La force du rire

The film director Niko von Glasow undertakes a journey to athletes, who compete at the Paralympic Games in London 2012. He himself is a short-armed avowed hater of sport who cannot understand how anyone could take on such an odeal voluntarily. Even more since everyday life for people with a disability is most often challenging enough. He meets U.S.archer Matt Stutzman, Norwegian table tennis player Aida Dahlen, German swimmer Christiane Reppe, Greek boccia player Greg Polychronidis and a Sitting Volleyball team. Niko neither spares the athletes nor himself asking questions about life, sport and fears. With an ever growing appreciation for sport Niko attends the Paralympic Games and travels back to the ancient city of Olympia, where everything began and where boccia playing is prohibited.

What has four legs, five arms and three heads? The Gimp Monkeys. Craig DeMartino lost his leg after a 100-foot climbing fall. Pete Davis with born without an arm. Bone cancer claimed Jarem Frye's left leg at the age of 14. While the three are linked by what they are missing, it is their shared passion for climbing that pushed them towards an improbable goal - the first all-disabled ascent of Yosemite's iconic El Capitan.

The extraordinary story of comedian Bob Monkhouse's life and career, told through the vast private archive of films, TV shows, letters and memorabilia that he left behind.

One hot summer, Eun-hye, a jobless who’s just knitting at home, becomes popular at ‘Munho River Market’ as an artist who draws ‘not pretty face’ pictures. When customers ask her to draw them to look pretty, she replies “But you’re already pretty”. Eun-hye takes great care for a long time to express each people’s personality and says that everyone is born pretty from the beginning. And now the number of happy faces has already reached 2,000.

Humor shapes the way Spaniards interact on Twitter: all sorts of topics can be used to make a joke and many anonymous commentators can become celebrities and compete with professional comedians. But sometimes certain jokes that defy political correctness have a high price for those who dare to make them, jokes that can freeze the smiles of thousands of people whose prejudices can put an end to some very successful artistic careers.

Sam Schmidt lived out his boyhood dream as an IndyCar racer, winning races and earning the title of IndyCar "Rookie of the Year" along the way. That dream came to an abrupt end when Sam crashed into a wall at 200 miles per hour, leaving him a quadriplegic. Reengineering SAM pulls the curtain back and shows up close the serious implications of a life of paralysis on Sam and everyone around him. Sam's accident rendered him physically helpless, never being able to brush his teeth, much less drive again, until a dedicated group of some of the brightest minds today stepped up to build him a car that he could drive, using only his head. Through groundbreaking adaptive technologies, Reengineering SAM chronicles Sam Schmidt's inspirational road back to the Indianapolis Motor Speedway and shows the promise of freedom and mobility for almost anyone confined to a wheelchair.

The life story of Richard Pryor (1940-2005), the legendary performer and iconic social satirist who transcended racial and social barriers with his honest, irreverent and biting humor.

This is the face of someone the world assumes was stripped of her potential at the age of 18. But tragedy is not Mallory Weggemann's reality. Suddenly paralyzed from the waist down, she was turned loose to become a Paralympic Champion and activist. As Mallory's story unfolds, we come to understand that it was because of, not in spite of, that moment that she discovered who she really is.

Stand-up comedian Kaya Yanar dissects the allure of Switzerland through the eyes of a German who's lived there.

As a visibly disabled person, filmmaker Reid Davenport is often either the subject of an unwanted gaze — gawked at by strangers — or paradoxically rendered invisible, ignored or dismissed by society. The arrival of a circus tent just outside his apartment prompts him to consider the history and legacy of the freak show, in which individuals who were deemed atypical were put on display for the amusement and shock of a paying public. Contemplating how this relates to his own filmmaking practice, which explicitly foregrounds disability, Davenport sets out to make a film about how he sees the world from his wheelchair without having to be seen himself.