ئاوێنە بزرکاوەکان

A Kurdish woman as a suspect of terrorism: the exciting political thriller deeply depicts the racist surveillance system in Turkey. The young Kurdish woman Arjin is under surveillance by the Turkish intelligence service. Her offense: She housed another Kurdish woman for one night, who then disappeared without a trace. Every step of Arjin and her friend Sidar is monitored from now on. When Ramo, a secret service worker of Kurdish origin, claims to have found evidence that Arjin and Sidar are involved in the planning of a suicide bombing in Istanbul, the ugly face of the Turkish government is uncovered.

Three women, three wars, one dream. Lanja is a journalist in Iraq fearlessly fighting against honor violence. Maia in Abkhazia battles archaic customs like 'bride kidnapping'. Nelly runs a women's shelter in the slums of Monrovia, Liberia. A universal story of women's courage and survival in the aftermath of war.

The story of two youngster girls who became the victims of female genital mutilation.

After their father dies, a family of five children are forced to survive on their own in a Kurdish village on the border of Iran and Iraq.

In the 1990s, some newspapers were not allowed to enter the Diyarbakir region, under a state of emergency at that time, although they were legal. Children like Bawer and Hebûn, who were part of the distribution group, would secretly collect these newspapers from outside the city at a previously agreed location and take them to the planned meeting place in the city. There, the children changed their clothes and went out to distribute them, under the guise of other work. But they were constantly followed by those who saw the newspaper as dangerous and wanted to prevent its dissemination. Çerx is a testament to the conditions under which these newspapers were distributed to readers and the difficulties encountered.

In the winter of 1988, in the depths of the Iraq/Iran war, the border town of Halabja was attacked by chemical weapons with all its people and their different stories.

Bahar, the commanding officer of the Daughters of the Sun, a battalion made up entirely of Kurdish female soldiers, is on the cusp of liberating their town, which has been overrun by ISIS extremists.

The story of this film is an aesthetic narration of the death of a Kurdish Family, along the 20th century.

Sivan Encü, a young Kurdish man, provided for his family by "smuggling" through the Turkish-Iraqi border. When he was murdered in the 2011 Robozik (Roboski) Massacre, the responsibility of family's welfare was taken over by his younger brother Sinan, who lost his life in an unfortunate accident. This is the story of their grief-stricken mother Heyam and her resilience. Alongside Heyam's struggle, the film brings the voices of Robozik elders and notables to the forefront, who have experienced first-hand the social, political and economic dimensions of smuggling, which has been the backbone of survival for the locals for many generations.

The story of a Kurdish newspaper whose journalists are under the constant threat of being abducted and killed by the state security forces.

Kurdish-Iranian poet Sahel has just been released from a thirty-year prison sentence in Iran. Now the one thing keeping him going is the thought of finding his wife, who thinks he's been dead for over twenty years.