The National: I Am Easy to Find, Live from New York's Beacon Theatre

Icelandic artist and musician Ragnar Kjartansson’s often intensely durational performance-based works manifest a rare synthesis of pathos and humor. A Lot of Sorrow is both a music video and an extended concert film, in which Brooklyn-based band the National performs its three-and-a-half minute ballad “Sorrow” on repeat for six hours. The band’s music and lyrics frequently conjure notions of romantic suffering and melancholy—themes common to Kjartansson’s emotive, theatrical work. As the hours pass and fatigue sets in, the musicians subtly alter their song; the original track is always recognizable but is also shown to be elastic and expressive rather than rigid. Kjartansson is sometimes visible in the role of roadie, offering water and food to the performers throughout the concert. Multiple camera angles grant the viewer access to both the perspective of the musicians and that of the audience, as the band and the crowd feed off each other’s energy with every repetition.

Mistaken for Strangers follows The National on its biggest tour to date. Newbie roadie Tom (lead singer Matt Berninger’s younger brother) is a heavy metal and horror movie enthusiast, and can't help but put his own spin on the experience. Inevitably, Tom’s moonlighting as an irreverent documentarian creates some drama for the band on the road. The film is a hilarious and touching look at two very different brothers, and an entertaining story of artistic aspiration.

There Is No Modern Romance follows New York indie rock band Yeah Yeah Yeahs as they support their cult classic debut Fever to Tell on the road in the UK in 2003

BoA's 15th debut anniversary concert "BoA Special Live NOWNESS" Japan Station performance was held on December 11, 2015 at the Tokyo International Forum.

The portrait of Damo Suzuki, singer of the legendary German kraut band Can, on his visit to Argentina to give two concerts with a handful of local musicians led by Alan Courtis.

Solitudes goes from laugh to drama, from musical to documentary, from romantic comedy to mean satire, keeping loneliness focused in all its aspects at all times, in many stories that are linked to each other.

Tone is the Thai equivalent of a 1960s youth rebellion movie, which is to say that there's no youth rebellion in it at all: Just good kids being good, dancing sedately, trying to get into good schools, drinking punch, bowling, and settling their romantic differences in the most clear-headed and amicable way possible - even if they do so while wearing some seriously funky period clothes and listening to that crazy longhair music. Fortunately, there are also some vicious underworld characters on hand so that we can still have the traditional Thai movie finale in which the Thai police show up en masse to shoot the hell out of some people.

Chris Daughtry Live in Concert