La Position de l'escargot

A high school sophomore questions the school system by posing a very uncomfortable question in the midst of a literature exam.

In a Turkish village, five orphaned sisters live under strict rule while members of their family prepare their arranged marriages.

A single mother becomes Ariel Castro's first kidnapping victim, and finds herself trapped in his home with two other women for 11 years.

Against the backdrop of New York and New Orleans, Elliott, Leanne and Jermaine question their ability to dream amidst a crumbling economic climate. Opening in the streets of downtown Manhattan, Elliott (23), living at home after college, is surrounded by incomplete projects, frustrated and in search of purpose. Simultaneously, in New Orleans, Leanne (26), an aspiring model/actress and single mother of four, struggles to pick up the pieces, presenting at times a clash between family and her ambitious career. Plagued by an unforgiving criminal record, Jermaine (22), a New Orleans native, shifts through his home town for what seems like a hopeless attempt at legal employment. After a series of rejections, he resolves to reinvent himself in hopes of successfully starting anew.

Welcome to Lisbon: there are mermaids by the Tagus and birds flying over the old city; there are mad scientists and singing fish; lost tourist guides and lost tourists; fado and sad guitars. What a weird city you may think - but no. Lisbon is about being different, sarcastic, welcoming to foreigners even in an economic crisis. Different directors became fascinated by our strangeness. We became fascinated by these directors. The city is never the same in these four episodes, here in Lisbon.

With a new iPhone, an apartment near the Grove, and a comfortable bank account left to her by her beloved late husband, Marnie Minervini has happily relocated from New Jersey to Los Angeles to be near her daughter Lori, a successful (but still single) screenwriter, and smother her with motherly love. But when the dozens of texts, unexpected visits, and conversations dominated by unsolicited advice force Lori to draw strict personal boundaries, Marnie finds ways to channel her eternal optimism and forceful generosity to change the lives of others - as well as her own - and find a new purpose in life.

An early student work directed at UCLA by Alile Sharon Larkin and submitted as her "Project One." Larkin visualizes a mental ward as a possible equivalent to prison incarceration for women of color. –UCLA Film & Television Archive

Thirteen-year-old Mei is experiencing the awkwardness of being a teenager with a twist – when she gets too excited, she transforms into a giant red panda.

Released from prison with terminal cancer, Max tries to reconnect with his estranged daughter and the grandson he’s never known. When his daughter’s abusive, drug-addicted ex-husband reappears, Max’s violent past comes back to haunt them all.

When Georgina dies, her husband Alcides tries to give her a dignified funeral, which is quite difficult, because they have no money and are living in the poorest district of Bogotá.

A police sketch artist who believes he has stumbled upon the suspect from one of his drawings becomes convinced he knows how to do the right thing.