The Circus

This documentary is about the Italian small family circus, based on the old street theatre of the Commedia dell'Arte. Since World War II, they have diminished in number and today hardly exist anymore. They simply can't compete with modern times entertainment, symbolized by television. The film portrays and follows the Colombaioni family, six brothers and two sisters, their children and grand children. Most of them work in their own small circus(father, mother, children). Two of the brothers, Carlo and Alberto left the circus and now have a theatre show, based on their improvisation skills that they learned in the circus. The family is known by their collaboration with Frederico Fellini and Dario Fo. They appeared in many a Fellini movie -o.a. La Strada, Le Notti di Cabiria and I Clown.

Alexander Calder created and performed one of the most important and beloved works, his miniature circus (1926-1931). More than twenty years later Jean Painleve made Le Grande Cirque Calder 1927, begun in 1953 and completed in 1955.

The film tells of the beginnings of the Serengeti National Park in Tanzania. At the end of the 1950s, the Tanzanian National Park Administration wanted to fence in the protected area around the Ngorongoro Crater. Bernhard and Michael Grzimek were invited by the national park administration in 1957 to get a precise picture of the animal migrations and to provide the national park administration with the values ​​they needed for their project. Using a new counting method with two airplanes, the Grzimeks found out that the migration of the herds was different than assumed.

This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.

This film uncovers the intriguing mystery of the return of the African rhino. In the 1800s there were more than 500,000 white and black rhinos in Africa. But by the 1990s, ivory poaching had left less than 7,000 animals alive. Remarkably, today their numbers have risen to 11,000. But there is now a new, deadly threat. Charging Back starts at the Pilansberg Game Reserve, where mysterious, unseen assailants were killing rhinos. Poachers could not be blamed, as the horns remained intact. Unexpectedly, the perpetrators prove to be relocated adolescent elephants, orphaned in culls. Lack of family structure has turned them into aggressive delinquents - a problem which conservation authorities now address by importing the steadying influence of older bulls. In astonishing scenes, the attackers are captured red-handed. Without the least provocation, elephants launch vicious assaults on unsuspecting rhinos.

Errol Morris’s Fast, Cheap & Out of Control interweaves the stories of four men, each driven to create eccentric worlds from their unique obsessions, all of which involve animals. There’s a lion tamer who shares his theories on the mental processes of wild animals; a topiary gardener who has devoted a lifetime to shaping bears and giraffes out of hedges and trees; a man fascinated with hairless mole rats; and an MIT scientist who has designed complex, autonomous robots that can crawl like bugs.

Ashes and Snow, a film by Gregory Colbert, uses both still and movie cameras to explore extraordinary interactions between humans and animals. The 60-minute feature is a poetic narrative rather than a documentary. It aims to lift the natural and artificial barriers between humans and other species, dissolving the distance that exists between them.

A young girl has already seen everything there is to see and her world has lost all meaning. Her anger shatters her world and she finds herself in the universe of QUIDAM, where she is joined by a playful companion, as well as another mysterious character who attempts to seduce her with the marvelous, the unsettling and the terrifying.

Alegría is a mood, a state of mind. The themes of the show, whose name means "jubilation" in Spanish, are many. Power and the handing down of power over time, the evolution from ancient monarchies to modern democracies, old age, youth - it is against this backdrop that the characters of Alegría play out their lives. Kings' fools, minstrels, beggars, old aristocrats and children make up its universe, along with the clowns, who alone are able to resist the passing of time and the social transformations that accompany it.

From the Italian 'saltare in banco' – which literally means 'to jump on a bench' – Saltimbanco explores the urban experience in all its myriad forms. Between whirlwind and lull, prowess and poetry, it takes spectators on an allegorical and acrobatic journey into the heart and soul of the modern city.