Alarum 2025 - Movies (Apr 26th)
La Cocina 2024 - Movies (Apr 26th)
Dikkie Dik 2 Een nieuwe vriend voor Dikkie Dik 2024 - Movies (Apr 26th)
Murder at the Lighthouse 2025 - Movies (Apr 26th)
On Swift Horses 2024 - Movies (Apr 26th)
Until Dawn 2025 - Movies (Apr 26th)
The Gift That Gives 2024 - Movies (Apr 26th)
In Flight 2024 - Movies (Apr 26th)
The Accountant 2 2025 - Movies (Apr 26th)
Drive Back Home 2024 - Movies (Apr 26th)
Tendaberry 2025 - Movies (Apr 26th)
Dirty Angels 2024 - Movies (Apr 25th)
Warlord 2025 - Movies (Apr 25th)
Limonov The Ballad 2024 - Movies (Apr 25th)
Andrea Bocelli 30 The Celebration 2024 - Movies (Apr 25th)
Dolly Parton Still Rockin 2024 - Movies (Apr 25th)
Reignite A Brisbane Heat Story 2024 - Movies (Apr 25th)
OVERLORD The Sacred Kingdom 2024 - Movies (Apr 25th)
According to Otto 2025 - Movies (Apr 25th)
Neighborhood Watch 2025 - Movies (Apr 25th)
Gladiators 2024 - Movies (Apr 24th)
The 1 Club - (Apr 27th)
The UnBelievable with Dan Aykroyd - (Apr 27th)
The Sunday Show with Jonathan Capehart - (Apr 27th)
Love Triangle - (Apr 27th)
The Last American Vagabond - (Apr 27th)
The Kelly Clarkson Show - (Apr 26th)
RV There Yet - (Apr 27th)
Match of the Day - (Apr 26th)
Britains Got Talent - (Apr 26th)
The Beat with Ari Melber - (Apr 26th)
Heels in the Hay - (Apr 26th)
Our Dream Farm with Matt Baker - (Apr 26th)
The Katie Phang Show - (Apr 26th)
Alex Witt Reports - (Apr 26th)
James Martins Saturday Morning - (Apr 26th)
Prue Leiths Cotswold Kitchen - (Apr 26th)
Dark Winds - (Apr 26th)
Pop the Balloon LIVE - (Apr 26th)
Resident Playbook - (Apr 26th)
Heavenly Ever After - (Apr 26th)
Harry Dean Stanton is on cracking form here the amnesiac "Travis". He turns up in a Texan clinic dressed in a striped suit, but recalling little for the slightly roguish doctor who helps him after some dehydrating time in the desert to use to help identify him. A tiny scrap of paper in his wallet enables him to, though, and soon "Walt" (Dean Stockwell) arrives to try and get his long-lost brother back to his own home in Los Angeles. As the story now gradually unfolds, we discover that "Travis" has a son who lives with "Walt" but we are unsure as to just what has led him to his current, absent-minded, predicament. Unwilling to fly, the two take the long road trip back getting to know each other and slowly building a renewed sense of trust before he is to be re-introduced to the son (Hunter Carson) he hasn't seen for four years and who requires some answers of his own. The last half hour brings the threads together neatly, if a little conveniently, allowing a few brief appearances from Nastassja Kinski that brings the story of "Travis" and his trauma full circle. To be honest, I found the actual plot rather weak, indeed the story isn't up to much at all really - it's the performance from HDS that is measured and engaging. His flawed character gradually comes out of his self-induced shell as it seems he is learning about himself almost at the same pace as we are - and that makes the film compelling for the most part. It's a story that takes it's time, and watching it I found it did take me a few minutes to get myself into a suitably low gear to appreciate it. It's isn't a plod, or a slow watch - it is a nuanced, occasionally amusing, search for identity - oh, and for a field in Paris, Texas!
**A film full of qualities, but which will not please the general public.** There are films that are made for commercial audiences and others that are clearly made to please specialized critics and film theorists. Although this film was present on the commercial circuit, the truth is that Wim Wenders directed this film for critics and film festival audiences, and this explains why critics love it and why the general public hardly knows this work. . About me? To be quite honest, I didn't particularly like the film, and it's not the kind of film I like to watch or watch with pleasure. However, I am the first to recognize that it is a work full of artistic and technical qualities, and that it deserves a close look by any student and fan of the seventh art. The plot revolves around a man who spent four years wandering through desert areas of Texas due to a huge psychological shock. We don't know what he suffered, but it is obvious that he is not well when he is finally rescued by his brother, and he spends a long time without saying a word, just trying to resume his march to nowhere. As the plot develops, we understand the emotional void he feels and desperately seeks to fill. The reunion with his son, whom he hadn't seen for years, will mark the beginning of a journey of inner healing, of reuniting with himself and the hurts of his past. The idea of family, the crisis of moral and social values, the role of men and women in marriage and the absence of feelings are themes that the film, very discreetly, addresses throughout the story it tells us. Anyone who wants to see this film should prepare themselves for a long, very visual experience: the film is a grueling two and a half hours long and the action is quite slow. Wenders, who even thought about becoming a painter, likes to work very carefully on the visual and pictorial side of his films, and the slow action allows him, in this specific case, to explore to the maximum the visual beauty of desert scenes or urban landscapes. of Texas, where the action is concentrated. Do I need to say that the choice of sets and filming locations was one of the aspects that I liked most? Thanks to a good cinematography job, each one looks even more beautiful, wild and rude. Harmonizing perfectly with all this, the soundtrack, on guitar, plays a little with the Wild West and with the melodies that we usually associate with the Western style. In addition to a very well done and solid plot, and good visual and technical values, the film also features the extraordinary work of Harry Dean Stanton. The actor has never been one of those stars that draws crowds, but he has quality and gives us here, probably, the best work of his film career. He is solid and impactful enough to capture our full attention with a minimum of words and facial expressions, and he doesn't say a word or change his facial expression during the first half hour of the film. The film also has excellent contributions from Dean Stockwell and Nastassja Kinski, and even young Hunter Carson does a well-done job. However, the stage is all Stanton's.
Although Brad has a satisfying career, a sweet wife and a comfortable life in suburban Sacramento, things aren't quite what he imagined during his college glory days. When he accompanies his musical prodigy son on a university tour, he can't help comparing his life with those of his four best college friends who seemingly have more wealthy and glamorous lives. But when circumstances force him to reconnect with his former friends, Brad begins to question whether he has really failed or if their lives are actually more flawed than they appear.
Unable to meet all the demands of his job and family anymore, Mathieu feels he's in a mid-life crisis and hurriedly leaves for the forest. His relatives are left by themselves, faced with his sudden departure and their choices.
Recently widowed mom Brenda fights to protect her family during a harrowing road trip when a murder and a missing bag of cash plunge them into danger.
Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race. As their consumption of drugs increases at an alarming rate, the stoned duo trash their hotel room and fear legal repercussions. Duke begins to drive back to L.A., but after an odd run-in with a cop, he returns to Sin City and continues his wild drug binge.
A socially awkward and volatile small business owner meets the love of his life after being threatened by a gang of scammers.
When brash Texas border officer Mike Norton wrongfully kills and buries the friend and ranch hand of Pete Perkins, the latter is reminded of a promise he made to bury his friend, Melquiades Estrada, in his Mexican home town. He kidnaps Norton and exhumes Estrada's corpse, and the odd caravan sets out on horseback for Mexico.
This is the story of Isa, who grows up in a Hamburg suburb. It might be one of the world's richest cities but every beast has its belly and here, in the very underbelly, Chiko lives in a world where violence, staking and keeping a claim, and drug taking are the norm. Where down is not an option, Chiko is determined to rise to the top, whatever and whomever it costs.
17-year-old Guido suffers since his early childhood from neurodermatitis. After being taken to the hospital due to a heavy attack, he starts to question his personal and familiar environment and discovers that his parents’ relationship – which he assumed to be happy and sound – is built on lies. Unable to deal with this disappointment, he flees from it and moves in with his older brother and his roommates...
An elderly rodeo rider becomes mentor to a young man attempting to make his own name in the business.