The Day the Country Died

Recorded live at the Camden Palace for the UK TV show "Live From London" which is advertised in the beginning segment of the video.

Directed by Hugo Conim and Miguel Newton, "Enterrado na Loucura – Punk em Portugal 78-88 - A 2ª Vaga" (“Buried in Insanity – Punk in Portugal 78-88 – The second wave”), continues a history that started to be told in “A Um passo da Loucura - A 1ª Vaga" (“One Step from Insanity – The first wave”) a documentary first screened in 2015. The two documentaries are a faithful and realistic portrait of the first decade of Punk in Portugal. This second documentary starts in 1982 with the birth of a second wave – more combative and involved with the punk scene - of Portuguese punk bands like ‘Crise Total’, ‘Grito Final’, ‘Kú-de-Judas’, Mata-Ratos or Peste & Sida and ends around 1988. The history is told not only by the musicians but also by anonymous punk’s or even concerned parents. It’s an interesting narration that evolves around music but also around aesthetical, political, educational, legal and ethical dimensions of Punk.

Bill Bartell was a multifaceted individual who traversed the punk rock scene, law enforcement, rodeo riding, and country music. Known for his unique contribution to punk rock through his label Gasatanka Records and band White Flag, Bartell's life defies conventional boundaries, blending hyper-masculinity with subcultural rebellion. His story, filled with mysterious and seemingly contradictory roles, offers a compelling narrative about identity, transformation, and the unexpected paths life can take.

A documentary about vivid punk and alternative rock scene of Subotica, the northernmost Serbian city, through the periods of communism, tyranny of the 1990s regime, and economic transition at the beginning of XXI century. Seen through the eyes of its witnesses, these musicians and creative artists deliberately refused the imposed way of behavior, hence staying "invisible" to everyday people.

The place is Melbourne, Australia 1978. The punk phenomenon is sweeping the country and Dogs In Space, a punk group, are part of it. In a squat, in a dodgy suburb, live a ragtag collection of outcasts and don't-wanna-bes who survive on a diet of old TV space films, drugs and good music. And the satellite SKYLAB could crash through their roof at any moment...

Gutter punks shouldn't play with dead things...or have sex with them. When Sarah (Tiffany Stinky) screws a corpse in the local funeral home she gets the "ROT," a deadly, flesh-eating virus that soon infects her punk rock boyfriend Muzzy (Billy Scam). Realizing they are doomed to rot alive together, Sarah and Muzzy set out on a nihilistic rampage, spreading ultra-violence and the virus in their chaotic wake. As the plague of rotting flesh rages out of control, the FBI, secretive government agencies and Dr. Robert Olsen (Joel D. Wynkoop), the deranged scientist who created the "ROT", become involved, making everything far worse for the citizens of Sunnyville, Florida.

The film dives into 1970's Britain; the birth of punk and the formation of Crass, with an in-depth look at their art, music and ethos.

The worlds of a former neo-Nazi and the gay victim of his senseless hate crime attack collide by chance 25 years after the incident that dramatically shaped both of their lives. They proceed to embark on a journey of forgiveness that challenges both to grapple with their beliefs and fears, eventually leading to an improbable collaboration...and friendship.

Documentary about the legendary Spanish Post-Punk band Paralis Permanente. A band that has gained a world wide cult following for their unique sound, while only having released one album. The album is highly regarded as the record that spawned the spanish darkwave sound known as "onda siniestra".

"Both Ends Burning" is a film that captures MxPx at a crossroads in their seasoned career. Directed by Bryan Buchelt, this documentary not only follows the band's struggles in the face of the new touring climate, it also looks at the legacy and impact that Mike, Tom, and Yuri have had on the music industry, fellow bands, and their fans. This is one of the first true looks into the life of the notoriously private working class band on the road and at home.