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I wasn't sure whether I wanted a narrator or not here, as we follow the activities of the days immediately following the death of Joseph Stalin in March 1953. A commentary might have helped me appreciate just who was whom as a procession of dignitaries from home and abroad, but the lack of that and the reliance on the public address announcements did work really effectively at illustrating the esteem in which this man was held - or, certainly, the esteem in which the Communist party wanted him to be held. What we see for the next two hours is an astonishing testament of the archivists arts as both monochrome and colour footage is used to show us just how extensive the mourning was and how grand the funeral ceremony looked as Messrs. Malenkov, Molotov and Beria (along with a fair smattering of the Patriarchy) tried to outdo each other with honorific superlatives as they imbued the deceased with an almost super-human degree of brilliance, vision and dedication to his country and it's Leninist-Marxist cause. It was those eulogies that I found quite interesting as they topped off a documentary that very much demonstrated the cult of personality. Their directly personal nature seemed to fly in the face of the supposed doctrine of communism that refuses to acknowledge the significance of any one man over the community - yet here, the names of their founding fathers are extolled in a manner that appeared profoundly contradictory. "The greatest genius the world has ever known" or the peculiarly inappropriate "immortal" descriptions rather over-egged what is already a gushingly forced vision of state-sponsored melancholy. People seemed to weep to order, on cue, as the cameras rolled and the ever increasing size of wreaths were laid, one upon the other, as if to set up a league table of grief. Did the state control all of the florists? Historians will never agree on the extent to which this man was a tyrannical murderer or a patriot dealing with a failing post-war economy or maybe a bit of both, but that's not what this film is for. It's a colourful and striking look at something society feels the need to do time immemorial for it's leaders - be they kings, presidents or despots, and that's to see them off in great splendour whilst manoeuvring to take the spoils.
Hitler's biography told like never before. Besides brief historical localizations by a narrator, only contemporaries and Hitler himself speak: no interviews, no reenactment, no illustrative graphics and no technical gadgets. The testimonies from diaries, letters, speeches and autobiographies are assembled with new, often unpublished archive material. Hitler's life and work are thus reflected in a unique way in interaction with the image of the society in the years 1889 to 1945.
A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century
On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.
During the Italian Renaissance, Pope Julius II contracts the influential artist Michelangelo to sculpt 40 statues for his tomb. When the pope changes his mind and asks the sculptor to paint a mural in the Sistine Chapel, Michelangelo doubts his painting skills and abandons the project. Divine inspiration returns Michelangelo to the mural, but his artistic vision clashes with the pope's demanding personality and threatens the success of the historic painting.
A young Bulgarian girl digs into her grandfather's turbulent life in an attempt to unravel the past and find answers and explanations for the catastrophic fall of communism.
The Prince of Guastalla falls in love with the young citizen Emilia Galotti, who is soon to marry Count Appiani. In order to win Emilia, the prince tries to send the count on an "honorable" journey on his behalf with the help of his chamberlain Marinelli. However, after the Count refuses this offer, Marinelli decides to have the wedding carriage robbed on his own initiative in order to have Emilia abducted to the Prince's nearby pleasure palace. But he has not thought of the prince's mistress, Countess Orsina, and Emilia's shaken father Odoardo, both of whom soon arrive at the castle, one to meet the prince, the other to look after his daughter...
Arguably second only to Muddy Waters among the Mississippi Delta singers who traveled north and pioneered urban electric blues (their supposed rivalry is the subject of one of this DVD's bonus features), Wolf was a big, imposing man with an inimitable, booming voice and a lasting influence on generations of rock & rollers-all of which comes across in the 90-minute film.
Documentary examining the medieval myth of the Philosopher's Stone, a Holy Grail-type relic which supposedly held the key to alchemy and immortality. Many noted alchemists and adventurers searched obsessively for the artifact hoping to learn its powerful secrets, a quest which allegedly drove some to madness and others to celestial encounters.
The Great Northwest is a documentary film based on the re-creation of a 3,200 mile road-trip made in 1958 by four Seattle women who thoroughly documented their journey in an elaborate scrapbook. Fifty years later, Portland artist Matt McCormick found that scrapbook in a thrift store, and in 2010 set out on the road, following their route as precisely as possible and searching out every stop in which the ladies had documented. Patiently shot with an observational, cinema-vérité approach, The Great Northwest is a lyrical time- capsule that explores how the landscape, architecture, and culture of the Pacific Northwest has changed over the past fifty years.
This MGM Passing Parade series short presents how separate events led to the creation of three provisions - freedom of speech, freedom of the press, and prohibition of the infliction of cruel and unusual punishments - in the U.S. Constitution's Bill of Rights.