Ali Baba and the Forty Thieves

In Bagdad, Princess Badr al-Budur, the daughter of the Sultan, falls in love with Aladdin, the son of a poor tailor, and rejects the suit of evil alchemist al-Talib, her father's choice. Al-Talib consults his Evil Spirit, who advises him to find the magic lamp hidden in an underground cave. Unable to get it himself, al-Talib hires Aladdin, who secures the lamp but keeps it when he realizes al-Talib's wickedness. With wealth obtained through wishes, Aladdin courts the princess. After the lamp changes hands between al-Talib and Aladdin, al-Talib steals it and abducts the princess to the desert. Aladdin follows with only a gourd of water. Suffering from thirst and exhaustion, Aladdin nearly succumbs, but the horsemen of the Sultan, who learned of his daughter's abduction, ride up and rescue Aladdin.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

In a dream Uncle Jack looks through a magic telescope owned by the ghost of a hermit and sees what life was like millions of years ago, including a battle between prehistoric monsters.

Snow White, a beautiful girl, is despised by a wicked queen who tries to destroy her. With the aid of dwarfs in the woods, Snow White overcomes the queen.

The daughter of King Neptune takes on human form to avenge the death of her young sister, who was caught in a fishing net. However, she falls in love with the king, the man she holds responsible.

Partially lost film. One of the kings of ancient Thebes enters the abode of an astrologer and demands that he be told his future. The former utterly refuses to forecast the coming events of his sovereign, even under the pain of death; but he brings forth a priestess who possesses the powers of divination. This priestess is introduced in a wonderful way: a throne is brought forward, and then a box from which the pieces of a statue are removed and piled up in regular order; the statue suddenly becomes animated. The king implores the latter to foretell his life. She commands him to look through a telescope toward the side of the room. A vision appears. (Moving Picture World)

In an outdoor setting, a magician makes pond nymphs and frog people appear out of water and thin air.

Loie Fuller, in her 1920 feature-length film Le Lys de la vie, […] explored the new technique for poetic ends, creating fleeting, dreamlike images that "freed" the medium from "illusionism" and imbued it with fantasy. A 17 minutes fragment is held at the Cinémathèque française.

Originally planned as 12 two-reelers, only three were made: The Little Knight, The Love Charm, The Crown of Courage.

A lottery win of $5,000 forever changes the lives of a miner turned dentist and his wife.

Dida Ibsen, daughter of impoverished farmers, has, according to her father's will, to marry the main creditor. But she refuses and decides to live with a married man as a mistress, till he gets his divorce. In the town she opens a restaurant with the money of her wealthy lover, from whom she soon gets pregnant, but their dreams of marriage fail, his wife refuses the divorce. After a while, she decides to marry one of the regular guests at her restaurant, van Galen, who spent quite some time in the tropics and because of this is at the brink of madness. Shortly after the marriage his condition worsens and life becomes hell for Dida.