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In the extra on my Blu-ray of the film, director Hessler states he was upset with Jason Robards' performance in the title role and laments he didn't get to inherit Vincent Price as the film's star when he was asked to direct it. In watching, I quite agree that as fine an actor as Robards was, his heart wasn't in horror and thus his tone is off here. Still, Herbert Lom is great as the antagonist and there are many enjoyable wonders to behold. I strongly feel that had Price acted in Robards' place, this film would have joined the fine string of minor masterpieces Price starred in during that purple patch of his career.
_**Poe mixed with Phantom of the Opera**_ At a Grand Guignol-like theater in turn-of-the-century Paris a troupe is beset by a shadowy acid killer. Jason Robards plays the director/actor, Christine Kaufmann his young wife, Lilli Palmer her mother, Herbert Lom a mysterious stalker, Michael Dunn a dubious dwarf and Adolfo Celi the inspector. “Murders in the Rue Morgue” (1971) is not a film version of Edgar Allan Poe’s story, which the viewer is keyed-off to right away with the revelation that the play featured at the theater _IS_ Poe’s “Murders in the Rue Morgan.” The director & writer decided to do something different because Poe’s story was so well known. This movie has more to do with “Phantom of the Opera.” Once you accept that, you can enjoy this AIP flick as a colorful Hammer-like Victorian horror similar to their Dracula or Frankenstein movies, albeit with a different “monster.” The ending features a twist that I found unconvincing, but at least it’s unexpected and shakes things up. Robards is relatively dull as the protagonist, which explains why he wanted Lom’s role. The part called for someone of Vincent Price’s magnetism. The original version of the film runs 1 hour, 38 minutes, which is the version I viewed. Eleven minutes were unfortunately cut for the US debut, which included the removal of sequences from the end of the film, e.g. a lot of Lilli Palmer’s scenes. Director Gordon Hessler objected to these edits, as well as the tinting of the flashback scenes on the grounds that the idea was NOT to tint them so that viewers wouldn't know when they’re seeing a dream sequence or perhaps a flashback or a flash-forward, which hadn't been done before. The movie was shot in Toledo and Madrid, Spain. GRADE: C/C+
The sclera is a sign that humans are social animals. We are born to empathize, but not all of that empathy converges into perfect empathy.
On her first night as a dockside dancer, Mary Foster loses her job when she tries to fend of the advances of first mate Groder. On the street and being pursued by a Policeman who thinks she is a prostitute, Mary seeks shelter on an old freighter. She is soon discovered by second mate Tommy and they quickly fall in love, but with first mate Groder lurking around will their lives work out in the end?
Hollywood producer Alexander Meyerheimer has hired drunken writer Richard Benson to write his latest movie. Benson has been holed up in a Paris apartment supposedly working on the script for months, but instead has spent the time living it up. Benson now has just two days to the deadline and thus hires a temporary secretary, Gabrielle Simpson, to help him complete it in time.
The true story of Australia’s most notorious convict, Alexander Pearce and his infamous journey into the beautiful yet brutal Tasmanian wilderness. A point of no return for convicts banished from their homeland, Van Diemen’s Land was a feared and dreaded penal settlement at the end of the earth.
After living all his childhood in the street, a young boy rapidly notices that crime doesn't pay, leading him to become a policeman. One day, one of his best friends goes to prison for a murder he didn't commit. The policeman tries his best to release the friend by proving his innocence.
Teenage friends Kit and Libby make prank phone calls for fun but then find themselves involved in a brutal double murder committed by one of their targets.
A married man has a brief affair, then goes back to his wife and children. His jilted mistress, believing that if he had no more family he'd come back to her, sets fire to his house, hoping to kill them. The man, unsuccessfully trying to rescue them, is horribly burned. After he undergoes an operation to reconstruct his face, he begins to plot his revenge against his former mistress.
Quebec native Claire Beaucage has a one-night stand with a photographer of some renown. Despite the language barrier between them, he invites her to visit him in Toronto. She shows up on his doorstep after an arson attack leaves her homeless, but soon finds herself caught up in a case of murder and mistaken identity.
A sick young man drives around in his daddy's camper, looking for lone stray females to kidnap, torture, rape and murder.
Some youngsters rape and kill their teacher; but they won't tell their motivation. The police detective on the case feels some sinister influence behind the young murderers.
An escaped convicted murderer invades the cottage of a man, his wife and the wife's sister, whereupon he proceeds to torment this already dysfunctional trio with rape and violence.