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I wasn't sure whether I wanted a narrator or not here, as we follow the activities of the days immediately following the death of Joseph Stalin in March 1953. A commentary might have helped me appreciate just who was whom as a procession of dignitaries from home and abroad, but the lack of that and the reliance on the public address announcements did work really effectively at illustrating the esteem in which this man was held - or, certainly, the esteem in which the Communist party wanted him to be held. What we see for the next two hours is an astonishing testament of the archivists arts as both monochrome and colour footage is used to show us just how extensive the mourning was and how grand the funeral ceremony looked as Messrs. Malenkov, Molotov and Beria (along with a fair smattering of the Patriarchy) tried to outdo each other with honorific superlatives as they imbued the deceased with an almost super-human degree of brilliance, vision and dedication to his country and it's Leninist-Marxist cause. It was those eulogies that I found quite interesting as they topped off a documentary that very much demonstrated the cult of personality. Their directly personal nature seemed to fly in the face of the supposed doctrine of communism that refuses to acknowledge the significance of any one man over the community - yet here, the names of their founding fathers are extolled in a manner that appeared profoundly contradictory. "The greatest genius the world has ever known" or the peculiarly inappropriate "immortal" descriptions rather over-egged what is already a gushingly forced vision of state-sponsored melancholy. People seemed to weep to order, on cue, as the cameras rolled and the ever increasing size of wreaths were laid, one upon the other, as if to set up a league table of grief. Did the state control all of the florists? Historians will never agree on the extent to which this man was a tyrannical murderer or a patriot dealing with a failing post-war economy or maybe a bit of both, but that's not what this film is for. It's a colourful and striking look at something society feels the need to do time immemorial for it's leaders - be they kings, presidents or despots, and that's to see them off in great splendour whilst manoeuvring to take the spoils.
Gouge - a documentary tracing The Pixies' story featuring interviews with Bono, David Bowie, Thom Yorke and Jonny Greenwood (Radiohead), Graham Coxon and Alex James (Blur), Fran Healy and Andy Dunlop (Travis), P J Harvey, Tim Wheeler (Ash), Gavin Rossdale (Bush) and Badly Drawn Boy.
Haunted by uncanny similarities between Nazi stage techniques and the showmanship employed by modern entertainers, a filmmaker investigates the dangers of audience manipulation and leader worship.
New York City's Stonewall Inn is regarded by many as the site of gay and lesbian liberation since it was at this bar that drag queens fought back against police June 27-28, 1969. This documentary uses extensive archival film, movie clips and personal recollections to construct an audiovisual history of the gay community before the Stonewall riots.
Nestled behind high mountains and dark forests lies Triberg, the birthplace of the cuckoo clock. For centuries, this cult item has been handcrafted right here, attracting tourists from all over the world. Ever since the boom of the 1980s has faded, the cuckoo clock has gradually lost its appeal and magic. And so has the place, which now resembles a ghost town. Its residents however still believe in their clock: Vendors, clockmakers and tourist guides alike fight to preserve their beloved heritage. Between abandoned restaurants and souvenir shops they hope for new tourists, while the clock continues ticking away.
Documents the race riot of 1921 and the destruction of the African-American community of Greenwood in Tulsa, Oklahoma. With testimony by eyewitnesses and background accounts by historians.
With commentary from Hollywood stars, outtakes from his movies and footage from his youth, this documentary looks at Stanley Kubrick's life and films. Director Jan Harlan, Kubrick's brother-in-law and sometime collaborator, interviews heavyweights like Jack Nicholson, Woody Allen and Sydney Pollack, who explain the influence of Kubrick classics like "Dr. Strangelove" and "2001: A Space Odyssey," and how he absorbed visual clues from disposable culture such as television commercials.
2010 documentary film on the Armenian Genocide by the Young Turk government of the Ottoman Empire during World War I. It is based on eyewitness reports by European and American personnel stationed in the Near East at the time, Armenian survivors and other contemporary witnesses which are recited by modern German actors.
Arguably second only to Muddy Waters among the Mississippi Delta singers who traveled north and pioneered urban electric blues (their supposed rivalry is the subject of one of this DVD's bonus features), Wolf was a big, imposing man with an inimitable, booming voice and a lasting influence on generations of rock & rollers-all of which comes across in the 90-minute film.
The story of Tasmanian-born actor Errol Flynn whose short & flamboyant life, full of scandals, adventures, loves and excess was largely played out in front of the camera - either making movies or filling the newsreels and gossip magazines. Tragically he was dead from the effects of drugs and alcohol by the time he was only 50 & the myths live on. But there is another side of Flynn that is less well known - his ambitions to be a serious writer and newspaper correspondent, his documentary films and his interest in the Spanish Civil War and Castro's Cuba
The "David and Goliath" legend is presented as credibly as possible, while David's later disastrous romance with Bathsheba is handled with taste and decorum. Also in the cast are Anthony Quayle as King Saul, and Terence Hardiman as Bathsheba's unfortunate warrior husband Uriah.
