The Year of the Dragon

At the Seisho Music Academy, the 99th Graduating Class is rehearsing for the annual production of the theatrical play, Starlight. Behind the scenes, however, an underground "Revue Starlight" audition, orchestrated by a talking giraffe, pits the students against each other in stage battles in order to shine as the top star. Karen Aijō, upon being reunited with her childhood friend Hikari Kagura, comes across these auditions and battles to become the top star alongside Hikari.

An affluent suburban couple's empty and gin-fueled lives are observed through the eyes of their neglected, eight-year old daughter.

After the Charlie Hebdo shooting events by the hand of jihadist terrorists David wants to bring on stage a play based on the late satyrical cartoonist George Wolinski's comicbook strips, but he struggles to finds cohoperation from institutional figures. He then agrees to direct in a small provincial town a stage play about an apulian folk dance, the Pizzica. Masterminding to disguise the original planned one, with its sexually explicit nature, into the accorded one he will gain the complicity of the curious cast hired on the spot. The start of the rehearsals will arouse excited consensus either censure which will lead to a growing boycott of the staging.

A true story about one US and one USSR delegate who, during 1982 talks in Geneva between USA and USSR on limiting medium-range nukes in Europe, met by accident in a nearby forest while on a stroll and informally started a key discussion.

The story of the play, as with all the previous versions, depicts the Pearl Harbor Descent Mission on December 8, 11941, a prequel to the NieR:Automata video game.

Chul-soo is a twelve-year-old boy who attends an acting training course. One day, the teacher arranges for him to rehearse a "love confession" scene with the prettiest girl in class, Yeon-hee, but he is unable to perfectly portray the feeling of his heart pounding. However, when his acting counterpart gets replaced with Soo-hyun, a male classmate, Chul-soo realizes that some emotions don't need to be rehearsed...

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

Takatora Kureshima (Kamen Rider Zangetsu) visits a former Yggdrasill Corporation experimental project site located in the poverty and conflict stricken Republic of Torukia. He is visiting the site for the first time in 8 years, and is suddenly attacked! Suprised he stumble and falls into a giant hole which leads into an underground city. This underground city is the most dangerous place in the republic, in which many young men are killed defending themselves while trying to survive. These men use Lock Seeds and Drivers to transform into Armored Riders. Due to the fall Takatora has lost his memory. He is helped by the leader of Team Orange Ride. Unbeknownst to them, there are cameras hidden all around the underground city. The ones behind the cameras are responsible for the conflicts in the city. One man in particular is seeking revenge on Takatora for a specific reason...

One of several collaborative dance films by the Brothers Quay & (dancer, choreographer) William Tuckett. Little enough info around on line, but there's briefly by way of Wikipedia entry. Adapted rather loosely from the works of the E.T.A. Hoffman. Familiar Quays' tropes, much in evidence: automata, trompe l'oeil effects, etc. No credit on the sound design (which is fairly elaborate), tho' that is possibly Larry Sider.

Two young people and their dæmons, with everything at stake, find themselves at the centre of a terrifying manhunt. In their care is a tiny child called Lyra Belacqua, and in that child lies the fate of the future. And as the waters rise around them, powerful adversaries conspire for mastery of Dust: salvation to some, the source of infinite corruption to others.