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Law and Order Toronto- Criminal Intent - (Apr 19th)
Elsbeth - (Apr 19th)
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Young Sheldon - (Apr 19th)
The Hotel Inspector - (Apr 18th)
Police Interceptors- Pursuit and Capture - (Apr 18th)
Shed and Buried- Classic Cars - (Apr 18th)
The Beechgrove Garden - (Apr 18th)
Car S.O.S. - (Apr 18th)
Taskmaster - (Apr 18th)
The Bidding Room - (Apr 18th)
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Sam Waterston is New York Times journalist Sydney Schanberg on post in Cambodia as the civil war comes to it's violent, cruel conclusion. Working with local journalist Dith Pran (Haing S. Ngor) they report on the rapidly deteriorating situation. When the American forces evacuate, Pran manages to get his family to safety but he can't leave himself and so Schanberg dedicates himself to the task of extricating his friend from the clutches of the brutal Pol Pot regime in the course of which he discovers just how extensive the "Year Zero" campaign that killed hundreds of thousands of the largely peaceful, agrarian population is. Roland Joffé has never made a better film; the poignancy with which he elicits loyalty and affection from the two principals, whilst at the same time pushing home the true horrors of the behaviour of the new government makes the hairs on the back of your neck stand up- even now, 35 years later. The visions of skull strewn paddy fields coupled with a splendidly evocative score from Mike Oldfield really do hit home. The dialogue very much takes second place to that imagery; our eyes and ears do much of their own work with a sensitive, but really quite minimal guide from Bruce Robinson's screenplay. That's not a criticism; it's precisely nuanced to allow the story to breathe and develop in a truly engrossing manner that made me want to follow up. As an aside, having been to Cambodia in 2019, it is astonishing how this nation has healed after such a ghastly period in it's history, and I wonder how much that reconciliation had to do with the depiction in this film of just how horrific war can be.
**A remarkable film that deserves to be viewed and that recalls a barbaric moment in the history of a country.** When there's a war, there's bound to be a film about what happened during that same war. Human conflicts have always fueled the film industry. It's something instinctive, we are attracted to the horror of carnage at the same time that we feel guilty about it, and we get tired of condemning violence and cruelty. I think that only those who have lived through a war have the ability to overcome this paradox, not only because of the memories evoked, sometimes traumatic, but also because of the awareness that there is nothing truly beautiful about this. What happened in Cambodia (and Rwanda, Bosnia and other countries) was much worse than a war. It was a genocide, a crime against humanity carried out due to the political fanaticism of a small group of “men” who tried to impose their own vision of the world and kill anyone who disagreed. What this film does is give us a flavor of what happened, bringing us the true (obviously fictionalized) story of a Cambodian journalist who, in 1973, saved the lives of a group of colleagues from the West, but ended up being left behind. behind, imprisoned in a Cambodian prison camp. I think I wouldn't be incorrect if I said that, considering the documentaries I've seen on the subject, the film shows a very light and attenuated view of the cruelties that happened there at the time. Roland Joffé balanced it well, giving the film a raw realism without making it excessively graphic, and focusing on the emotional charge, on the emotions that everything can awaken in the audience. We don't need to see more than what we see to feel the pain of those people and the fear they went through. Sam Waterston does an interesting job as an American journalist who desperately tries to find the man to whom he feels he owes his life. Julian Sands and John Malkovich also appear, but they don't have much time or material to stand out, limiting themselves to what they can do. Who is in the spotlight, with all merit, is Haing S. Ngor, a Cambodian actor who gave life to the central character of this story and who knew very well the horror that his country had gone through: he himself had seen the realities that he interpreted as actor, and had been a prisoner of the Khmer Rouge. Therefore, there is a painful load of realism in his interpretation that permeates the screen and reaches us, and to which we cannot and cannot remain indifferent. Technically, the film is perfect: filmed mostly in Thailand, it makes good use of the settings and creates something we can believe in. The sets and costumes are the most realistic there is, and the cinematography is a bit reminiscent of those old war films in Vietnam. There are good special effects and some anthology-worthy scenes, such as the one that shows us the prison camps and the “brainwashing” that their captors were subject to force. The soundtrack is not always effective, sometimes it sounds excessively melodramatic, but it is the only drawback to a remarkable production, which deserves to be seen, again and again.
Love is blooming at Sakuragaoka High School. Natsuki Enomoto has finally mustered the courage to confess to her childhood friend, Yuu Setoguchi. However, in the final moments of her confession, an embarrassed Natsuki passes it off as a "practice confession." Oblivious to her true feelings and struggling with his own, Yuu promises to support Natsuki in her quest for love. While Natsuki deals with her failed confession, fellow classmate Koyuki Ayase struggles with his own feelings for Natsuki. Despite his timidness, he is determined to win over her heart. This movie follows Natsuki as she dreams of one day ending her practices and genuinely confessing to Yuu. Meanwhile, close friends also find themselves entangled in their own webs of unrequited love and unspoken affections.
Lieutenant Takala meets his fellow partisans of 20th division many year after the war. With flashbacks we see the events of summer 1944.
Dissatisfied with the state of health services available in the United States during the 1960s, an activist in Chicago forms a group that provides education and counseling for women seeking abortions.
During the Nazi occupation of Belgium during World War II, a Belgian resistance group revives the newspaper "La Libre Belgique" to expose and counter Nazi propaganda efforts to deceive the people. They are so effective that the Nazis offer a reward for the capture of the paper's staff, although they don't know their identities. One of them is a well-known entertainer, and when his jealous partner hears of the reward, he turns him in. The paper's publishers escape capture, but their staff doesn't. The paper's founders must find not only a way to keep from getting captured by the Nazis but keep their newspaper going and get their staff released.
Based on a shocking true story, Melanie McGuire was an exceptional fertility nurse, married to her ex-Navy husband Bill and doting mother of two boys. When she falls for Brad, a doctor at her clinic, and gets entangled in a steamy love affair, Melanie does the unthinkable. After drugging and murdering Bill, she dismembers him and places the body parts into three suitcases, throwing them into Chesapeake Bay. But when the suitcases are found on the shores of Virginia Beach, an investigation is launched leading to Melanie as the prime suspect. Led by the efforts of assistant attorney general Patti Prezioso, authorities eventually bring Melanie to justice, who despite being convicted, continues to maintain her innocence.
Based on a true story, Isla and Grace were two typical teenage girls in love. Unfortunately, they fell for the same guy. Jake, a "ladies man", was dating them both without their knowledge. When they discover that Jake is cheating on them, the girls turn on each other in a jealous rivalry and use their arsenal of social media platforms to badmouth and attack on another. While their followers take sides and pit them against each other, their hatred for one another escalates into a real-life fight that ultimately turns deadly.
The music video for English recording artist M.I.A.'s "Born Free" was directed by Romain Gavras. The video, which depicts a genocide against red haired people, was filmed in California and directed by Romain Gavras as a nine-minute short film without the prior knowledge of M.I.A.'s record labels.
A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.
Italy, late 16th century, the Church, threatened by the Protestants, unleashes the Inquisition. Menocchio, an old, stubborn, self-educated miller oppose the new order. Accused of heresy, he ignores the pleadings and stands trial. The story of a man incapable of betraying his own principles.