मिमी

Aman, a Pakistani man living in London, falls in love with Asha, an Indian woman. But he must convince her parents to let them get married, despite their different nationalities.

When an army commando finds out his true love is engaged against her will, he boards a New Dehli-bound train in a daring quest to derail the arranged marriage. But when a gang of knife-wielding thieves begin to terrorize innocent passengers on his train, the commando takes them on, one by one.

In the sweltering Arabian Gulf heat Ananda’s dreams of a better life than the one she left behind in India are shattered after her child is forgotten on a school bus. Armed with the dead child’s ashes, she stands up against society’s ‘invisible’ caste, demanding accountability and refusing the customary blood money.

Advocate Jai Saxena lives in a small flat with his mom. One day his mom hires a maidservant named Imarsi, but later they find out that she is an impostor, and fire her. A few days later she comes knocking on their door in the dead of night, claiming that she is the sole heiress of Rai Bahadur Tulsinath's estate, and that someone is out to kill her. Jai wants to believe her, but his mother disbelieves her and wants her out of their lives, as she feels that this is nothing but another trick on her part to fool them. When the police are notified, the Saxenas are told that this woman's real name is Ragini, a homicidal killer, wanted by the police. Will Jai be convinced that he was offering to shelter a fugitive from the law?

When young computer genius Rudy inherits his father's business his avaricious uncle has him kidnapped and held hostage until the boy signs off all rights to the lucrative enterprise. Not wanting the uncle to control, a pair of corporate executives happen upon a youth who looks just like the missing heir. In hopes of keeping the business afloat, they substitute him at the board meetings.

The film, set in the 1980s and 90s, chronicles the transformation of Bombay to Mumbai. The story is a cat and mouse game between a deadly don, Amartya Rao, who doesn’t think twice before killing, and there’s nobody who could stop him and a cop, who is dogging his every step.

Bhanwar, a simpleton young man in the rural Rajasthan wants a bride for him but gets duped. Instead of a woman, he is married off to a transgender person – Sanwri. Having no resort Bhanwar and his uncle decide to keep Sanwri for their household work but fearing the social ostracization they also try to keep her actual identity a secret. Bhanwar and Sanwri eventually fall in love and fight to survive as a couple in a conservative, oppressive society where marriages are meant to take place only between a man and a woman, and traditional norms are more important than humanity.

Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.

This is the story of Amit and Samara - two souls in Mumbai, a city of millions and how the universe conspires to bring them together. This is a coming of age film about how two people are destined to meet but only when their individual lives are ready for each other. Through a chance encounter, a series of coincidences and fates helping hand, Amit and Samaras lives intersect and affect each other. Whether they can find their true paths or not, only time will tell.

As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.