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The Dirty Seven. Una ragione per vivere e una per morire (AKA: A Reason to Live, A Reason to Die & Massacre at Fort Holman) is directed by Tonino Valerii, who also co-writes with Rafael Azcona and Ernesto Gastaldi. It stars James Coburn, Telly Savalas & Bud Spencer. Cinematographer is Alejandro Ulloa and the music is scored by Riz Ortolani. Plot sees Coburn as Union Colonel Pembroke, who during the Civil War is given a rag-tag group of criminals to go win back the fort he lost to Confederate Major Frank Ward (Savalas). For him it's a chance to regain his honour, for them it's a chance to avoid execution for their crimes. Joplin Gazette, Joplin Missouri, April 10, 1872 ---Today I walked through the ruins of what was once Fort Holman. 10 years ago, this Civil War fortress, thought to be impregnable, was destroyed by a wild bunch of marauders. Eli Sampson, a survivor of that massacre, revealed in an interview that the raid was the result of a blood feud between two bitter men: Colonel Pembroke, a Union officer, thought to be a traitor and a coward, led the mission to recapture the fort he had once surrendered. Major Ward, a ruthless "Mad Genius," who joined the Confederacy solely to gain command of Fort Holman, so that he could rule the vast surrounding Santa Fe territory after the war. But what motivates these two men and what caused this incredible blood bath, was explained by Eli Sampson in the story that follows--- It's a written opening that grabs the attention straight away, it has all the promise of a spaghetti western done Peckinpah style. Then early in proceedings a grizzled James Coburn walks along a line of men about to be hanged, being introduced to them and calmly wondering if said scum-bags would like to stave off execution by accompanying him on a suicide mission? OK, it's derivative of The Dirty Dozen five years earlier, but if this is blending Peckinpah with Robert Aldrich at his best then it will be worth every second spent with it. Sadly it doesn't come close to living up to that particular promise. But it does have points of worth within. If you are willing to invest some patience with the slow narrative and get to the carnage finale unscathed? Then it's actually worth the wait as regards action. There's also some fine photography from Ulloa around Almeria in Spain, while Ortolani's soundtrack score blends well in context to the story. However, away from Coburn the acting is sub-standard, especially from Savalas who is miscast, while some suspension of disbelief is needed once the group reach the fort. But all in all it's a safe recommend to fans of Westerns, spaghetti or otherwise. And certainly a must for Coburn fans. 6.5/10 Footnote: The full cut of the film now runs at just shy of two hours in length, film buyers should ensure that they buy home format discs that run at around the 113/114 minute mark.
An upright priest, disliked the corrupt upper echelons of V.A.T.I.C.A.N.O., is imprisoned, tortured and sentenced to certain death. But by divine intercession he'd be able to save himself: once put back on track, and trained in the martial arts by an eccentric monk, he will take revenge in a crescendo of disproportionate violence.
Jack Beauregard, an ageing gunman of the Old West, only wants to retire in peace and move to Europe. But a young gunfighter, known as "Nobody", who idolizes Beauregard, wants him to go out in a blaze of glory. So he arranges for Jack to face the 150-man gang known as The Wild Bunch and earn his place in history.
A coffin-dragging gunslinger and a prostitute become embroiled in a bitter feud between a merciless masked clan and a band of Mexican revolutionaries.
Victims of oppressive town boss Honey are offered help by an unusual alliance of gunmen and circus performers
Len and Cody are two friends who can not spend more than two minutes without arguing. These crazy gunmen snatched a Confederate colonel charged an archaic machine gun sidecar soon becomes a coveted prize for all offenders in west Texas.
Lucky Luke becomes the Sheriff of Daisy Town and runs out all the criminals. Then the Dalton brothers arrive and try to get the Indians to break the peace treaty and attack the town.
A thief takes the job as a town sheriff in order to rob a silver shipment before his ex-partner can grab it.
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners - who are freed by the blast - Miranda becomes a revolutionary hero against his will.
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
Young adventurer Gipo owns one fifth of a rock illustrating the location of a rich gold mine. Risking his life more than once and with the help of the beautiful hooker, Lulu Belle, our hero sets out to recover the missing pieces.