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It's quite fun to try and spot the famous names who pepper this otherwise puerile and really rather unfunny film - but that was about it for me. It's all about a "Dante" (Brian O'Halloran) and "Elias" (Trevor Fehrman) who run a small-town store. They spend much of their day quoting lines from their favourite films until poor old "Elias" has an heart attack. Whisked to hospital, his friends decide to make a film about life in their convenience store. What now ensues may well offer us an isight into just how a sudden medical emergency can focus the attention and motivate people, but I just found the references either too in-your-face or absurdly obscure and contrived. Perhaps this will rate better in the USA, but here in the UK this just comes across as a rather sad indictment of rural life where it's all about weed and dumb wheezes. It is extremely difficult to marry the threads of humour and tragedy. Dark humour, in my view, is the hardest to write and play well - and I am afraid that nobody here really carries it off with much distinction. Maybe I just wasn't in the mood, but I didn't hear anyone else in the cinema laughing either. Not for me, sorry.
I guess Kevin Smith is irrelevant. But, as the Dark Knight pointed out "you either die a hero or live long enough to see yourself become the villain." I guess Smith live long enough. Chasing Amy was always my favorite, but Clerks and Mall Rats were classics, Clerks II was pretty hysterical, Dogma (especially if you are Catholic like me) is absolutely cutting and brilliantly so. Jay and Silent Bob... to much of the side characters, but at the end of the day they all had something in common... ... they all cut into fandoms in only the way that fans, legit come to the comic book store every Wednesday, know what Diamond Distribution is fans of geek fandoms can completely and hysterically criticize the things they love. He even cut into the original Star Wars. It was Geek Counter Culture and we loved every minute of it. Clerks III has NONE OF THAT. Smith used to criticize pop culture, and now that he's part of it, his scripts don't work. They lost their edge. The brilliance of his early work has faded to the land of sell outs. Now you are more likely to see him weep over a bad Star Wars movie in an obvious shill than you are to see him make jokes about how many innocent construction workers died in the second Death Star. And when he stopped being able to take apart fandom's and playfully make jabs at them, when he stopped criticizing pop culture and started to shill for it, he became irrelevant. There is no need to watch Clerks III, everything that made the first two... that made most of his early work great is absent in this on.
**A worthy end to a franchise that took a while to captivate my interest.** I didn't like the first film very much, as I even mentioned in the text I wrote for it. However, I was able to enjoy the sequel, and although this film is not as good as it is, it ends up being able to give a decent ending to the trilogy: Dante and Randal continue to run their shop, and both are haunted by heart diseases, the result of of the bad life habits they had. After recovering from a heart problem, Randal decides to make an autobiographical film based on his professional experience. The movie was specially thought for Clerks fans. There is no concern about attracting new audiences or pleasing the general public, it is felt from the beginning that it is a film designed to close a larger work, not to give it continuity. The greatest proof of this turns out to be the omnipresence of metaphysical themes, such as illness, religion, death and what happens after it. The characters are the same as usual, and the film even has some special appearances (as had been customary in previous films), and there is nothing surprising in what they do or say. The cast remains the same, with Brian O'Halloran and Jeff Anderson pontificating and dominating everything with a remarkable job, very well done. Next to them are Jason Mewes and Kevin Smith, who have an important part in the most hilarious scenes. And although Rosario Dawson has a good capacity and talent for comedy, her character takes on a much more dramatic and profound facet here, which gave the film greater emotion.
A musical romantic tragedy about a famous composer who moves back to his small hometown after having had heart troubles. His search for a simple everyday life leads him into teaching the local church choir which is not easily accepted by the town yet the choir builds a great love for their teacher.
Kazakh journalist Borat Sagdiyev travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.
Newlywed couple Ted and Tami-Lynn want to have a baby, but in order to qualify to be a parent, Ted will have to prove he's a person in a court of law.
Miss Marple and Mr. Stringer are witnesses to the death by heart attack of elderly, rich Mr. Enderby. Yet they have their doubts about what happened. The police don't believe them, thus leading Miss Marple to yet again investigate by herself.
Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy. But when Kevin runs into his old nemeses, the Wet Bandits, he's determined to foil their plans to rob a toy store on Christmas Eve.
An Army corporal and his con-man sidekick take a shortcut to heroism in World War II France.
Everyone’s favorite rascals, the Aqua Teens, and everyone’s favorite perverted neighbor, Carl, split up then get back together to fight everyone’s favorite corporate overlord, Amazin, led by everyone’s favorite tech mogul, Neil, and his trusty scientist sidekick, Elmer.
Marty and Doc are at it again in this wacky sequel to the 1985 blockbuster as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents - again.
The final installment of the Back to the Future trilogy finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
After a year of long-distance, Raquel and Ares reunite on a steamy beach trip. Faced with fresh flirtations and insecurities, will their love prevail?
This sequel to the highly-rated 1979 TV movie provides another fictionalized behind-the-scenes glimpse at the comely squad and the pressures put on them as they face another Super Bowl and an upcoming USO tour.