The Ottawa Valley

A discussion of the very important and highly controversial film, GUESS WHO'S COMING TO DINNER, featuring interviews with people like Katharine Houghton, Martin Baum, Louis Gossett, Jr., Norman Jewison, Garry Marshall, Karen Sharpe and Salome Thomas-El.

The destruction of nature by man seen through the eyes of a snail. The life of a snail on a tiny patch of weeds in the middle of grey stone: what seems wondrous and paradisiacal to it is the reason for road builders to repair a huge paved area for good. The snail reacts to the threat to its life in an unusual way.

A follow-up of A LOVE STORY OF TODAY, where actors and crew discuss GUESS WHO'S COMING TO DINNER.

A teenager's infatuation with the new bad boy at school leads him onto a dark path.

Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.

A recent widow's life changing experience when her useless husband returns from the grave.

A journey on a night train.

BULIMIA: THE MUSICAL follows a young girl's journey from first vomit to last breath, in fifteen minutes of laugh-out-loud, puke-your-guts-out song and dance, all wrapped up with a positive message.

One dark night. Two separate sexual encounters. A gothic-noir journey through sexual perversion and corruption.

The story takes place in the year 1977 about the hero fleeing into the forest during the time when soldiers, police suppressed the communists. One day he meets the first villagers, everyone is afraid, but when the hero observes and analyzes that this villager is not disguised. A true villager Little knowledge due to loneliness of having to watch the spot alone, the hero tells the villagers to come back and forth. They are close to each other. It can be seen that only political ideology can divide us. One day the villagers suddenly didn't come as scheduled. The protagonist goes looking for the villagers. making the hero see bad things again

Two incarcerated women in a secured forest of the North of Quebec are subjected to hard labour of reforestation. Confronted to their body’s instrumentalisation and its underhand control, they enjoy a little area of freedom they managed to create thanks to a prison guard particularly empathetic towards them.