Beyond the Legend Bigfoot Gone Wild 2024 - Movies (Jan 1st)
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A Different Man 2024 - Movies (Jan 1st)
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Saving Grace - (Jan 1st)
On Cinema - (Jan 1st)
Mrs Browns Boys - (Jan 1st)
New Years Eve Fireworks - (Jan 1st)
The Last Leg - (Jan 1st)
A League of Their Own Road Trip- Loch Ness to London - (Jan 1st)
The Late Late Show - (Jan 1st)
NINJA TRUTH - (Jan 1st)
The Worlds Strongest Man - (Jan 1st)
The Chase Australia - (Jan 1st)
Letters and Numbers - (Jan 1st)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
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Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
QT8: The First Eight is the wrong title for this documentary/hagiography of Quentin Tarantino. Never mind the cacophony of of having two 'eights' (even if it is, as I suspect, a reference to the Crazy 88, it’s still pretty lame); a more accurate title would be The First Three That Actually Matter and the Six (counting Once Upon a Time in Hollywood) Bloated, Masturbatory, Overrated Ego Trips that Followed. Like it or lump it, there is a 'before and after' Jackie Brown. Tarantino’s transition from genius to raving lunatic began with Kill Bill, and reached an apex with the pointless exercises in historic revisionism that are Inglorious Basterds and Once Upon a Time in Hollywood. Back to QT8, I would normally dismiss a documentary about a living person wherein that person is conspicuous by his absence as nothing more than a fucking waste of everybody’s time — in this case, however, I’ll file it under 'addition by subtraction.' Arguably the best thing about this movie is that Tarantino is nowhere to be seen or heard. The second best thing about about the film are the contributions of Michael Madsen, Sam Jackson, and Christoph Waltz (and, to a lesser extent, Tim Roth, Bruce Dern, Kurt Russell, and Jamie Foxx). Their interventions are entertaining and insightful, and carry the weight of credibility. In contrast, when I hear some nobody saying "Watching [Reservoir Dogs] with enough audiences ... [Tarantino] realized that he needed to give the audience permission to laugh," I’m like, you’re not telling me what he thought; at best, you’re telling me what _you_ think _he_ though — then again, that’s par for the course in a documentary where everything, regardless of whether the source is trustworthy or not, is secondhand information. In consequence, Tarantino is not there to explain the actions that led him to almost killing Uma Thurman and apologize for them — not that he needs to, though; since this is a Quentin lovefest, the blame somehow gets shifted to Harvey Weinstein, which is a bad move even if Weinstein is bad himself; blame the man, and rightfully so, for the crap he’s done (god knows there’s plenty of that), nor for the crap he didn’t do just, especially not just so you can get your golden boy off the hook. At one point, to illustrate Tarantino’s infectious enthusiasm, Waltz says "It's like going to a whore house to get infected with the syphilis." I’m sure it sounded better in his head, but this ill-conceived simile unwittingly makes a good point. I’m reminded of Doctor Faustus, a novel by Waltz’s compatriot Thomas Mann, whose hero literally and willingly contracts syphilis because he equates madness with artistic genius; the ensuing progressive disease reduces him to an infantile state in which he lives out the remainder of his short life under the care of his relatives. I’m going to go out on a limb and assume that Tarantino doesn’t have syphilis — but then, what’s his excuse?
Honing his craft as an indie filmmaker in Germany in the early 90s, Uwe Boll never could have imagined the life that lay before him. From working with Oscar-winning actors and making films with US$60million budgets to having actors publicly disparage him and online petitions demanding he stop making films, Boll continued to work; he has a filmography of 32 features, a career that has led to his new life as a successful high-end restauranteur. Already a cult legend, he will be remembered forever in the film world; for some, as a modern-day Ed Wood, who made films so bad, they're good, while for others, a prolific filmmaker who came from a small town in Germany and never compromised his integrity while forging his own unique Hollywood trajectory.
All Access to Rossa: 25 Shining Years tells the story of the life and career of Rossa, a prominent Indonesian pop diva. This documentary film offers a multifaceted overview of Rossa's journey, covering her musical achievements, personal challenges, family dynamics, and the ups and downs of her efforts in building her career over 25 years. The inclusion of a grand concert celebrating Rossa's 25 years of success adds grandeur and joy, making it informative and entertaining. Overall, this is a cinematic experience that touches the heart, celebrating the timeless legacy of one of Indonesia's most beloved music icons.
A portrait of the Spanish-German actor Daniel Brühl, a versatile performer capable of moving easily from the gentlest to the darkest role.
Photographer Imogen Cunningham presents her own work in this Academy Award-nominated documentary.
This 1991 Academy Award®-winning documentary uncovers the disastrous health and environmental side effects caused by the production of nuclear materials by the General Electric Corporation.
The main character of this documentary is one of Georgia's most popular actors, Kakhi Kavsadze, who walks us through this chronicle of the Kavsadzes, a family of famous Georgian folk singers and actors.
Life on Air: David Attenborough's 50 Years in Television is a BBC documentary film that recounts David Attenborough's television career. It is presented by Michael Palin and produced by Brian Leith. The BBC first transmitted the documentary in 2002 and is part of the Attenborough in Paradise and Other Personal Voyages collection of 7 documentaries. It includes interviews with Attenborough and several of his former colleagues, along with archival footage.
Documentary about basketball player Pete Maravich. The legend of "Pistol Pete" Maravich was born on the playgrounds of his youth, extending to the campus of Louisiana State University and culminating in a 10-year NBA career during which he was named one of the League's 50 greatest players of all time.
Director Thomas Heise picks up the biographical pieces left by his family, and composes an epic picture of four generations of his family, of a country, of a century.
This film portrait of a new kind is a deep dive into the heart of the art scene of Los Angeles. From a ride on Sunset Boulevard in a convertible car at the sunrise, going through a lunch with the art dealer Patrick Painter and a visit to Peter Shire's studio... Having a beer and a deep talk with Paul McCarthy, calling Raymond Pettibon stuck in New-York or searching for Ed Ruscha in bars.... From Ariana Papademetropoulos opening exhibition to the visit of a car wreck with Umar Raschid... From the old house of Cary Grant to the dodgy underground of Downtown passing through Eugenio Lopez's private art collection on the Hollywood hills... Through intimate conversation, 24 Hour Sunset gives us access to the thoughts, inspirations and practice of legendary artists, world famous art dealers, appraised curators and collectors, as well as the young up coming scene of artists living in Los Angeles.
An account of the life and work of legendary Japanese actor Toshirō Mifune (1920-97), the most prominent actor of the Golden Age of Japanese cinema.