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For whatever reason, genuinely funny comedies have become an increasingly rare cinematic commodity in recent years, so it’s a real treat when one comes along that satisfyingly tickles the funny bone. Such is the case with director Max Barbakow’s third feature effort, the wild and wacky tale of a dysfunctional crime family seeking to recover the hidden loot from a heist carried out by the family matriarch (Jen Landon) 30 years earlier. Leading the charge are twin brothers Jady (Peter Dinklage), a career criminal recently released from prison, and Moke (Josh Brolin), a gifted but long-reluctant thief who’s now trying to go straight. The goal is to find and retrieve a stash of emeralds stolen by their long-absent mother (Glenn Close), who originally pilfered the goods but has been on the run ever since – and who now shows up out of the blue to collect the gems for herself. The unlikely trio thus launches their quest to get the jewels, an odyssey finding them aggressively pursued by Officer Farful (Brendan Fraser), a crooked prison guard who arranged Jady’s early release through his father, a corrupt judge (M. Emmett Walsh in his penultimate screen performance), in exchange for a sizable cut of the stash. And, along the way, the parties to this wayward caper bungle themselves through an array of inventively inspired comic challenges that include Jady’s spacey new girlfriend (Marissa Tomei), Moke’s pregnant wife (Taylour Paige) and an unusually randy gorilla, among others. It’s also a cautionary tale on the notion of there being no honor among thieves, even when they’re members of one’s own family. While some of the film’s segments are obviously a little overwritten and overplayed (especially by Fraser), much of this romp plays fairly well, reminiscent of one of the Coen Brothers’ movies (though admittedly not quite as polished). If nothing else, though, it represents a huge step up from the filmmaker’s last outing, the positively horrendous “Palm Springs” (2020) (my worst film of that year), as well as a major improvement over many of Amazon Prime’s recent disappointing offerings, an accomplishment largely made possible by the performances of its stellar ensemble cast (particularly the three principals). “Brothers” isn’t epic filmmaking by any means, but it’s a good way to get some hearty laughs at home on a Friday night with a big bowl of popcorn, and that’s pretty satisfying all by itself.
'Brothers'... not the best. I wanted to enjoy it given I like those involved, but it really does fall flat and, despite a small run time, it doesn't flow well either. Peter Dinklage and Josh Brolin are OK together, chuck in Brendan Fraser & Glenn Close and it's a good cast... on paper. In reality, I didn't sense much from any of those on the screen and they have all produced far better. You also have Max Barbakow in the directing chair, the same can be said for him as it is safe to say this isn't the best follow-up for him after the excellent 'Palm Springs'.
Viola Hastings is in a real jam. Complications threaten her scheme to pose as her twin brother, Sebastian, and take his place at a new boarding school. She falls in love with her handsome roommate, Duke, who loves beautiful Olivia, who has fallen for Sebastian! As if that were not enough, Viola's twin returns from London ahead of schedule but has no idea that his sister has already replaced him on campus.
Two middle-aged men embark on a spiritual journey through Californian wine country. One is an unpublished novelist suffering from depression, and the other is only days away from walking down the aisle.
Alain Moreau's investigation into the death of his identical twin brother leads him from the beauty of the south of France to the mean streets of New York City and into the arms of his brother's beautiful girlfriend. Pursued by ruthless Russian mobsters and renegade FBI agents, the duo race against time to solve his brother's murder and expose an international conspiracy.
A journalist duo go on a tour of serial killer murder sites with two companions, unaware that one of them is a serial killer himself.
Joe Dirt is a janitor with a mullet hairdo, acid-washed jeans and a dream to find the parents that he lost at the Grand Canyon when he was a belligerent, trailer park-raised eight-year-old. Now, blasting Van Halen in his jacked-up economy car, the irrepressibly optimistic Joe hits the road alone in search of his folks.
Three years after Mike bowed out of the stripper life at the top of his game, he and the remaining Kings of Tampa hit the road to Myrtle Beach to put on one last blow-out performance.
Two sisters embark on a hilarious, mile-a-minute road trip to rescue their grandmother and her beloved dog from her retirement home before their reckless sister gets there first.
On a stormy night, young Jim, who transports a luxury car from Chicago to California to deliver it to its owner, feeling tired and sleepy, picks up a mysterious hitchhiker, who has appeared out of nowhere, thinking that a good conversation will help him not to fall asleep. He will have enough time to deeply regret such an unmeditated decision.
Trucker Rubber Duck and his buddies Pig Pen, Widow Woman and Spider Mike use their CB radios to warn one another of the presence of cops. But conniving Sheriff Wallace is hip to the truckers' tactics, and begins tricking the drivers through his own CB broadcasts. Facing constant harassment from the law, Rubber Duck and his pals use their radios to coordinate a vast convoy and rule the road.
Theo is having some bad luck. His barely paid-for truck has been stolen, and credit collectors are after him. The chase leads him across Europe.
In this freewheeling dark comedy, a haunted Marine spends one crazy day with his estranged son.