridge to aid the war effort of their Japanese captors. British and American intelligence officers conspire to blow up the structure, but Col. Nicholson, the commander who supervised the bridge's construction, has acquired a sense of pride in his creation and tries to foil their plans.
After an encounter with UFOs, an electricity linesman feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.
Returning home from a shopping trip to a nearby town, bored suburban housewife Laura Jesson is thrown by happenstance into an acquaintance with virtuous doctor Alec Harvey. Their casual friendship soon develops during their weekly visits into something more emotionally fulfilling than either expected, and they must wrestle with the potential havoc their deepening relationship would have on their lives and the lives of those they love.