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Known as a creator of astonishing images, stage director and visual artist Robert Wilson delivers a magnificent production of Mozart’s adaption of Handel’s Messias. Mozart was commissioned by Gottfried van Swieten to modernise the score fifty years after Handel’s popular composition (1742), mainly by arranging the wind parts and partially re-composing them. With Marc Minkowski a conductor has been engaged who understands perfectly how to combine baroque style with the tonal possibilities of an orchestra of the classical period like the Musiciens du Louvre. The excellent soloist quartet with Elena Tsallagova, Wiebke Lehmkuhl, Richard Croft and José Coca Loza merges perfectly into Wilson’s enormous flood of images.
Glyndebourne's Saul stole the summer and had critics raving. The Guardian (****) applauded virtuoso stagecraft from director Barrie Kosky in his debut production there, calling the show a theatrical and musical feast of energetic choruses, surreal choreography and gorgeous singing. For The Independent, which ranked it amongst five top classical and opera performances of 2015, there was no praise too high for the cast. The Orchestra of the Age of Enlightenment under Ivor Bolton sparkles from the pit with period panache, and designer Katrin Lea Tag's exuberant costumes (The Times ****) set the Old Testament story in Handel's time, with a witty twinge of the contemporary.
Le Villi is an opera-ballet in two acts composed by Giacomo Puccini to an Italian libretto by Ferdinando Fontana, based on the short story Les Willis by Jean-Baptiste Alphonse Karr.
A spectacular production of Aida filmed at Bregenz Festival's lakeside stage in 2009, with Carlo Rizzi conducting the Vienna Symphonic Orchestra and the Polish Radio Choir.
As Aragon descends into unrest, a count jealously fights for a noble lady's heart. But she has already given it to a passionate troubadour whose mother holds a terrible secret.
Recorded live in June 2017 at the magnificent Liceu Theatre in Barcelona, this DVD is the companion to Joyce DiDonato’s award-winning album In War and Peace: Harmony through Music. Seeking answers to the existential question “In the midst of chaos, how do you find peace?”, it makes a compelling piece of music theatre as DiDonato journeys through arias by Handel, Purcell, Monteverdi, Leo and Jommelli with Il Pomo d’Oro and conductor Maxim Emelyanychev. On stage, In War and Peace: Harmony through Music makes a compelling piece of music theatre. In Barcelona, as on the European and North American tours she made in late 2016, DiDonato was joined by the baroque orchestra Il Pomo d’Oro and its principal conductor Maxim Emelyanychev. May and June 2018 bring further performances in Portugal, France, Germany, Turkey and Hungary.
Film version of the Verdi opera about lovers on the run after the accidental death of the girl's father.
The chamber opera One represents a new kind of music multimedia drama. Michel van der Aa's poetic production of technological virtuosity fuses libretto, video, live music and soundtrack with the soprano voice and stage presence of Barbara Hannigan into One. Projected images and electronic sounds add emphasis to the onstage performance of the protagonist, while the recorded and live voice interact with incredible synchronicity.